Wow, I must’ve really misread the ol’ zeitgeist. I thought for sure with that depressing new Ben Stiller indie drama having come out on DVD last Tuesday GREENBERG was gonna be all anybody had on their minds for weeks. But the comments thread there almost makes it seem like you guys are more interested in this “Inception” business.
Director Christopher Nolan first made his mark on cinema with the black and white (read the rest of this shit…)
SHUTTER ISLAND is alot like JURASSIC PARK. Outside experts are called in to a remote island where some unusual shit goes down. They’re shown the operation, the security setup, the layout. Then there’s a big ass storm so they can’t get off the island, the electric fences go down and the captives get loose and it’s bedlam. But it’s the criminally insane instead of dinosaurs, and it’s the guy who plays GANDHI instead of the director of GANDHI who’s their guide on the island. There are other minor differences, like for example this one is less about people staring in awe at dinosaurs and more about piecing together the traumatic events that haunt the hero, and figuring out how they tie into this mystery which unfolds in a surreal horror movie atmosphere and within the context of the 1950s, with the lingering horrors of WWII still in people’s minds as well as the fear of the hydrogen bomb and of communism, and most importantly during the psychiatric community’s bumpy transition from barbaric surgical methods to more modern psychotropic drugs and verbal forms of therapy. Otherwise though it’s pretty much the exact same movie, a blatant ripoff. (read the rest of this shit…)
Hey, any of you guys ever seen TITANIC? It’s one of the later movies from the guy who did TERMINATOR. Bill Paxton stars as Brock Lovett, a deep sea explorer using THE ABYSS-style equipment to search the wreckage of the Titanic for a lost diamond. Along the way he meets Rose (Gloria Stuart), a 101 year old survivor of the famous shipwreck who teaches him valuable life lessons and what not. Also there are some flashbacks featuring Kate Winslet (HEAVENLY CREATURES ) as the younger Rose and Leonardo Dicaprio (THE QUICK AND THE DEAD), but don’t worry, he’s not supposed to be young Bill Paxton, he’s a different character.
Really, I’m surprised you guys haven’t heard of this. It was a pretty big deal at the time from what I remember. (read the rest of this shit…)
If you saw INFERNAL AFFAIRS you know the storyline. Undercover cop vs. undercover gangster. There’s alot of stories about cops going undercover in gangs, but this one also has a member of the crime family who entered the police academy and moved up the ranks as a mole for his gang. So now both traitors are well situated and it starts to get obvious to both sides that they have a mole in their midst. And the moles are given the job of finding out who the mole is. It could be called LOS TOPOS.
Mr. Scorsese took that premise and moved it to Boston and told his own story about contemporary Boston criminals. Scorsese’s young associate Leonardo Del Caprio (looking more like Benicio Del Toro every year) plays the cop who pretends to get kicked out of the force, does some time and then joins Jack Nicholson’s gang. Matt Damon plays the cop who’s really working for the gang. We first see him as a little kid getting money from Nicholson in a diner. And the kid they chose is a dead ringer. They even taught him how to cock his eyebrow like Damon. Somebody’s gonna have to find a young Ben Affleck doppelganger and these two can go on the road. Or they could do THE YOUNG JASON BOURNE MYSTERIES where the camera shakes around while he’s fighting some kid in a treehouse. (read the rest of this shit…)
In this new movie from Martin Scorsese (THE KING OF COMEDY), Scorsese’s young companion Leonardo Dicaprio plays an aviator. I was surprised to find that it was not just any aviator he was playing, it was actually Howard Hughes, the famous rich guy who peed in jars, wore kleenex boxes for shoes, etc. It turns out he not only grew his fingernails long and made a giant plane, he also was a movie director and producer. Which is probaly why Scorsese is interested in him.
After a brief origin story (explaining how a childhood incident led to his obsessive compulsive powers) the movie starts out with young rich boy Hughes, having inherited his parents’s drillbit company, making the world war one flying ace movie HELL’S ANGELS. He actually bought “the world’s largest private air force” and after years of disastrous (3 fatalities, 3 million dollars spent) shooting made a movie with the most spectacular aerial scenes ever produced (I guess. I haven’t really seen it. I am a phoney). THE AVIATOR gets alot of entertainment mileage out of portraying him as this crazy rich boy with a vision. Everybody thinks he’s nuts including his right hand man John C. Reilly. But he’s gonna spend his money how he wants to and he’s gonna make a god damn movie. This part of the movie I was thinking it reminded me a little bit of that movie where Johnny Depp plays Ed Wood. Then all the sudden Howard goes to ask a favor from Mr. Mayer of MGM… and it’s the same fuckin guy that Ed Wood tried to get a movie deal from! Same exact dude. Plus both movies have a score by Howard Shore. It’s like all the stars are lining up or something. There is no significance to it though in my opinion. Let’s get off of this tangent I guess. (read the rest of this shit…)
For some reason I didn’t expect all that much from Martin Scorsese’s new picture GANGS OF NEW YORK. I’m not really a big fan of period pieces, I’m just as ignorant of history as anybody else who is ignorant of history and I don’t have any opinion one way or the other on “Leo” who plays the protagonist Amsterdam or “Danny” who plays Robert Deniro playing an early gang leader named Bill the Butcher. (You know, the same way Roddy Piper played Kurt Russel in THEY LIVE).
But I guess I forgot about that Scorsese, he knows how to make a fuckin movie. GANGS OF NEW YORK is an archetypal type story of some guy whose dad was killed in a gang battle, he escaped and hid away for many years and then came back for revenge. But you know he’s a cowboy or a samurai or a wizard or some shit so he plans for the perfect time to murder Bill in front of everybody at a big celebration of the anniversary of killing his dad. And in the meanwhile he befriends him, to make it all the easier and all the worse. (read the rest of this shit…)
This is a movie that looked pretty promising, but shit if I even liked it at all. It is hard to come out with a Fight Club type of picture in the same year that Fight Club came out and not end up looking like a bunch of garbage. But that is what these folks did.
Yes, this is the Fight Club type of movie. You know, the type of movie that is released by Fox, based on a popular novel, crammed full of first person narration criticizing the culture. These type of movies have really beautiful widescreen photographical techniques as well as little showoffy computer camera gimmicks and wall to wall techno music. They are generally about a character who is fed the fuck up with American consumerism and superficiality who wants to leave it all behind and push himself to the limit and seek out danger and blah blah blah. Then they get involved in a secret counterculture which at first is fun and utopian and represents everything they want out of life. But there is always a hint of danger and then one of the colorful supporting characters gets some kind of injury – usually a gunshot blast to the head or shark bite – but the counterculture handles the situation in a heartless bastard of a manner which signals the turning point when you start to realize WELL FER CRYIN OUT LOUD, the counterculture is just as fulla shit as the culture itself. At this point in these type of movies the character either goes crazy or finds out he’s been crazy all along, and then they start having delusions about the founder of the secret counterculture, who is some kind of intensely charismatic wacko, who starts to take on sort of superhuman powers, and blah blah blah. You know the type of movie I’m talking about. (read the rest of this shit…)
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