Posts Tagged ‘John Saxon’
Tuesday, October 31st, 2023
Every Halloween if I’m able to I like to write an essay on one of the great horror movies. This particular one is very important to me in part because it’s the specific movie that turned me into a horror fan. I’ve written about it before but here I try to get at both why I still love it and how it speaks to me about the world today. Hopefully I’ve done it justice. Happy Halloween, everyone.
A NIGHTMARE ON ELM STREET begins either in the past or a dream. A montage plays inside a rectangle within the larger frame, in which the hands of Fred Krueger (Robert Englund, SLASHED DREAMS) construct what will be a major element of his iconography: his four-bladed right-hand glove. Maybe the thought at the time was that a horror movie couldn’t just jump out with a crazy weapon like that – they had to establish it.
The scene fades to black as the title comes up, and the next shot, of the blades cutting through fabric, fills the screen. We’re definitely in a dream as Tina (Amanda Wyss, FORCE: FIVE) runs from a white void into a flooded, steaming, labyrinthine boiler room where she’s stalked by Freddy, who calls her name, cackles, makes his (new?) claws squeal against metal like fingers on a chalkboard. Right when he grabs her she wakes up, escaping into reality, but she finds four slashes in her nightgown. (read the rest of this shit…)
Tags: Amanda Wyss, Heather Langenkamp, John Saxon, Johnny Depp, Nick Corri, Robert Englund, Ronee Blakley, Wes Craven
Posted in Reviews, Horror | 9 Comments »
Monday, August 21st, 2023
August 15, 1983
There are a few more to go but I have a strong feeling PRISONERS OF THE LOST UNIVERSE is gonna be the crappiest fantasy/sci-fi type movie in this historic summer of Jedi returns. I’m sure the terrible, washed out transfer on the DVD I rented doesn’t help – it’s a “Grindhouse Double Shock Show” paired with the 1979 Italian film STAR ODYSSEY – but everything about the production seems low rent. It’s all very ugly and low energy, filmed mostly just out in a rocky area somewhere, with acting and dialogue that made my wife ask if I was watching a porno. Then she decided it looked like the “Safety Dance” video, which is a very good comparison, although honestly with lower production value. I would bet that there was less time between conception and release than it took to animate the spider in KRULL.
The director and co-writer is Englishman Terry Marcel, his followup to HAWK THE SLAYER, but the cast is American and it’s filmed in South Africa. That’s why even though it opens in what we’re told is L.A. all the cars have the steering wheels on the right side. (read the rest of this shit…)
Tags: John Saxon, Kay Lenz, Richard Hatch, Terry Marcel
Posted in Reviews, Fantasy/Swords, Science Fiction and Space Shit | 9 Comments »
Tuesday, January 3rd, 2023
JOE KIDD (1972) is Clint Eastwood’s only movie directed by John Sturges (BAD DAY AT BLACK ROCK) and also his only one written by Elmore Leonard. Leonard was no stranger to Hollywood – his western novels The Law at Randado, Last Stand at Saber River and Hombre (plus the short stories 3:10 to Yuma, The Tall T and Only Good Ones and the crime novel The Big Bounce) had already been made into movies, and he’d adapted his own The Moonshine War. But this was his first original screenplay, which he’d written as THE SINOLA COURTHOUSE RAID or SINOLA.
Eastwood plays the titular fuckup, formerly a bounty hunter, now pursuing other interests, primarily getting drunk and arrested. He has a pretty good Leonard-ian introduction: passed out in a cell, his jailers bring breakfast and coffee to wake him up for a court appearance, but his cellmate Naco (Pepe Callahan, THE LONG GOODBYE) keeps it out of his reach and taunts him about it. Joe thinks he remembers that deputy Bob Mitchell (Gregory Walcott, PRIME CUT) hit him, but has to ask for confirmation. They say he was illegally hunting a mule deer on the Indian reservation, then threatened to piss on the court house, and it took three cops to bring him in. (read the rest of this shit…)
Tags: Clint Eastwood, Dick Van Patten, Don Stroud, Elmore Leonard, Gregory Walcott, James Wainright, John Carter, John Saxon, John Sturges, Lalo Schifrin, Lynne Marta, Paul Koslo, Pepe Callahan, Robert Duvall, Ron Soble, Stella Garcia
Posted in Reviews, Western | 26 Comments »
Monday, July 6th, 2015
Fuck a star war – what about a battle beyond the stars? I know a battle is smaller than a war, it is only one of the units that makes up a part of a war, but maybe that’s better. More intimate. More focused. And then it’s beyond the stars instead of within them, as a mere star war is. Beyond is better. This battle has transcended the fucking stars.
Admittedly, it doesn’t seem like BATTLE BEYOND THE STARS takes place further away from here than any of the STAR WARSes. In fact, it is for sure closer, because people have heard of the planet Earth, and one guy is from there. His name is Cowboy, but not the pioneering rapper from the Furious Five who coined the term “hip hop.” He’s actually George Peppard a couple years before The A-Team and he wears a cowboy hat, plaid shirt and insulated silver space pants. He always shows off that he likes westerns and exotic Earth liquor. Obviously he’s the Han Solo character, and he’s entertaining, but most of his scenes are alone in his ship, so there’s a Chewbacca-sized hole next to him. (read the rest of this shit…)
Tags: Darlanne Fluegel, George Peppard, James Cameron, James Horner, John Saxon, John Sayles, Lynn Carlin, Richard Thomas, Robert Vaughn, Roger Corman, Sybil Danning
Posted in Reviews, Science Fiction and Space Shit | 43 Comments »
Sunday, November 11th, 2007
I always wanted to watch all of Dave Cronenberg’s movies in order, or at least the ones I haven’t seen or don’t remember very well, and I’m finally giving that mission a shot. This is only #2 and #3 here though so don’t start congratulating me yet. But here’s a look at some early Cronenberg.
RABID is typical of Cronenberg’s early work, because it’s about a girl who gets all worked up and bites people to death with the vagina she has in her armpit. FAST COMPANY is the least typical of all Cronenberg movies because it’s about funny car racing. That wouldn’t be a surprise if they were funny cars shaped like vaginas, but these are just regular funny cars with wheels and seats and everything. Driving fast. On race tracks. Etc. (read the rest of this shit…)
Tags: Claudia Jennings, David Cronenberg, Ivan Reitman, John Saxon, Marilyn Chambers, William Smith
Posted in Horror, Reviews, Thriller | 4 Comments »
Saturday, June 23rd, 2007
Like I mentioned in my review of WHO CAN KILL A CHILD? that should be running on The Ain’t It Cool News soon, I’m on the mailing list for this Dark Sky DVD label. So I get all these nicely packaged Italian horror obscurities and what not, and to be honest I haven’t watched most of them yet. I loan them to my horror watcher friends and hope they’ll tell me I got a must-see there. But that doesn’t usually happen.
For the batch that comes out this week though I found time to watch them and I was impressed. The one I had the highest hopes for was WHO CAN KILL A CHILD? which is a creepy sun-drenched Spanish horror movie in the vein of VILLAGE OF THE DAMNED. But I already heard that one was good before, so a more impressive find is THE GLOVE, the b-picture in their latest “DRIVE-IN DOUBLE FEATURE” along with SEARCH AND DESTROY. (read the rest of this shit…)
Tags: Joanna Cassidy, John Saxon, Rosey Grier
Posted in Action, Comedy/Laffs, Crime, Drama, Horror, Reviews | 3 Comments »
Monday, September 25th, 2006
You probaly know director Bob Clark as the guy who did PORKY’S and A CHRISTMAS STORY. More recently he did the two BABY GENIUSES movies and something called KARATE DOG which, judging by the cover, is not a metaphorical title. But back in the day he was a pretty good director of horror movies. One of the ones he did was DEATHDREAM, a really eerie movie about a guy coming back undead from Vietnam and everybody is sort of in denial that he’s different. I liked that one a hell of alot better than HOMECOMING, Joe Dante’s sort of similar anti-war zombie thing from the Masters of Horror show.
But right after DEATHDREAM Clark did his most famous horror movie, BLACK CHRISTMAS, and it’s a pretty good one. (read the rest of this shit…)
Tags: Bob Clark, Christmas, Christmas horror, John Saxon, Keir Dullea, Margot Kidder, Olivia Hussey, slashers
Posted in Horror, Reviews | 6 Comments »
Friday, June 24th, 2005
BREAKING NEWS: ENTER THE DRAGON is a classic and it’s mainly because of Bruce Lee’s performance. More on this story as it develops.
Okay maybe that’s old news. He’d been trying for years to become a superstar in the US (he only went back to hong kong after being dissed one too many times by the white man). So it was a big deal for him to have his big american co-production. And in the movie he has so much screen presence that they had to build a special type of camera to film him, after going through six different regular cameras that broke because of his power.
Actually that’s complete bullshit, I just made that up. That woulda been cool though. Anyway anything you need to know about why Bruce Lee is such an icon is in this movie: the arrogant persona (his character is actually kind of a dick), the perfect physique, the powerful moves, the cool nunchucks, the occasional philosophy, the greatest theme song of all time (thank you Lalo Schifrin). But everybody knows that. I’m not telling you anything you don’t know if I talk about that. So let’s give some credit to the rest of the movie. For example, co-star John Saxon. (read the rest of this shit…)
Tags: Bolo Yeung, Bruce Lee, international co-productions, Jim Kelly, John Saxon, Robert Clouse, Sammo Hung
Posted in Martial Arts, Reviews | 49 Comments »
