"CATCH YOU FUCKERS AT A BAD TIME?"

Posts Tagged ‘Frank Mancuso Jr.’

Fled

Monday, August 3rd, 2026

July 19, 1996

As you can see I’m lagging behind on this summer retrospective, struggling to catch up. But it doesn’t feel like it while watching FLED, because this is the kind of mediocre movie they used to dump off in August. Perfectly competent, nothing more. A lesser work from two actors I was excited to see in anything back then. But also Stephen Baldwin.

It’s an action movie directed by Kevin Hooks, the child star turned TV director turned guy who did STRICTLY BUSINESS and PASSENGER 57, and it’s written by Preston A. Whitmore (THE WALKING DEAD [1995]). So we can at least give it credit as one of the ’90s movies by Black filmmakers that’s just allowed to be commercial and not under pressure to represent a culture or stop the violence and increase the peace or anything (even though it features Furious Styles himself).

When I saw the credit for producer Frank Mancuso Jr. (FRIDAY THE 13TH 27) and some flashy camera moves (cinematographer: Matthew F. Leonetti, HARD TO KILL, STRANGE DAYS) and then I heard composer Graeme Revell (THE CROW, THE CRAFT, MIGHTY MORPHIN POWER RANGERS: THE MOVIE) playing DIE-HARD-type orchestral bombast over a hip hop beat on the opening credits, I wondered if maybe this was gonna be more pulpy fun than I remembered. Not really. But I can see, in retrospect, that they’re trying to do a bit of a John Woo thing with some flying through the air shooting and slow motion and vicious squibs. It was neither stylish or emotional enough to register at the time, but now it’s such a time capsule I guess I can appreciate that a little more, at least. (read the rest of this shit…)

Friday the 13th Part II

Tuesday, October 5th, 2021

“I don’t want to scare anyone, but I’m gonna give it to you straight about Jason.”


Sean Cunningham kinda messed up. He hadn’t been trying to become a horror guy, he was just trying to cash in on the popularity of HALLOWEEN real quick. But FRIDAY THE 13TH had been so successful for Paramount that they wanted a sequel immediately. By distributing the film, they’d invented the “negative pickup” – basically, they would let indie producers go through the trouble of making the damn thing, and the studio just had to market it, so they made lots of money. Though not everything had sequels in those days, this seemed like a good chance for one. But Cunningham wasn’t about to dedicate his life to this shit.

So they promoted from within. Steve Miner (previously credited as Stephen Miner) had worked as a p.a., assistant editor, second unit director and other roles on Cunningham productions including THE LAST HOUSE ON THE LEFT, HERE COME THE TIGERS and MANNY’S ORPHANS, and he’d been associate producer of FRIDAY THE 13TH. Part I screenwriter Victor Miller didn’t return, so Ron Kurz, who’d done some uncredited rewrites on that one, took over. He’d also pseudonymously written two Ken Wiederhorn movies: the notorious fart comedy KING FRAT (1979) and the in-my-opinion-underrated slasher/suspense movie EYES OF A STRANGER (1981). Fortunately his work here is more like the latter.

Frank Mancuso Jr., the 23-year-old son of the president of Paramount, became the associate producer for Part II, by most accounts staying quiet but very handy. They found there were problems the kid could solve with a phone call.

I called FRIDAY THE 13TH “in many ways the Platonic ideal of a slasher movie,” but I think Plato would agree with me that FRIDAY THE 13TH PART II is actually better. It’s mostly the same formula, but the simple act of telling us it’s Jason allows for more significant onscreen struggles with the killer, whose identity doesn’t need to be hidden. I also think the very fact of being a sequel adds a little more fun, wrapping up the events of part 1 and coming up with a crazy way to continue the story despite the decapitation of the original antagonist. I kinda dig how in the first one everyone in the area was haunted by these past events going back to ’57, and now the events of part I have been added to the list. Also, we hear a new (true!) legend about Jason being alive that apparently the “old timers” believe, even though they didn’t think to mention it last time. Or maybe it just started to proliferate in the 5 years between these two movies that were released less than a year apart. (read the rest of this shit…)