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Posts Tagged ‘Elsie Fisher’

KPop Demon Hunters + Boys Go to Jupiter

Thursday, January 29th, 2026

I swear I almost watched KPOP DEMON HUNTERS before it was a big deal. Some of the guys in the Action For Everyone circle were talking it up when it first hit Netflix last summer. During the time I put it off it became a cult phenomenon, then just a mainstream hugely popular thing that all children know about and that honestly I’m sick of hearing about. I’m very aware of how uncool it is for me to watch and/or review it at this late date, but I’m the type that is so cool that it doesn’t faze me to be uncool. So I will admit that my mother-in-law watched it before I did. That’s how cool I am.

I’m sure most of you know this, but in case you don’t, this was a movie made by Sony Pictures Animation (makers of the SPIDER-VERSE and HOTEL TRANSYLVANIA series), but I guess they got cold feet about releasing it and just sold it to Netflix, where luckily it somehow became the rare streaming movie to actually make a mark. It got so popular by word-of-mouth that two months later they did theatrical screenings of a sing-along version and it was the #1 movie for the week. The soundtrack is certified platinum and nominated for five Grammies, and I think the movie is basically guaranteed to win the best animated feature and best original song Oscars, even with SINNERS competing for the latter.

I don’t really get why it’s that big of a deal, but I liked it. A couple minutes into the prologue I was definitely sold on the premise: the human world has always been at war with the demon world, who steal our souls to empower their king Gwi-Ma (Lee Byung-hun, I SAW THE DEVIL). But every generation there is a trio of warriors “born with voices that could drive back the darkness.” They’re not only trained to fight, but to use the power of singing to create a protective barrier called the Honmoon. Their music “ignites the soul and brings the world together,” generating powerful magic, with the ultimate goal of creating an impenetrable “Golden Honmoon” that would block out demons forever. (read the rest of this shit…)

Christmas Eve in Miller’s Point

Thursday, December 4th, 2025

CHRISTMAS EVE IN MILLER’S POINT is a movie that I heard about last Christmas but it wasn’t on video yet. Some people were really flipping for it and that’s really all I knew about it, so I checked it out when I saw it was on blu-ray this week.

I think what they were responding to is that it’s very old school in many ways: beautiful cinematography, big ensemble cast of mostly unfamiliar faces who seem very natural, an emphasis on characters and moments over any sort of plot, a shockingly low amount of conflict. It’s about a huge family get-together and involves multiple age groups but the movie it most reminds me of is AMERICAN GRAFFITI. Probly not coincidentally the cast features a couple children of George Lucas’s friends (Francesca Scorsese and Sawyer Spielberg).

Of course, that led to a horrifying realization that AMERICAN GRAFFITI was set 11 years before the time of its release, while this is set sometime in the aughts, so it’s more like 20 years ago, but doesn’t seem like it. The biggest differences are flip phones and one family still has a station wagon with faux-wood paneling. It kinda feels timeless though because the music is much older and the fashions aren’t very aggressive. It could almost be five years ago, or thirty, or forty. (read the rest of this shit…)

Eighth Grade

Tuesday, July 31st, 2018

EIGHTH GRADE is a beautifully true high definition close-up on the most awkward of ages. You don’t feel like a kid anymore, but the high schoolers you’re about to be tossed in with seem like adults, and you haven’t even caught up with the kids your own age. If you’re Kayla (Elsie Fisher, a voice in the DESPICABLE ME film saga) you pride yourself on knowing how to conquer life – in fact your hobby is creating Youtube videos giving friendly, positive advice – but really you feel like every single other person knows what they’re doing and you don’t.

The movie isn’t in first person, like I’m describing it here, but it’s almost that intimate. So much of it stays close on her face, the kids around her a little out of focus. From her terrified expressions you can feel her chest about to implode with tension, but you can also tell that nobody notices. They’re off in their own world. They don’t even look at her.

For my money this is an improved grade of WELCOME TO THE DOLLHOUSE. It captures the nightmare of social awkwardness without having to exaggerate the ugliness of the world. It’s not mean. It’s real. Sure, there’s cringing, but it’s organic cringing, not pushed-to-the-limit cringing like we enjoy in Curb Your Enthusiasm and stuff. The events are mostly mundane – a birthday party where she doesn’t fit in, a trip to the mall with older kids – but they feel as heavy and monumental as they would at that age. (read the rest of this shit…)