Posts Tagged ‘Dan Bradley’
Monday, May 23rd, 2022
BORIS AND NATASHA, a.k.a. BORIS AND NATASHA: THE MOVIE, went straight to Showtime, but I’m counting it as a Weird Summer movie because it first aired on April 17, 1992, and presumably kept playing in subsequent months. And yes, it’s a live action movie centered on the villainous spy characters from The Rocky and Bullwinkle Show, which is a pretty weird idea.
That beloved Jay Ward cartoon was 30+ years in the past at the time, but still showing in reruns. I know I watched it in the ‘80s. I remember having a t-shirt with Rocky and Bullwinkle parodying the ENDLESS SUMMER poster, even though I didn’t know what that was. It was a great show, so I’m not complaining, but my parents’ generation gave us their nostalgia as hand-me-downs, and we took it. I had Gumby shirts too. I never got Showtime, though, so I never saw BORIS AND NATASHA: THE MOVIE, and couldn’t exactly picture how you’d make a movie about them.
Actually it’s not a terrible comedy premise: what if Boris and Natasha were given a mission where they had to pretend to defect to the U.S., but then they started to like being American? This isn’t as common anymore, but they used to make these movies based on old TV shows but with some high concept way to set it in the modern world. They did it for DRAGNET and after this THE BRADY BUNCH and FAT ALBERT and much later 21 JUMP STREET. CONEHEADS was another one that actually has a premise pretty similar to this one.
Wait – isn’t that kind of what The Americans is about too? Is The Americans a remake of BORIS AND NATASHA: THE MOVIE? (read the rest of this shit…)
Tags: Alex Rocco, Andrea Martin, Anson Downes, Anthony Newley, Brad Hall, Charles Martin Smith, Christopher Neame, Corey Burton, Dan Bradley, Dave Thomas, Jay Ward, Joel Soisson, John Calvin, John Candy, June Foray, Larry Cedar, live action remake of cartoon, Paxton Whitehead, Rance Howard, Sally Kellerman, Sherman Oaks Galleria, Sid Haig
Posted in Comedy/Laffs | 12 Comments »
Monday, January 31st, 2022
SPIDER-MAN 3 is Sam Raimi’s most financially successful movie to date, having raked in $894 million at the worldwide box office. That’s about 41 ARMY OF DARKNESSes. But it’s also his first (and only?) infamous movie. Looking back at the reviews surprised me – they were more positive than I remembered. But it almost immediately became one of those movies that the conventional wisdom decides is bad, and that reputation has stuck. Remember how I showed you all those articles declaring SPIDER-MAN 2 the best super hero movie ever? Well, a list on Comic Basics ranks part 3 as the #4 “Worst Superhero Movie That Hollywood has Ever Puked Up,” Goliath ranked it #5 “Most Terrible Superhero Film,” the much more thorough Comic Vine calculated it as #53 “Worst Superhero Movie,” but that means they consider it worse than GREEN LANTERN. In recent years, C-Net, Business Insider, comicbook.com, Complex and Gizmodo all included it on lists of the worst superhero/comic book movies. If it’s ever mentioned positively, it’s in the context of defending it,with the understanding that it’s an uphill battle (for example Sandy Schaefer’s 2020 Screen Rant piece “Is Spider-Man 3 Actually Bad? Why Marvel Fans Hate It So Much.”)
Of course, you know how I am. I always kinda liked it. In my review at the time I said it was “more flawed than Part 1 or Part 2. But not by much,” and concluded, “This movie is worse than the other two in some ways and better in other ways. Lots of interesting characters, great action scenes, good emotional climax, some sloppy writing and a weird tangent for the history books.“
Watching it now, I still like what I always liked, and not a single one of the things I used to dislike bothers me anymore. In fact, what seemed like its big weakness at the time – the hurried, three-villained plot – now makes it feel refreshingly different from other comic book movies, and honestly more faithful to these stories as they once existed in their original medium. (read the rest of this shit…)
Tags: Alvin Sargent, Avi Arad, Bill Nunn, Bill Pope, Bruce Campball, Bryce Dallas Howard, Christopher Young, Dan Bradley, hated sequels, Ivan Raimi, J.K. Simmons, James Cromwell, Kirsten Dunst, Marvel Comics, Sam Raimi, Thomas Haden Church, Tobey Maguire, Topher Grace
Posted in Comic strips/Super heroes, Reviews | 39 Comments »
Thursday, January 27th, 2022
Raimi started work on SPIDER-MAN 2 immediately after the first one, and had it ready to go two summers later. Since it really is about following up on the events of the first film, it starts by running the credits over some of them, as depicted in paintings by Alex Ross. (He’s celebrated for his realistic portraits of comic book super heroes, which are more impressive when they come from his imagination and not photography we’ve already seen, but still, it was cool that they got him). The end of the sequence reminds us that in SPIDER-MAN Peter chose not to be with Mary Jane, who he loves, so that he could be Spider-Man.
Which does not seem to be working out great so far. The painting of Mary Jane dissolves into a closeup of her face on a perfume billboard that Peter has to walk under every day, reminding him of his pain. Though he tries to hide it, it’s clear his world crumbles when she is not near. He’s in college now, and living on his own in a small apartment. Much like part 1’s opening about all the ways Peter can be humiliated on the way to school, this one piles it on real thick about what a shit sandwich life still hands to him every day. (read the rest of this shit…)
Tags: Alex Ross, Alfred Gough, Alfred Molina, Alvin Sargent, Bill Nunn, Bill Pope, Brent Briscoe, Bruce Campbell, Christopher Young, Dan Bradley, Daniel Gillies, Danny Elfman, David Koepp, Dion Lam, Donna Murphy, Dylan Baker, Elizabeth Banks, Emily Deschanel, J.K. Simmons, James Franco, Joel McHale, John Dykstra, Kirsten Dunst, Michael Chabon, Miles Millar, Rosemary Harris, Sam Raimi, Ted Raimi, Tobey Maguire
Posted in Comic strips/Super heroes, Reviews | 19 Comments »
Wednesday, September 25th, 2019
Well holy shit. I’ve taken my sweet time getting to all three of Jamaa Fanaka’s PENITENTIARY movies, but they’ve all lived up to my hopes. If you’re not familiar, they star Leon Isaac Kennedy (LONE WOLF McQUADE) as Martel “Too Sweet” Gordone, a man who is unjustly incarcerated but becomes a legend in the prison boxing circuit. I’m sure it’s an inspiration for the UNDISPUTED series, but Fanaka’s world is angrier, dirtier, and much, much weirder.
Released in 1979, PENITENTIARY was actually the third movie Fanaka made while attending UCLA. Unlike other directors considered part of the L.A. Rebellion film movement, he was more attracted to Hollywood than to political statements, so he made straight up lurid and entertaining blaxploitation movies. But racism, cruelty and injustice are central to his stories.
PENITENTIARY II (1982) brings the action into the outside world, and it’s a little slicker and more expensive, so it features Mr. T and Ernie Hudson.
But PENITENTIARY III (1987) is a Cannon Film. It is not fucking around. It would be an exaggeration to say that Cannon did to the PENITENTIARY series what they did to THE TEXAS CHAIN SAW MASSACRE with part 2, but there’s definitely a hint of that sort of unhinged insanity. We find Too Sweet still a free man, competing as a legitimate boxer, when his corner man is paid off to put something in his water. (That he looks over his shoulder nervously and then just openly pours something into the water in front of an audience without anyone noticing is one of many goofy touches.) (read the rest of this shit…)
Tags: Alain Jakubowicz, Anthony Geary, boxing, Bundini Brown, Cannon Films, Dan Bradley, Digital Native Dance, Jamaa Fanaka, Leon Isaac Kennedy, Magic Schwarz, prison, Ric Mancini, Rick Zumwalt, Sandra Dee, Steve Antin, The Haiti Kid, underground fighting
Posted in Action, Reviews, Sport | 2 Comments »
Wednesday, December 17th, 2014
TEENAGE MUTANT NINJA TURTLES (2014) is director Jonathan Liebesman (BATTLE LOS ANGELES, WRATH OF THE TITANS, TEXAS CHAINSAW BEGINNINGS: THE FINDING OF THE SAW) and the Platinum Dunes company’s modernized retelling of the classic tale of Raphael, Michelangelo, Leonardo and Donatello, the humanoid turtle monsters who are discovered by a human reporter living in a giant underground sewer home and are trained in ninjitsu by a talking rat so they enjoy pizza but at night they sneak out to fight crime and there’s this Japanese guy with armour who wants to kill them because–
You know what, on second thought this is not a story, this is a half-assed explanation for a joke title some guys came up with in the ’80s that, through some bizarre series of mishaps and coincidences, accidentally became a multi-million dollar pop culture/merchandising juggernaut. Nobody knows why or ever will. It was even on Unsolved Mysteries.
Seriously, I saw part of a documentary on these turtles, and it explained how the hugely popular cartoon show was built around the toys they wanted to sell. The people who made the cartoon seemed totally surprised and confused that it was something that people liked so much. It’s funny to see them try to explain in retrospect that historic moment when a voice actor said “Cowabunga!” and they decided to use it. It seems like they figure it must’ve been brilliant, but I don’t think they get it any more than I do.
This new version is pretty much a simplified rehash of the previous movie version, from what I can remember. You still got TV reporter April O’Neil (like the porn star), now played by Megan Fox, and she discovers that “a vigilante” stopped an attempted chemical robbery by “The Foot Clan,” who are masked paramilitary guys now instead of ninjas, except for Shredder and a couple other people at the top. Here’s the thing though: she keeps trying to take pictures and video on her phone. That’s why they had to do a remake. THIS IS HOW WE LIVE TODAY. (read the rest of this shit…)
Tags: Dan Bradley, Johnny Knoxville, Jonathan Liebesman, Megan Fox, ninjas, Platinum Dunes, Will Arnett, William Fichtner
Posted in Comic strips/Super heroes, Reviews | 40 Comments »
Monday, August 19th, 2013
I feel like I should post about upcoming EXPENDABLESes, since we’re all fans of several people in the cast, and since we all want to love these movies, though many of us don’t. And though the two so far haven’t in my opinion come anywhere near living up to their potential I have gotten some joy out of them. So I always want them to get it right on the next one. And this has plenty of elements that sound promising.
spoiler: this post is gonna start out optimistic and then end on a bummer
(read the rest of this shit…)
Tags: Dan Bradley
Posted in Blog Post (short for weblog) | 70 Comments »
