And lo, the forces of boredom and time or what have you separated the Coen Brothers temporarily, and gave us a clearer view of what each brings to the team. First was Joel Coen’s THE TRAGEDY OF MACBETH, a beautiful but straight forward black-and-white rendition of the Shakespeare jam. What struck me most about it other than the look was how naturally Denzel Washington could say the original dialogue and still sound exactly like the modern Denzel we know and love. I hope some day we get to hear him do that with some Coen dialogue.
Now we have Ethan Coen’s first solo directing joint*, an original piece written with his wife Tricia Cooke, who’s also editor (as she was on THE BIG LEBOWSKI, THE NAKED MAN, O BROTHER WHERE ART THOU? and THE MAN WHO WASN’T THERE). Titled HENRY JAMES’ DRIVE-AWAY DYKES on the credits, this is a goofy lesbian road comedy about a pair of mismatched friends doing a drive-away (getting paid to drive someone’s car one way) from Philadelphia to Tallahassee.
*he says he and Cooke both directed but they didn’t really care about the credits and he was already in the DGA (read the rest of this shit…)
TRANSFORMERS: RISE OF THE BEASTS is the new Transformers picture directed by Steven Caple Jr. (
ZOLA tells a wild road trip story that, I feel, doesn’t amount to much, but it’s worth it for the ride, and for the telling. The big hook is that it’s based on the 2015 “now iconic series of viral, uproarious tweets” (source: A24films.com), something that’s not only emphasized in the marketing, but noted on screen at the beginning. The official onscreen title is @zola (which is actually the Twitter handle of some wedding company, not author/protagonist A’Ziah “Zola” King), the main characters are often looking at their phones and monotonously speaking aloud their texts to each other, and there’s a notification sound heard frequently throughout the movie – I was never really sure if it was meant to be diegetic or not. Admittedly all that sounds stupid, but when it comes down to it this is really just “based on a true story.” Not even entirely based on a true story told in an unusual medium, because a Rolling Stone article about the whole affair…
CANDYMAN (2021) is the first sequel in 22 years to 
After 
