There’s alot of comic strip books turned into movies but usually they Hollywood em up alot. They change the story and the super hero clothes and turn brits into americans and alot of the fans are fundamentalists so they get pretty upset. Batman doesn’t have nipples because bats don’t have nipples, Super-man isn’t supposed to wear that shade of blue it is actually a different shade of blue, that kind of thing.
So what Robert Rodriguez did for this comic strip SIN CITY, he actually brought in the writer/cartoonist from the comic, made him co-director, and apparently pretty much used the comic as storyboards and script. He used his cool digital movie cameras and convinced a great cast to come in and fuck around in front of green screens and used computers for almost all the backgrounds. According to my team of expert nerds, there are scenes and lines from the funny pages that they cut out here and there and they mixed things together a little bit at the beginning in order to combine three stories into one. But for the most part the shots are based on the drawings and everything written on the page is said out loud in the movie. An obsessive level of faithfulness never thought possible even by Harry Knowles himself. Maybe the most faithful movie adaptation of anything ever, including plays, novels and trading cards. (read the rest of this shit…)
WHITE DOG is the story of a racist German sheperd. Fuckin Germans. (Just kidding.) The story here is about Julie (Kristy McNicol) a small time actress who runs over a white German sheperd in the Hollywood Hills one night. She brings the dog (who never gets a name, so we’ll call him White Dog) to the vet and pays for his treatment, then takes him in while she tries to find the owner.
Here’s one of those small time, low budget independent movies you never really heard of, because it never really caught on. This one’s not even on DVD, and I think it’s out of print on VHS. Made in 1999 and with no recognizable faces except the star, Patrick Warburton, that big deep-voiced goofball I guess was on Seinfeld.
starring Bruce Willis 
Legend has it that the times we’re in create the movies we watch. Sometimes on purpose, sometimes subconsciously. I mean who the fuck knows how it happens but the fears and the turbulence and the shittiness of troubled times somehow soaks into the celluloid and poisons the screen. So Vietnam and racial unrest soaked into the PLANET OF THE APES pictures, for example. The atomic age bred giant crabs, Hiroshima gave birth to Godzilla, Ronald Reagan caused 
Hey folks, Harry here… I should rename Vern, Gunga Din, cuz with what he watches and writes about… he’s a braver man than I am. Case in point. WILD THINGS 3. Behold…
What this one is about is robots. It’s a movie about robots, so they called it ROBOTS. You see how that works? Movie is about robots = title is ROBOTS. That is the level of imagination and innovation we are working with here in America circa 2005. Ain’t life beautiful.
This is the sequel to GET SHORTY. Based on another book by Elmore Leonard, but this book was made after the GET SHORTY movie and with the idea that it would become a movie too. So this is a movie about sequels based on a book that was a sequel to a movie based on a book. Which means there’s all kinds of metapostmodernistical type business running around calling attention to itself. Hey, look at me, I’m a character in a sequel talking about how sequels are bad. Now I’m a character in a PG-13 movie talking about how if you say fuck twice you get an R.
Well I picked this one up ’cause there was alot of hype, it just won a bunch of awards recently and they were making a big deal about Halle Berry showing up and making a tearful speech. Somebody warned me though, turns out “the razzies” are some kind of sarcastic or ironical type award where they give it to the WORST movies, or at least the ones that are not really the worst but that got a bad time in the media and they probaly haven’t even watched them but they pretend it’s the worst and everybody has a good time pretending that they have seen it and that they were surprised how bad it was.
Two time Oscar winner Hilary Swank, hailing from Bellingham, Washington, stars in the explosive finale to the Karate Kid quadilogy. This one was Swank’s first starring role and came out in 1994, when movies were just as crappy but not quite as funny as their ’80s counterparts. The director is Christopher Cain, father of Dean Cain and director of The Amazing Panda Adventure.
