Legend has it that the times we’re in create the movies we watch. Sometimes on purpose, sometimes subconsciously. I mean who the fuck knows how it happens but the fears and the turbulence and the shittiness of troubled times somehow soaks into the celluloid and poisons the screen. So Vietnam and racial unrest soaked into the PLANET OF THE APES pictures, for example. The atomic age bred giant crabs, Hiroshima gave birth to Godzilla, Ronald Reagan caused ROCKY 4 and RED DAWN, AIDS made THE FLY.
Well, HOSTAGE is not a political movie but it is a Bruce Willis action thriller for the fucked up age we are currently being sat on by. In the DIE HARD pictures he fought terrorists, so now that terrorism is more of a realistic threat, he’s going back to fighting criminals again. But because it’s the Bush era, this is a dark, ugly, sometimes gorey thriller. A story about a bunch of psychotic, sadistic, greedy assholes terrorizing each other, and all the rest of us who get caught in the middle. A movie that wears a mask and has your wife and daughter tied and gagged in the back of a van and forces you to break your moral code and risk your life to get what it wants. It’s a real intense, well made thriller but what I’m saying is, this is 2005. Don’t expect to get blown through the back wall of the theater and have a good time and all that. (read the rest of this shit…)
Hey folks, Harry here… I should rename Vern, Gunga Din, cuz with what he watches and writes about… he’s a braver man than I am. Case in point. WILD THINGS 3. Behold…
What this one is about is robots. It’s a movie about robots, so they called it ROBOTS. You see how that works? Movie is about robots = title is ROBOTS. That is the level of imagination and innovation we are working with here in America circa 2005. Ain’t life beautiful.
This is the sequel to GET SHORTY. Based on another book by Elmore Leonard, but this book was made after the GET SHORTY movie and with the idea that it would become a movie too. So this is a movie about sequels based on a book that was a sequel to a movie based on a book. Which means there’s all kinds of metapostmodernistical type business running around calling attention to itself. Hey, look at me, I’m a character in a sequel talking about how sequels are bad. Now I’m a character in a PG-13 movie talking about how if you say fuck twice you get an R.
Well I picked this one up ’cause there was alot of hype, it just won a bunch of awards recently and they were making a big deal about Halle Berry showing up and making a tearful speech. Somebody warned me though, turns out “the razzies” are some kind of sarcastic or ironical type award where they give it to the WORST movies, or at least the ones that are not really the worst but that got a bad time in the media and they probaly haven’t even watched them but they pretend it’s the worst and everybody has a good time pretending that they have seen it and that they were surprised how bad it was.
Two time Oscar winner Hilary Swank, hailing from Bellingham, Washington, stars in the explosive finale to the Karate Kid quadilogy. This one was Swank’s first starring role and came out in 1994, when movies were just as crappy but not quite as funny as their ’80s counterparts. The director is Christopher Cain, father of Dean Cain and director of The Amazing Panda Adventure.
SPOILER ALERT !!
Hey folks, Harry here with another wondrous piece from the mangod we collectively worship named Vern. This time, he’s tracked down a sequel to John Carpenter’s VAMPIRES. Now I love that film. That came out back in Europe back when I had crazy PLANET HOLLYWOOD writing money – and I flew to Paris just to see it cuz it looked as if it was going to end up butchered in the U.S. Great trip, and had a wonderful time with the film. “That’s it padre, FUCK WITH EM!” Heh. Let’s see what Vern thinks of the sequel…
This is a movie about a beautiful teenage girl from Colombia who works a shitty job dethorning roses, gets in an argument with her boss, one thing leads to another and suddenly she’s pursuing other opportunities. Around the same time she finds out she’s pregnant, gets in an argument with her boyfriend and they announce they don’t love each other and begin a new journey of life travelling on separate paths. (A convenient way for the guy to avoid responsibility. Well played, deadbeat. Well played.) Also she meets a new guy and this guy has some connections with drug traffickers. Which leads to an exciting new moneymaking opportunity.
