In the ’80s Sylvester Stallone took action movies through a whole cycle of American self esteem issues. In FIRST BLOOD he dealt with Vietnam vets coming home and feeling abandoned. In FIRST BLOOD PART 2 he actually flew back to Vietnam, discovered the war was not quite wrapped up yet, and took home the gold with an amazing hail mary pass to save the POWs. In ROCKY IV he moved on to the Cold War and sewed that one up through a sporting event. Only in 1991 did notorious shitmakers Roland Emmerich and Dean Devlin dig up Stallone’s ROCKY IV enemy Dolph Lundgren, pit him against Jean-Claude Van Damme, and cut into those Vietnam wounds again. You know, for a super soldier movie. Don’t worry, it’s not exploitative. They’re artists.
What did happen to all those MIAs in Vietnam? FIRST BLOOD II said some were still alive, being tortured by sadistic Viet Cong who’ve yet to move on with their lives. UNIVERSAL SOLDIER posits that they were killed in action and their bodies were experimented on by Jerry Orbach, who resuscitated them as mindless super soldiers with super-healing powers when kept at low temperatures. (read the rest of this shit…)
The concept of THE GINGERDEAD MAN is basically “Chucky, but a gingerbread man instead of a doll.” It takes part 2 about three minutes worth of recapping and rhyming narration to explain that in the sequel. But to be fair the goal is not so much to catch the audience up to speed as to pad it out to be longer than an hour so it seems like a real movie almost.
SPECIAL FORCES is part of the AMERICAN HEROES series which, as I’m sure you are all very aware, are unrelated Nu-Image action movies each spotlighting the heroism of one branch in the American military. So I hope I’m not unpatriotic for watching it for its Israeli director Isaac Florentine and British co-star Scott Adkins. I’ve written about these guys before – Florentine is the director of such movies as UNDISPUTED II and THE SHEPHERD: BORDER PATROL, while Adkins is the co-star of movies ranging from UNDISPUTED II to THE SHEPHERD: BORDER PATROL. Okay, so they aren’t making classics yet, but they’re some of the only reliable individuals I’ve found in the world of DTV action. They always seem like they’re trying.
This is the early Van Damme picture that was written by David S. Goyer of BLADE fame. I know that guy has gotten some shit since he directed BLADE 3 and it wasn’t as good as the other two, but I give him credit. Sure, his directing needs work, but BLADE 1-2 are A+ action screenplays with the ideal balance of humor, brooding, swagger, mythological mumbo jumbo and pitch perfect build to moments of badass payoff and clever action scenes. Plus he worked on DARK CITY and BATMAN BEGINS, and I say anyone who works with Chris Nolan but also wrote a movie for Van Damme is worthy of respect.
Over my several years as a rising Seagalogist I have been asked many times who would win in a fight between Seagal and Van Damme. I have also been asked who would win between Seagal and Bruce Lee. I have never been asked who would win between Seagal and vampires, but I know now that the answer is Sea(SPOILER)gal. But this is also one of those whoever-wins-we-lose type scenarios because, I’m sorry to report, AGAINST THE DARK may be the least interesting movie Seagal has ever made.
PROLOGUE: Long ago, a brave warrior (Jet Li) and a graceful dancer turned actress (Michelle Yeoh) did the movie TAI CHI MASTER together. Then both went to Hollywood and did Lethal Weapon and James Bond and shit. But they had not forgotten each other. They were gonna star in CROUCHING TIGER, HIDDEN DRAGON together. But Jet backed out for the incredibly classy reason that he had promised his wife to take the year off from movies and be with her while she was pregnant. Years later, they had another chance to do a movie together in Ronny Yu’s FEARLESS – but Michelle’s scenes got cut out of the theatrical version. So it was this last summer, 15 years later, that the two were finally reunited on the big screen. BUT IT WAS IN THE FUCKING MUMMY 3! How’s that for a Tales From the Crypt type twist ending?
Punisher War Zone? More like Punisher BORE Zone!
LIONHEART is Van Damme circa 1991, and his best up to that point if you ask me, which by reading this you agree to do. As a matter of personal taste I think competitive fighting is one of the squarest action subgenres. You got less room for chase scenes and explosions, the rules and locales of the fights are too rigid. I mean nothing against a good pre-fight jitters locker room scene or a spooky ancient temple with torches and mystical snake statues, but I prefer a more urban style of action movie. One with crooks and creeps, alleys, fire escapes, car windshields.
You know how politicians are always saying lately that we don’t need to just worry about helping the people on Wall Street, we need to help the people on Main Street? Well one time I was at Disneyland, walking down Main Street when suddenly Mary Poppins rushed by with an entourage of kids trying to get her autograph. Not the real Mary Poppins, (because she is a fictional character in my opinion) and not Julie Andrews, but the Disneyland Mary Poppins. And I was surprised to find myself thinking you know what, Mary Poppins is kind of hot. Nobody wants to get to an age where you start to think a nanny from an old Disney movie is kind of hot, but it happens to the best of us.
And it was kind of like a door opened up there full of new possibilities, because then I realized actually back then Julie Andrews was kind of hot too, not just modern day Disneyland Mary Poppins. And she had those little hats and a talking umbrella and shit. I know alot of men are intimidated by women who are more capable than them, but I would not be against dating somebody who can fly and sit on a cloud. I don’t know what her capacity is for carrying other people and putting them on clouds and all that, I guess that would have to be addressed. But it’s pretty cool that she can do that. I would call that a point in her favor. 
Limp Biscuit singer Fred Durst, who makes his directorial debut with THE LONGSHOTS, turns out to be a natural born director. I was surprised when I read somewhere that David Fincher was mentoring ol’ soul patch, bringing him on the set of ZODIAC and showing him the ropes. I think Durst almost took over for Fincher on LORDS OF DOGTOWN before Catherine Hardwicke did. There were a bunch of false starts but now that he’s finally made one it’s clear that the man has some serious directational chops, it seems he was born to direct movies. Let me be very clear, this is what Fred Durst was put on the planet for. This much is certain now.
