"CATCH YOU FUCKERS AT A BAD TIME?"

Red Hill

tn_redhill“Alice, have you seen my gun? I thought I packed it with the photos.”

That’s the first line in RED HILL. It describes kind of a random, odd occurrence, but it also tells us alot. Shane Cooper (Ryan Kwanten) is a cop, he’s just moved, his gun is as important to him as his family memories– or he thought it was, but then he misplaced it. Now he’s looking for it because shit, he has to get to his first day of work here in the small town of Red Hill and he’s gonna look like an idiot if he shows up with no gun.

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December 2nd, 2010 | 21 Comments »

“Life can be mega”

mega-faceoff

Good ol’ Fred Topel just did an interview with Nicolas Cage for Screen Junkies, and he was cool enough to ask Cage about the concept of mega-acting:

SJ: I’ve been reading Outlawvern.com and he’s coined the phrase “mega acting” with regard to your work in films like Bad Lieutenant and Face/Off. The idea is it’s not overacting, because it’s intentionally extreme. Do you feel that’s accurate?

NC: Yeah, I think that makes sense. I often refer to it as outside the box, as opposed to over the top. The two things mean the same thing on one hand but one sort of celebrates the idea of breaking free and going into other forms of expression, whether they’re abstract or extreme or as this friend of yours calls mega acting. The other sort of implies you’re not being truthful to the part, but see, I don’t know how you measure something like that because life can be extreme and life can be mega. I wouldn’t do that to somebody in another art form. Not to compare myself to someone like Francis Bacon but just as a point of explanation, I wouldn’t say, “Hey, you can’t paint a screaming pope like that because a screaming pope doesn’t look like that naturally.”

When Cage is interviewed most of the time he’s probly sitting in front of blownup movie posters talking bullshit with local news people who still watch Entertainment Tonight every night. What’s cool about Fred’s interview is he comes from appreciating the odd sides of Cage’s work, so that’s what he asks about. Check out the whole thing for some more interesting insights.

thanks to Fred for doing the interview and Tommy S. for sending me the link

December 1st, 2010 | 110 Comments »

Animal Kingdom

tn_animalkingdomThe cover for the upcoming American DVD of ANIMAL KINGDOM says “Australia’s answer to GOODFELLAS.” As if the U.S. released GOODFELLAS and said, “What say ye, Australia?” And Australia comes back, “Australia has no response to GOODFELLAS at this time.”

Twenty years pass, not a word. Suddenly, out of the blue, America’s phone rings.

“Thank you for calling America, how can I help you?”
“We have Australia on the line. Please hold.”
“Okay.”
“Hello?”
“Yes. This is America. To whom am I speaking, please?”
“Australia calling. We have prepared an answer re: GOODFELLAS. It’s called ANIMAL KINGDOM.”
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December 1st, 2010 | 33 Comments »

Knight and Day

tn_knightanddayKNIGHT AND DAY is that action/comedy/romance deal that came out this summer, one of two or three that were about a guy who’s secretly a government agent taking a girl on an unexpected adventure involving guns and crashing vehicles. Of those, this is the one where it’s Tom Cruise and Cameron Diaz. It’s called KNIGHT AND DAY because Cruise’s character takes a little toy of a knight from the airport gift shop to hide something in, and also because it turns out his last name is Knight, and the ‘Day’ comes from Cameron Diaz because she’s playing a young Sandra Day O’Connor. Well, okay, I made up that last part, or at least if it’s true it isn’t made very clear in the movie. Actually there’s no reason for the ‘Day,’ I don’t think they got that far when they were proofreading the title.

I know nobody had very high hopes for this one, but I kind of figured it would be okay just because it’s James Mangold, director of WALK THE LINE. Not a visionary by any stretch of the imagination, and not to brag but I am a visionary so my imagination stretches really far. But he’s usually a decent director and not known for this type of thing, so it seemed potentially interesting I thought. Incorrectly.
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November 30th, 2010 | 33 Comments »

Steel Frontier

tn_steelfrontierThe Steel Frontier is a post-apocalyptic wasteland, alot like the place in ROAD WARRIOR, but filmed in California. It’s the kind of place where you might find a legless man out in the middle of the desert and have to put the poor guy out of his misery. Or you might find a small town where everybody acts kind of like they’re in a western, and a bunch of asshole bullies on motorcycles and souped up post-apocalypse-mobiles might drive into town and start fucking shit up and laughing about it.

That’s exactly what happens here, this guy General Quantrell (Brion James) rolls in with his “desert scum,” goes into the barber shop and gets a nice warm shave while his boys terrorize the place. (read the rest of this shit…)

November 29th, 2010 | 17 Comments »

Important Book Alert #2: THEY LIVE (DEEP FOCUS #1) by Jonathan Lethem

tn_theyliveOne day several years ago I was waiting for a bus near a book store, and in the window there was a book about the philosophy of THE MATRIX. There’s more than one book like that, and I can’t remember which one it was that I saw that day, but it got me thinking: there should be a book like that, except it’s entirely about THEY LIVE.

There’s a long-running series of books called 33 1/3, little pocket-sized book length essays about classic albums. I have one for Stevie Wonder’s Songs In the Key of Life, for example. And I’ve long thought there should be a series like that for movies, and I should write the one about THEY LIVE.

Well, too late, buddy. Soft Skull Press is starting a series just like that, although if I understand correctly they’re all gonna be written by novelists. #2 is on DEATH WISH, #4 is gonna be LETHAL WEAPON. THE STING, HEATHERS and THE BAD NEWS BEARS IN BREAKING TRAINING are also coming up, but it all starts with THEY LIVE by Jonathan Lethem, author of the novels Motherless Brooklyn and The Fortress of Solitude. His approach is very different from what I would’ve done/could still do some day, but it’s an interesting, quick read and makes plenty of points that I hadn’t thought of before, making it a good first book about this particular subject. (read the rest of this shit…)

November 27th, 2010 | 61 Comments »

Seagal in Australian beer commercial/contest

http://youtu.be/9c60bcgBGyw

This is probly the funniest commercial Seagal has done (beating out the Orange telephone thing with the golf cart chase and the Mountain Dew one where he accidentally beats up a convenience store robber Mr. Magoo style). It fits into a modern commercial cliche of the Exaggeratedly Awesome Guy Who Likes This Product (other examples: Bruce Campbell for Old Spice, the more recent Michael Jai White-ish Old Spice uberman, the rich Russian guy with the baby giraffe who drinks some product or other, the “most interesting man in the world” who says “I don’t normally drink beer, but when I do I drink” whatever it is). But it also has a little Seagalogy in there because of his reputation for having an entourage of hot women and his love of Asian things (the bridge in the background, the dress on the girl to the left tending his zen garden). I actually wouldn’t be surprised if that was filmed in his actual backyard.

thanks to Chris A., Geoff C. and Mitchell H. for sending this, and stay tuned for upcoming overdue Seagalogical reports involving the last four episodes of LAWMAN and his new one BORN TO RAISE HELL (out in the U.K. but not U.S.).

November 26th, 2010 | 14 Comments »

I’m Still Here

tn_imstillhereIs it just me, or do some of these movie titles start to blend in together after a while? The ones I have trouble with are: I’M STILL HERE, I’M NOT THERE, LET ME IN, and NEVER LET ME GO. Well, now that I’ve actually seen one of these maybe I’ll remember which one that is and it’ll help me straighten out which is which between the other ones by narrowing the choices a little. I hope so, because I’m not sure what else I got out of this one, exactly. I mean, I got something, I think. Just a something that’s hard to identify.
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November 23rd, 2010 | 57 Comments »

Beastmaster II: Through the Portal of Time

tn_beastmaster2I didn’t have cable in the ’80s so I never saw THE BEASTMASTER until I went on that Coscarelli kick a while back. But I didn’t move on to the sequels since Coscarelli had nothing to do with them, I just assumed they were trash. Well, good guess. But when I saw part 2 in that book I was just writing about, DESTROY ALL MOVIES, I started thinking about the stupidity of sending the Beastmaster through a “portal in time” to modern day Los Angeles, and came to the inevitable realization that I should watch it.
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November 20th, 2010 | 156 Comments »

Important Book Alert #1: DESTROY ALL MOVIES

tn_DAMI want to tell you guys about a new book I got called DESTROY ALL MOVIES: THE COMPLETE GUIDE TO PUNKS ON FILM, edited by Zack Carlson and Bryan Connolly. I guess you might’ve already heard about it because some of the other movie websights beat me to posting about it, but you know what? The tortoise ate the hare, the boy who cried on the wolf, etc. Anyway I’ve been looking through it for a few days and I want to discuss it with the ladies and gentlemen of the outlaw community or whatever, because this is one of those passion project books printed with special blood sweat and tears based inks, and those deserve recognition.
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November 19th, 2010 | 35 Comments »

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