Well boils and ghouls, I’m glad I took a stab at reviewing THE PHANTOM recently and got you squealing about Billy Zane, because you were dead right to recommend this movie in the, uh, corpse-ments. (the comments is what I mean. I’m not sure that one works.) This movie is an absolute scream! Sometimes my throat gets really dry and I can’t stop coffin. something about rigor mortis, etc.
TALES FROM THE CRYPT PRESENTS: DEMON KNIGHT is another enjoyable studio B-movie of the ’90s that held up better than I thought it would. Directed by Ernest Dickerson (cinematographer of DO THE RIGHT THING, director of BONES, and that about sums him up) it’s a pulpy supernatural hotel-siege tale with a game Billy Zane as the (SPOILER) demon that the knight fights with. (read the rest of this shit…)
Look man, I’m not completely racist against remakes. I hate the blatant wholesale creative bankruptcy of modern Hollywood as much as the next guy. But I gotta admit there are some remakes that are upstanding movies in their own right, that have richly contributed to our culture and society as a whole. Or that at least don’t suck. Two of the better modern horror remakes in my opinion are from Wes Craven movies: THE HILLS HAVE EYES and LAST HOUSE ON THE LEFT. Both have their problems, but they’re a good balance of disturbing and entertaining, they have some respect for the original themes and ideas of the movies but also put some new spins on them. Both were produced by Craven himself, by directors he handpicked. (well, I don’t know if he used his hands specifically, he probly just had seen their work and called em up.) 
TRICK ‘R TREAT got a little bit of the ol’ internet hype when it came out last Halloween. It’s a Halloween-time horror anthology written and directed by Michael Dougherty (co-writer of X2, SUPERMAN RETURNS and URBAN LEGENDS: BLOODY MARY). It was made for a 2007 theatrical release but then it got bumped and fell behind the shelf and got misplaced for a while. I believe it got shown at one of the doll collecting conventions or something so some of the internet websights got behind it, but ultimately it got released DTV. But it’s “Warner Premiere,” kind of a respectable DTV outlet, actually. According to their websight they “develop and produce quality, direct-to-consumer content including feature-length entertainment for the rapidly growing direct-to-DVD market,” which is press release talk for “sequels to THE LOST BOYS.” But they’re pretty respected for not having done any movies starring Cuba Gooding Jr. 
SPLICE is a monster movie by Vincenzo Natali, the guy who did CUBE all those years ago. Remember that one? Really good concept, pretty good execution, but you really want to like it so it gets by. Same thing here.
When I reviewed P2 recently I talked about movies with confined locations, well how ’bout this one? Three college kids – girlfriend, boyfriend, and boyfriend’s life-long best friend – get stuck on a ski lift. There’s some build-up to set up the characters and how it happens, but most of the movie takes place with them sitting on this lift, nobody knowing they’re up there, the resort closed for a week, hail coming down, the skin on their faces freezing off. Not one of the better snowboarding trips they’ve had, most likely. 
THE SOCIAL NETWORK is the new Dave Fincher picture about the founding of the “Facebook” company, which has had alot of success creating a type of “social networking,” so that’s why it’s called that. You may be thinking Vern, I’ve heard the words before in buzz and in word-of-the-mouth, but what in shit’s name is social networking? Well, let me explain. Social networking is a type of computer thing, or “facebook”, that goes in the lower right hand corner of the page. When people sign in they click “like,” and then some of their pictures show up on there sometimes. It tells them when I have a new review, either because Chris posts it on there, or he programmed it to do it, nobody really knows. This is a way to make new friends or promote your thing, or whatever. That’s why social networking is the future of, you know, computer things. 
Holy shit, all the sudden it’s October. And you know what that means, this is when I pretty much switch to an all horror programming lineup. I’m gonna be watching horror movies all month, and most likely failing to find a great ’70s or ’80s slasher movie I never saw before. (Don’t worry non-horror junkies, I still got some residual September viewing I haven’t written up yet, and I’ll do some new releases I’m sure.)
In order to truly understand how OWL 300 is the talking bird movie for our times, one must also explore the quintessential talking bird movies of other eras. And the one that came to mind when I thought about that was the one from 1974, JONATHAN LIVINGSTON SEAGULL. I don’t know if you guys remember this one, but it was a huge book at the time, but not a kids book like all movies are based on now. It was seen as this inspirational, philosophical type of deal. 
I promise, I got an actual review coming soon, but I thought this was deserving of a “blog” post. Entertainment journalist and frequent outlawvern.com commenter Fred Topel got a chance to speak to Wu-Tang mastermind and soon-to-be-director-of-kung-fu-movie-starring-Russell-Crowe the RZA at Fantastic Fest. This is the RZA we’re talking about so Fred doesn’t get a normal concrete type of description of what the movie is about, but instead some abstract musings about RZA’s approach to the martial arts, the philosophy of the movie, why he thinks Crowe will be great and unexpected news about his plans for the music.
Okay friends of the nerd community, things are really going your way this week. Don’t ever say I didn’t do nothing for your chosen mediums of expression. This is a followup to the earlier post about BLACK DYNAMITE in cartoon and comics forms. This time Scott Sanders sent me a couple pictures from the cartoon so you can see what it’s gonna look like. 
