This review, should you choose to read it, contains some spoilers.
Man, this is the most disappointing movie I’ve seen in a long time, because of the misleading title. Before you waste your money, please know that there are no ghosts in this movie at all. I hope that lady that tried to sue DRIVE for not being THE FAST AND THE FURIOUS will consider throwing some of her legal fund at this one too. It’s just shitty to take advantage of worldwide ghostamania like that. In all other aspects though I really enjoyed it.
I thought BLACK SANTA’S REVENGE was gonna be a real (but super low budget I’m sure) movie. Turns out it’s a 20 minute short (“mini epic” the credits say) shot by some dudes in Portland, Oregon. The writer/director David Walker is the guy that started the zine-turned-websight 
SANTA’S SLAY is an enjoyably dumb killer Santa movie. It’s from 2005 but it’s in the ’80s b-horror tradition of cheesy acting and dialogue and sort of pretending to be serious but with an intentionally asinine premise. Not quite as campy as KILLER KLOWNS FROM OUTER SPACE or RETURN OF THE KILLER TOMATOES, but less serious than the SILENT NIGHT, DEADLY NIGHTs. Actually the movie it reminded me of most is from the year before, Jeff Lieberman’s SATAN’S LITTLE HELPER. That was a Halloween movie, though. 
By now most of us have seen the teaser for next summer’s EXPENDABLES 2, directed by Simon “the remake of THE MECHANIC was okay at least although the action scenes sucked” West. Of course it’s a teaser, it doesn’t show much, and it’s a movie that most of us feel guilty for having any glimmer of hope that it might be good. But those are not good enough reasons to stop my from going through it pretty much shot-by-shot so we can discuss it. Sorry.
Just when I was thinking Seagal didn’t have any movies in the can 
IN BRUGES is an intimate crime story about two hitmen – I know, but hear me out – forced to stay in the titular Belgian town while things cool down after a job gone wrong. Ken (Brendan Gleeson) is the veteran who’s happy to take advantage of the down time to relax and look at tourist spots, Ray (Colin Farrell) is his young partner who has no interest and pouts like a kid dragged along on the wrong vacation. He’s also the one that fucked up the job and is racked with guilt and depression.
I remember the original FRIGHT NIGHT being an okay movie, but I haven’t seen it since the ’80s, so I don’t remember it well enough to compare the remake to it. But on its own I did find the remake to be an entertaining-if-not-entirely-original take on the ol’ vampire shit.
The ’70s version of the classic Herschell Gordon Wells tale does not hold a candle to the ’32 version I reviewed at Halloween time. The lifeless color scheme pales compared to the evocative black and white, the screenplay feels much slower and less eventful, the makeup may be more sophisticated but it’s less creepily believable, and somehow they made it in the ’70s without making it nearly as perverse. If the girl he’s fucking is part panther like in the old one I don’t think it’s ever mentioned.
aka ELITE SQUAD: THE ENEMY WITHIN (title on American poster)
John Cribbs over at thepinksmoke.com did a new interview with b-movie great Mark L. Lester. Lester doesn’t seem to get alot of credit or attention, but I figure if one guy directed 
