Okay fellas, it seems the other “talk about whatever off topic gibberish you want” threads have been overloaded with said off topic gibberish, so here is a fresh new one to use.
possible topics include: (read the rest of this shit…)
Okay fellas, it seems the other “talk about whatever off topic gibberish you want” threads have been overloaded with said off topic gibberish, so here is a fresh new one to use.
possible topics include: (read the rest of this shit…)
I know what you’re thinking: if I had remembered that there was a STREET KINGS 1 I think I would be surprised to find out that there’s a STREET KINGS 2. Well, this is a new movement of unexpected DTV franchises along with S.W.A.T. and SMOKIN’ ACES. To my surprise it also fits with the current trend of increasingly high quality DTV sequels.
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EXCESSIVE FORCE is a pretty generic cop-who-can-kick action movie from Jon Hess, the director of ALLIGATOR II: THE MUTATION. That would be funny if it was the same guy that did NAPOLEON DYNAMITE, but I guess that was Jared Hess. It’s written by and stars Thomas Ian Griffith.
Griffith reminds me a little bit of Jeff Wincott. He’s a slim guy, not muscled out like Van Damme or somebody, with long hair and a dangly earring. He tends to wear long coats and scarfs, looks more like somebody who would play a troubled musician than an angry cop. But he’s a real martial artist who’s apparently good at kicking, so (much like Van Damme and his splits) he’s always looking for openings to kick guys in the face, just so you remember he can do it. I’m surprised he doesn’t use his feet to open doors, turn lights on and off or scratch his nose. (read the rest of this shit…)
SAVAGE DAWN is a post-apocalyptic-town-harassed-by-bikers movie very similar to STEEL FRONTIER except way crappier looking and without all the great cars and car stunts. I’d almost give it a very, very lenient semi-pass just because Lance Henriksen, with bleach blond hair, gets one of his rare leading man roles, except… no, I wouldn’t want anybody to think I sort of recommended this movie. The best thing I can say is I’ve seen worse.
But if you insist on seeing it the DVD is #3 on a triple feature with CAGED FURY and DRUG TRAFFIKERS. Don’t say I or the cover didn’t warn you.
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Lance Henriksen is one of my favorite actors. His chiseled-from-clay face and gravelly voice are always interesting even in the worst movies (and in my opinion he’s done some of those). They imply a life full of experience, and work perfectly for his wide array of roles, from humane robot (in ALIENS of course) to flamboyant cowboy (THE QUICK AND THE DEAD) to heartless rich madman/pianist (HARD TARGET, probly others). Now Not Bad For a Human, a new book credited to Henriksen and Joseph Maddrey, gives us insights to both the art on screen and the life that inspired it.
Also there are pictures, if that helps. (read the rest of this shit…)
Holy shit, so he really was still alive? I kinda figured he got blown up a long time ago.
So it was a mansion he was in? When Obama said “compound” I pictured some kind of fortified bunker. Now I’m picturing it more like Scarface’s compound.
I wonder what he was doing when they showed up? I bet he was chillin by the pool in a beach chair.
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First of all, let’s take a moment to pause and reflect on the miracle of the THE FAST AND THE FURIOUS series. It started in 2000, a studio b-movie, a dumb subculture exploiter with hot up-and-coming stars, quite good for a Rob Cohen movie and with a star-making performance by Mr. Vin Diesel, but undeniably corny. I don’t think anybody could predict that 11 years later it would be Universal’s most valued franchise/trademark/anti-intellectualproperty or that a part 5 would be bigger and better than the previous ones. Especially when you consider that Diesel ditched out on part 2 and Paul Walker bailed before part 3 and that even the naming of the movies poses a challenge. You don’t see I KNOW WHAT YOU DID LAST SUMMER still coming out with new chapters but they keep doing FASTs and FURIOUSes even after running out of sensible combinations of those words.
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Yes, it’s true, this is a movie about Mickey Rourke and Bill Murray fighting over Megan Fox because she has wings. Mickey plays a jazz trumpeter (the serious type who always wears colorful suits, a fedora and pointy shoes) who gets in trouble because he accidentally slept with the wife of a gangster named Happy (Murray). So he gets beat up and left in the desert.
When he wakes up he wanders and finds a carnival with a sideshow. That’s where he sees this winged lady. Not riding a ferris wheel – she’s in the sideshow, because she has wings. Not sure if you got that.
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God DAMN I’m excited for FAST FIVE. It’s only April and that’s my most anticipated movie of the summer by far. But I gotta wait a couple more days, so in honor of Dwayne “The Rock is a registered trademark of World Wrestling Entertainment Inc.” Johnson’s addition to the series I decided to finally catch up with his last movie, which I never saw because when I went to see it the showing that I chose turned out to be an “open captions” deal, and I decided to bail. (Ironically there’s so much mumbling in the movie I had to turn the subtitles on a couple times anyway. But at least it was my choice. It’s about freedom.) (read the rest of this shit…)
As successful as they may be in their own countries, global superstars always seem to have their eye on the juicy, low-hanging grape of Hollywood. It doesn’t matter how many soldiers have fallen before them, stumbling on a new language, style and approach to filmmaking and bleeding away everything that made them great in the first place. It’s still hard to resist the temptation. They’re still gonna jump and try to bite it.
And so it was that in the late ’90s and early 2000s Jet Li left Hong Kong to make some Hollywood-produced, English language movies. Of course if you have a guy who’s a legendary martial arts champion and iconic star of many of his generation’s most popular movies (the SHAOLIN TEMPLE series, the ONCE UPON A TIME IN CHINA series, the FONG SAI YUK series, and FIST OF LEGEND) what you do in the U.S. is put him in a movie with DMX and Anthony Anderson that’s billed as “an urban Romeo and Juliet.” I mean, what else would you do with him? That’s just obvious.
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