"CATCH YOU FUCKERS AT A BAD TIME?"

Natural Born Killers

Years ago I saw NATURAL BORN KILLERS, and I hated it. But that was years ago. Like Woody Harrelson says in the opening scene about the last time he ate key lime pie, I was a different person then. I’ve mellowed over the years. I’m more open to crazy shit and mega-acting. I’m not as strident about certain things. I’m ready to appreciate it as a weird crime movie, maybe, even if it still comes off as a ridiculously heavy-handed message movie about the most obvious fucking message in the world (have you noticed how the media exploits violence?). So let’s give it the same respect we give the pie. Let’s give it its day in court.

Of course, I got no clue why somebody would be skeptical about key lime pie. Maybe that’s the best clue into Mickey Knox’s derangement. Quentin Tarantino sure liked writing about pie when he was young. He wrote the original script this was based on but would only accept a “story by” credit after it was heavily re-written by Oliver Stone, Stone’s buddy Richard Rutowski and David PERMANENT MIDNIGHT Veloz.
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U Turn

Before seeing SAVAGES I wanted to catch up on some of the recent Oliver Stone pictures that I’d skipped. It turns out this one is 15 years old, so you could argue that I’m a little behind on Stone. Do you guys know if JFK is any good? What about PLATOON?

This is his most straight-forward crime genre picture before SAVAGES so I figured it was a good one to check out. Based on the book Stray Dogs by John Ridley (RED TAILS, UNDERCOVER BROTHER), it’s about this dirtbag Bobby (Sean Penn), an ex-tennis player in debt whose fancy-ass car breaks down in the middle of Tiny Desert Town, Hell (actually Superior, Arizona) on his way to delivering a bunch of cash to the guy who cut off some of his fingers, and then things get way worse. But he fucks Jennifer Lopez at least. (read the rest of this shit…)

Alien Resurrection

David 8’s basketball practice in PROMETHEUS got me thinking about Ripley 8’s b-ball skills in ALIEN RESURRECTION, so much so that I decided to make it the topic of my Badass Cinema 101 column for CLiNT Magazine. Ask for it by name at your favorite newsstand or magazinier.

Well, I had to re-watch the basketball scene for research, but I decided instead of just watching the scene I wanted to sit and watch the whole movie again. I’ve always liked this one and thought it got a bad rap. It lacks the seriousness and groundbreakingness of ALIEN and ALIENS, but in its own way it’s a highly entertaining sci-fi popcorn movie with great characters, great set-pieces, original ideas, cool monsters and lots of weird shit that only this particular director would’ve done. That last one I’m afraid is probly one of the reasons it’s so hated. Alot of people don’t like seeing things they didn’t already plan to see.
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13 Assassins (1963)

Thanks to Takashi Miike’s outstanding remake, this samurai classic has finally been released with subtitles for the Japanese impaired. Also, thanks to the remake, I knew to watch it.

If you saw the remake then you know the story: a guy commits sepukku in protest of the Shogun’s brother, Lord Umigetsu. This forces the ruling class to discuss the uncomfortable fact that a total fuckin maniac is in line to inherit the throne. You can imagine how socially awkward this would be in any society, but this is one where they take ranking, protocol and manners very seriously. I mean, I just told you how he had to kill himself in protest. Not write an editorial. (read the rest of this shit…)

Step Up Revolution

What was the STEP UP saga missing before? Bikinis. The series began in Baltimore and in part 3 it continued into breakdancing’s birthplace, New York. Part 4 here is Assignment Miami Beach. We take up with a new set of characters, a group called The Mob, who stage ridiculous “flash mob” dance numbers as part of a Youtube competition to be the first dance crew to get 10 million hits. But when an out of town developer (Peter Gallagher, CENTER STAGE) plans to demolish their predominantly Latino neighborhood and replace it with a resort, they decide it’s “Enough performance art, time for protest art.”

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Battle of the Year 3D trailer

This is a blog (short for web-log) post about the trailer for BATTLE OF THE YEAR 3D. The movie is not about the type of battles that are in the movies I normally write about here, but bear with me.

Whether you know it or not, you are anxiously awaiting my review of STEP UP REVOLUTION. I’m working on it, but I saw this trailer before the movie and I had to share it with you guys right away. At first I was just laughing because it’s a dance movie following a sports movie formula, so the characters keep talking about “the sport” of breakdancing. That is a very anti-STEP UP attitude. Dancing is an art, right? W the F.

But as I kept watching I realized something else. See if you pick up on it too:

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The Loose Canon: LONE WOLF AND CUB: SWORD OF VENGEANCE & BABYCART AT THE RIVER STYX vs. SHOGUN ASSASSIN

Every now and then I write a more-in-depth-than-usual study of a movie I consider important and influential in the evolution of Badass Cinema, a movie I believe most fans of the genre would love and all should see and have an opinion on. I call this series THE LOOSE CANON.

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In 1980, a violent samurai movie called SHOGUN ASSASSIN hit American shores. It is the story of Lone Wolf, an assassin trying to avenge the murder of his wife by the Shogun he used to work for. He travels Japan by foot pushing a babycart that  carries a number of weapons and his son Daigoro – who also narrates the movie – and eventually kills the Shogun’s brother. With its weird tone and garish violence, and coming right at the beginning of the decade when Americans became obsessed with Japanese traditions like karate and ninjas, the movie took on a legendary status in pop culture that lasts to this day. Its dialogue and primitive synthesizer score were heavily sampled on the seminal 1995 hip hop album Liquid Swords by GZA, and also heard in KILL BILL VOLUME 2 as little Bebe’s chosen bed time movie.

The one problem with SHOGUN ASSASSIN: it’s an insultingly dumbed down bastardization of two excellent 1972 Japanese films, LONE WOLF AND CUB: SWORD OF VENGEANCE and LONE WOLF AND CUB: BABYCART AT THE RIVER STYX (the first two installments in a six movie series). (read the rest of this shit…)

MAXIMUM CONVICTION trailer

Well, I’m not gonna pretend this looks good. It seems to have all the most joyless aspects of DTV action. It happens to star two of my favorites, but both of them look bored, and it makes it look like they might only have one scene together. Director Keoni Waxman did THE KEEPER, A DANGEROUS MAN and many True Justice episodes with Seagal, plus the pretty-good-not-great HUNT TO KILL with Stone Cold. Writer Richard Beattie wrote PROM NIGHT IV, NO CONTEST II and episodes of True Justice. I’ll try to keep an open mind, obviously. If anybody’s gonna figure out a way to like this one it should be me, right?

http://www.youtube.com/watch?v=yosoQ8HkmLQ

 

Above the Law (not the Seagal one)

ABOVE THE LAW (1986) (a.k.a. RIGHTING WRONGS) really is about the law. It begins with Yuen Biao after graduating from law school. A group of conspirators, including one with a gun tucked behind an accordion, try to assassinate his professor. The shit goes down just as he’s saying his goodbyes and the prof is giving him a law book as a gift. In the chaos the book goes flying in the air, is shot through with holes, and then is stepped on by panicking witnesses. I don’t know why but I almost feel like that could symbolize something. Probly not. (read the rest of this shit…)

Get the Gringo

Well, I don’t want to start up the ol’ Mel Gibson debate again. We all know how that goes. At some point somebody’s gonna point out that he didn’t kill anybody, so why is he persona non grata in Hollywood? Well, because of multiple crazed incidents where he threw raging tirades about Jews, blacks, rape and cutting off his girlfriend’s head. Yep, he pretty much hit all of them except gays. And him being a movie star we still start to forget about it after a while and want to forgive him, but then every time he seems to be almost in the clear he does another one. Like he wants to be caught.

So I can understand why some people might not want to work with him. Don’t pretend like you don’t. If he was just a guy and not the star (and director) of movies we love you wouldn’t want to share a shift with him or invite him over for the family barbecue, and you fuckin know it.
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