I’m sorry to have just read that James Isaac, director of one of our favorites around here, JASON X, has passed away at only 51. Isaac was an effects guy who got his start working on creatures on RETURN OF THE JEDI and GREMLINS. After working on THE FLY and NAKED LUNCH for David Cronenberg he wound up running shit special effects-wise for eXistenZ, which is something to brag about. That’s how he got Cronenberg to cameo in JASON X.
Isaac also directed THE HORROR SHOW, SKINWALKERS and PIG HUNT.
I think SAFE is easily one of Jason Statham’s best starring vehicles so far. It’s a less cartoonish tone than the TRANSPORTERs (and obviously the fuckin CRANKs) but still firmly planted in the world of action movies, where one guy if he’s tough enough can use his brains, fists and guns to take on two warring gangs and a corrupt police force. So it’s probly somewhere in between THE MECHANIC and BLITZ on the seriousness charts, but a little more fun than either of them.
I don’t know if it’s clear – I’m not talking about the Julianne Moore one, I’m talking about the Jason Statham one.
spoilerish
As much as I enjoyed Uma Thurman and the teddy bear costumes in the original AVENGERS, this one is an improvement. It’s a fun super hero movie with lots of colorful super-characters like in the X-MEN pictures, but with more of a disaster-movie-level of spectacle. Instead of just fighting 1-3 supervillains they’re fighting an alien invasion. As you know this teams up characters from IRON MAN 1-2, THE INCREDIBLE HULK (2008) (arguably), CAPTAIN AMERICA and THOR under the direction and writing of Joss Whedon (SERENITY, Buffy the Vampire, all that). If they had had some guy from Doctor Who in there and based it on a video game or anime it would’ve had the monopoly on all of the existing nerd audiences. But also it’s fun for all of us.
(read the rest of this shit…)
For some reason I was thinking of this song the other day. Like others of the 21st century, I got one of these iPods, although I got it specifically to drown out the sound of people talking on cell phones on the bus when I’m trying to read or write. Somehow I got “Way Back Home” going through my head but I didn’t have it on my iPod so I couldn’t listen to it.
At home I didn’t have it on CD, but I had it on a “the Crusaders at their best” LP that I tracked down after I first fell in love with the song. I’d been meaning to get it into my iTunes but I hadn’t figured out how to hook up the turntable since finally getting a new computer last year. But today I decided it was time to do it.
See, I never knew about the Jazz Crusaders back in the day, but I started trying to find out about them when I heard this song on a documentary in 2006. Specifically, it was AWESOME, I FUCKIN SHOT THAT, the Beastie Boys concert doc directed by Adam Yauch, who died this morning.
POLICE STORY PART II (as the opening credits call it) begins with a montage of all the highlights of part 1, set to the theme song, sung by star/director Jackie Chan.
The sequel directly follows part 1. Chan’s character Chan Ka-Kui, in the great tradition of movie hero cops, is demoted to traffic patrol for being so awesome and busting the drug lord. His boss and uncle return, and although they develop a stronger friendship over the movie it starts out with him being chewed out for all the property damage his famous part 1 stunts caused, including driving over the shantytown and sliding down the weird Christmas tree looking thing in the shopping mall: “Why didn’t you use the stairs? Did you have to destroy the chandelier?” (read the rest of this shit…)
Today I’m interviewed on Movie Morlocks, the official TCM blog, about DTV action. This kicks off 3 weeks (!) of DTV action coverage by writer R. Emmet Sweeney “in the hopes of bringing more appreciative eyes to this last bastion of the B-movie spirit.” If you read me regularly you already know what I’ll be talking about (Isaac Florentine, John Hyams, Scott Adkins, Steve Austin, the prestigious WWE Studios, action filmatism, etc.), but I’m happy to be able to share this important information with a wider audience.
A couple notes:
1. I don’t necessarily endorse the intro’s implied swipe at THE AVENGERS, which I’m excited to see this Friday
2. Whenever I see “TCM” I first think “Texas Chainsaw Massacre” before I remember it’s “Turner Classic Movies”
3. UNDISPUTED III and UNIVERSAL SOLDIER: REGENERATION are now legally classified as Classic Movies due to their number of mentions on TCM’s blog.
For years Robin Hardy, the director of the original non-mega THE WICKER MAN, has been trying to make this movie based on his novel Cowboys For Christ. It’s supposed to be a “spiritual sequel” dealing with the same themes but not the same characters or story. I expected a barely watchable but hopefully interesting mess, but that’s not what it is. Without being directly connected to THE WICKER MAN it pretty much takes the WILD THINGS approach to sequelizing: kind of a loose paraphrase with all the details changed. It’s clunky at times and always completely unnecessary, but surprisingly compelling. (read the rest of this shit…)
“I come for the girl. Now kindly dismount and offer her your most sincere apology.”Part 3 came in 1992, but was not as emblematic of its times as part 2 was. So the best graffiti I could read said “PISS ON MY FACE.” Timeless.
One of the best things about SNAKE EATER III… HIS LAW is that it’s called SNAKE EATER III… HIS LAW. I’m not sure how many movies there are with an elipses in the official title, but whatever ones are out there I’m sure SNAKE EATER III… HIS LAW is in the upper percentile. (read the rest of this shit…)
Part 2 in the SNAKE EATER saga came a couple years later, in 1991, and has a definite early ’90s vibe. In part 1 the goofiest obviously-painted-by-Canadian-production-assistants graffiti I noticed was the one that said “SUPER RAD,” in this one it was “RAP HEADS.” So times are a changin’. It opens in a school gym full of African-American youths in Nike “Just Do It” t-shirts doing double dutch while others practice kung fu nearby. All the kids are being overseen by a paroled ex-troublemaker named Speedboat, played by Larry B. Scott (he played Lamar, the gay guy in REVENGE OF THE NERDS). Speedboat tells all the kids they gotta get ready for “the tournament,” and we never find out if it’s a fighting tournament, a jump-roping tournament, or some combination of the two. Two of them suddenly fall down and die from some bad coke, and the shit is on. (read the rest of this shit…)
Since we all enjoy the works of Scott Adkins let’s take a look at the trailer for EL GRINGO, his entry in the After Dark Action playing some theaters and VOD May 11th. Vlad M., who sent me the link (thanks bud), says that Isaac Florentine was brought in to help out with some of the action scenes, which seems believable considering some of the stuff in this trailer. And no, it is not a prequel to GET THE GRINGO, it is a re-imagining of EL CID.
http://youtu.be/utA-nPWRPDg
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