Those of you who participate in the “Twitter” brand social media platform might have seen an account called “One. Perfect. Shot.” It follows the simple idea of posting beautiful frames from favorite movies, so you can admire their composition and lighting and what not. For example here’s a nice one from today:
LONE WOLF AND CUB: BABY CART IN THE LAND OF DEMONS (1973) DoP: Fujio Morita | Dir: Kenji Misumi pic.twitter.com/WDk4HtwDu4
— One. Perfect. Shot. (@OnePerfectShot) October 6, 2015
I didn’t know this at first, but the guy that does it is Geoff Todd, who was the editor over at Daily Grindhouse when I did a column there. He also collects them at a websight, oneperfectshotdb.com, complete with, like, articles and shit. He asked me to write some of those articles and shit, and he’s always been good to me, so what the hell. I will be writing one or two perfect essays a month over there.
Since most of his readers probly don’t know me from Adam and Steve I figured I should introduce myself with a movie that truly represented who I am and what I represent, not only as a writer but also as a human being here on this planet just trying to get by and travel this journey you know what I mean so obviously I wrote the only thing a man in that situation CAN write, a little piece called:
Strictly Bozness: The Fiery Majesty of ‘Stone Cold’
I know I’ve written about this movie a couple times before, but come on. It’s fucking STONE COLD, man. This won’t be the last time either. “Stricly Bozness,” by the way, is what I wanted to call my book on the films of Brian Bosworth before I determined that too many of them (including the barely aired TV show he starred in) were unavailable for me to do it. Maybe some day.
Anyway, check it out and feel free to comment over there so they know somebody gave a shit.

SCREAM 2 is a slasher sequel that had a rare level of difficulty. The fringe nature of the subgenre normally allows part 2s some leeway as exploitational cash grabs, making room for everything from an okay continuation (
INSIDIOUS CHAPTER 2 is another pretty good ghost movie from director James Wan (
Oh shit. What if instead of a female alien killing people in a
David Cronenberg’s
Eli Roth is one of the few name brands in modern horror. That’s weird because THE GREEN INFERNO is his first directorial work released in eight years. He’s spent more time producing and writing (the non-horror
Well, MAD MAX: FURY ROAD had a good decade-plus run as my most anticipated movie. And that worked out well. I doubt I’ll ever see another one pay off like that in my life, but it’s always good to have things to look forward to, to keep you going.
Remember how I have that problem with horror movies about witches, because they pretend that witches were real and the religious crusaders – who in real life executed totally innocent people based on a superstition – were right?
“He’s crazy. He’d charge Hell with a bucket of water.”
NO RETREAT, NO SURRENDER 2, sometimes subtitled “Raging Thunder,” which is also the name of the opening credits song, picks up exactly where 

















