SON OF GODZILLA (1967) is Godzilla picture #8, coming one year and one day after EBIRAH, HORROR OF THE DEEP and from the same director, Jun Fukuda and same writer Shinichi Sekizawa, this time with co-writer Kazue Shiba, whose only other credit is a war movie called ZERO FIGHTERS. Masaru Sato also returns as composer, with some goofily upbeat themes to represent the title character.
When I reviewed EBIRAH I learned that it was set on an island so they could build fewer models and save money. This one continues that trend but seems even more economical, without any city scenes at all. The only man-made structures are a science lab built on remote Sollgel Island. Sometimes they’d cut to a shot of a tower and I’d think I was watching Thunderbirds. (read the rest of this shit…)
LEGENDS OF THE CONDOR HEROES: THE GALLANTS is the unwieldily titled new Tsui Hark joint, which I was grateful to be able to see in a theater. (This puts my lifetime Tsui Hark theatrical screenings at four, after 
THE ORDER (2024) is a gritty, not too showy but completely riveting true crime movie about neo-nazi bank robbers in the Pacific Northwest, circa 1983. The protagonist is an FBI agent, but one of his specialties is going after bigots, and I support him in that. Anyway it’s kinda like 
Lately, with reality increasingly losing its appeal, I’ve had more desire to lose myself in fantastical worlds of animation. Even when those places are horrible in their own right it feels like an escape, because at least they’re made of nice drawings and paintings. NINJA SCROLL transports us to a mystical past of deadly assassins, some with magic powers, others just so skilled that they might as well have ‘em. This is from 1993 and it was legendary in that decade for providing extravagant violence that seemed novel to us Americans when delivered in cartoon form. It still kinda works as that, but more importantly I think it holds up as a pretty entertaining movie.
THE GORGE is a movie with an appealing, simple premise, strong execution, great tone, and a fun mix of elements you don’t usually see together but that feel perfectly natural. It’s a romance within a monster movie, or vice versa, but not in a a jokey way at all (though that worked for 
Hey friends, I don’t usually post on Fridays, but I thought I’d squeeze in one more Oscar nominee review before Sunday’s awards – a double feature of Best Actress nominees. I’m rooting for Demi Moore to win for 
I’m generally a sucker for an international co-production action movie, especially the ones based in Chinese martial arts but with some western stars. For example 
