"CATCH YOU FUCKERS AT A BAD TIME?"

Archive for the ‘Reviews’ Category

Enter the Ninja

Thursday, April 19th, 2007

This week I followed an anonymous tip to take a look at an individual name Sho Kosugi. This guy starred in a series of ninja movies and was said to be a missing link in my badass studies to date. I looked him up and found that ENTER THE NINJA is also known as NINJA 1 because it begins a series, so I started with that.

The movie opens promisingly with the badass in question, Mr. Sho Kosugi, in full ninja uniform, standing in front of a black void, demonstrating every weapon he knows. Nunchakas, throwing stars, arrows, daggers, grappling hook, blow gun. You name it, he spins it around or shoots it. The guy is obviously good and it’s kind of cool how he is basically doing show and tell for you throughout the opening credits. It might as well be some Ninja How-To video. But then all the sudden a ninja in all white flies onto the screen and “kicks” him in the head (although it doesn’t look like he makes contact at all). (read the rest of this shit…)

Black Book

Wednesday, April 18th, 2007

ZWARTBOEK

Paul Verhoeven has always been one of the top weirdo-pervert directors in my book. (Literally – in my book 5 On the Outside I had a review of THE HOLLOW MAN in chapter 9, “WEIRDOS, CREEPS & PERVERTS.”) Less pedophilic and more of a crowdpleaser than your Larry Clark, Verhoeven is a true original. Even making a studio movie about a cyborg he manages to tell a story with a strong point-of-view about the state of the world. Throughout his years in Hollywood, Verhoeven made many great popcorn movies that outrageously pushed the envelope of violence and sex and sneakily snuck in some subversive politics. And that’s pretty much my favorite type of movie in the world is one that does that. It’s like some poor sucker buys a box of Mike and Ike’s and doesn’t realize somebody tossed a couple MATRIX red pills in there. (read the rest of this shit…)

Point Break

Tuesday, April 17th, 2007

Until recently I was the guy who had never seen POINT BREAK. But the other day I busted my cherry on that matter, pardon my French, so I’m some other guy now.

I’m sure you’ve already seen it but let me refresh your memory: Keanu Reeves plays the perfectly named Johnny Utah, college football hero turned fresh-faced FBI rookie teamed with Gary Busey (in one of the first roles of his Crazy Post-Motorcycle Accident Period) to track down a gang of bank robbers who Busey (correctly) theorizes are surfers. (read the rest of this shit…)

A Tale of Two Paybacks: Vern Revisits Mel Gibson’s Film Maudit

Tuesday, April 17th, 2007

I don’t know how familiar any of you are with Payback, the 1999 Mel Gibson-starring adaptation of Richard Stark’s The Hunter. That’s the same book that inspired one of the all time canonical works of Badass Cinema, Point Blank.

Well, Mel Gibson is no Lee Marvin and writer/director Brian Helgeland (A Knight’s Tale) is no John Boorman. But I think Payback is an underrated movie. It’s a good balance of vicious and funny. It’s got a bit of a ’70s throwback feel and lots of weird touches to make it an indistinct time period. There are rotary phones, and primitive credit card technology that makes fraud more convenient, and the film is washed out with bleach making everything have a pale blue tint to it. You’re not sure when this is supposed to be taking place, which in a weird way reminds me of the experience of reading the books. Most of it reads pretty modern but obviously you are dealing with armed robbers, there is money, communication and security technology that would make some of the stories impossible today. So I sometimes have to check the copyright dates to be sure when this would’ve happened. (read the rest of this shit…)

Grindhouse

Tuesday, April 10th, 2007

PLANET TERROR and DEATH PROOF

PREAMBLE

Here in the US these two movies were designed and released as a double feature with trailers for fictional movies in between. They were released under one unifying name that starts with a ‘G’ that is a word used to describe the shitty theaters that used to churn out sleazy horror, sexploitation, kung fu and blaxploitation movies back in the day.

I am not going to be using the g-word in this review, because I am sick and fucking tired of hearing it. It’s a perfectly legitimate title for this concept, but here is the problem. Mr. Tarantino is a huge fan and expert on these types of movies, he is the human IMDb judging from some of those interviews. So I don’t mind seeing him talk about it in every article about KILL BILL VOLUME 1 and then KILL BILL VOLUME 2 and then when they announced this g-word movie, and then while he was filming it and now to promote its release. Tarantino can use the g-word all he wants, he has earned it. So I don’t mind him and the trailers for his movie trying to explain to the kids what the g-word means. (read the rest of this shit…)

The Lookout

Thursday, April 5th, 2007

They got a real unique advertising campaign for THE LOOKOUT, they are trying this new thing where you don’t promote the movie at all, and nobody knows it even exists. So there is this mystery around it. I don’t know why it hasn’t blown up yet but so far this playing-hard-to-get approach does not seem to be capturing the public consciousness.

About the only thing I knew about THE LOOKOUT was the reason I wanted to see it: it is the directivational debut of screenwriter Scott Frank, who wrote many movies but most importantly OUT OF SIGHT. He also wrote GET SHORTY so it’s easy to expect Elmore Leonard if you know this is a movie involving a bank heist. But the feel is very different, it’s not really fun or jokey, it’s actually a little sad. But it is a real good and tightly-written thriller. (read the rest of this shit…)

District B13

Wednesday, April 4th, 2007

(originally BANLIEUE 13)

I’m way behind on this movie. I remember a couple years ago I went to see some movie at the film festival here, and this one was just getting out on the same screen. I saw some people I knew coming out and I asked them how it was. They said it was ESCAPE FROM NEW YORK except in France, and with some weird martial art where they run up walls and shit. I knew it was a Luc Besson joint so I thought wait a minute, is this related to that YAMAKASI movie I saw? The art of climbing and flipping?

Now it’s years later and the movie has long since played American theaters and DVD players in a dubbed version called DISTRICT B13. The advertising campaign has tried to convince us we know what the word “parkour” means. Another practicioner of the art has battled (and lost) the new, badass James Bond. Now it’s old news, the excitement has worn off, so I saw it now. That’s just how I roll. (read the rest of this shit…)

The Hills Have Eyes II (2007)

Monday, March 26th, 2007

THE HILLS HAVE EYES REMAKE II

First, a review of my review of THE HILLS HAVE YES REMAKE I: not so hot. I had so much I wanted to say about that movie that I couldn’t figure out what was actually worth saying. Just skip to the end where I ask, “Are you asking for a movie about mutant cannibals who steal a baby and then raise it in a safe and loving environment? Because I don’t think I would like that movie as much. (I’d watch it, though.)” Somebody oughta do a remake of that review. Sorry, everybody.

Second, a review of the advertising for THE HILLS HAVE EYES REMAKE II: top-notch. The teaser trailer was one single shot of two weird mutants dragging bodies through the desert, then the title of the movie. Because what more needs to be said? A masterpiece of simplicity. I also enjoyed the TV commercial narrator who said, “Last year, critics said THE HILLS HAVE EYES went too far. Now, get ready to go even further…” I am not a fan of advertising in general, so I gotta give credit when credit is due. You did it, fellas. (read the rest of this shit…)

Leprechaun, Leprechaun 4: In Space, Leprechaun in the Hood, Leprechaun Back 2 Tha Hood

Monday, March 19th, 2007

I don’t know why, but I never saw a LEPRECHAUN picture before. You guys know I got a taste for straight to video trash, as well as little bastard killers. Nobody is as good as Chucky, but I had fun writing about THE GINGERDEAD MAN. Plus, the Leprechaun made it into space 4 years before Jason did, and I loved JASON X. (HELLRAISER won the space race, after false starts from HALLOWEEN, give credit where credit is due. But Leprechaun was there second.)

More importantly, it was St. Patrick’s Day, and I’m not Irish, and I can’t drink, so what the fuck else am I supposed to do on St. Patrick’s Day besides watch some Leprechaun pictures. (read the rest of this shit…)

The Secret

Wednesday, March 14th, 2007

“People around the world have been talking about a movie so powerful that it can change the course of your life. ” –oprah.com

“If you’re talking about DIE HARD I agree.” –outlawvern.com

I am so happy and grateful now that I saw THE SECRET, because I can warn you not watch this shit.

Not too long ago I used to run into this drunk Native American gentlemen at bus stops who would tell me to go see WHAT THE COCKSUCKER DO WE KNOW, a movie that would change my life. Actually he called it WHAT THE BLEEP DO WE KNOW, but the title on the poster had a %$#^! type gibberish curse on it so I figured it was up to interpretation. Anyway, all the new agers and people you never knew were new agers were raving about it, and it played for months on end at one of the smaller Seattle theaters, making it the new NAPOLEON DYNAMITE. But I wasn’t sure if that was due to genuine demand or if the theater was rented out by the Ramtha cult. The movie features this crazy gal from Washington who makes lots of money pretending to channel the ancient wisdom of some Hagar the Horrible type warrior named Ramtha. That sounds like a funny movie, obviously, but I never gave it a shot. (read the rest of this shit…)