Man, anybody notice they do alot of remakes these days? Seems like it anyway. I’d have to research it a little more to be sure. This is the remake of Larry Cohen’s 1974 killer baby picture. I thought it was supposed to play in theaters, but that’s because I didn’t know it was from the DTV kings at Millennium Pictures and Josef Rusnak, director of ART OF WAR II: BETRAYAL and THE CONTRACTOR. This one unfortunately doesn’t star Wesley Snipes, but instead Bijou Phillips as the mother of the killer baby.In this version she’s a graduate student under some pressure to not have the baby so that she doesn’t screw up her education and throw away a career she’s been working toward. But she makes the decision to leave school to give birth and live with her boyfriend and the disabled younger brother he’s raising. The baby grows unusually fast so she has to have a forced birth. (read the rest of this shit…)
Archive for the ‘Reviews’ Category
Vern reviews ITS ALIVE remake film!!!
Monday, July 13th, 2009The Howling III: The Marsupials
Saturday, July 11th, 2009
I always liked THE HOWLING but since the sequels are made by different people and have a reputation for poor quality I never thought to watch them. Then I watched NOT QUITE HOLLYWOOD, that documentary about Australian exploitation movies, and saw the clips from THE HOWLING III: THE MARSUPIALS by Australian director Phillipe Mora. It looked like a crazy fever dream full of low-budget-but-really-cool werewolf transformations, some of them looking straight-up cartoonish. Plus they showed how the werewolves have pouches in this one, and gave away the most memorable scene – I’ll get to that later. I figured just from what I saw there was no way this wasn’t worth watching. And I figured right. (read the rest of this shit…)
The Unborn
Thursday, July 9th, 2009
“From one of the writers of THE DARK KNIGHT” is David S. Goyer’s credit these days, but to me he’s still the guy who wrote the BLADE movies. Sure, he fumbled the ball as director of part 3, but it’s not as bad as everybody makes it out to be and definitely not bad enough to cancel his previous accomplishments. The first two BLADE movies are perfect badass storytelling. And he helped with those Batman movies, and with DARK CITY. I liked his BLADE tv show. I even liked his cheesy NICKY FURY tv movie starring David Hasselhoff. So I expect more good things out of him. I think he’s gonna do some good shit.
Hey, how about a PG-13 possession movie from Michael Bay’s remake outfit Platinum Dunes? What better way to show he means business? Hooray! (read the rest of this shit…)
Public Enemies
Thursday, July 9th, 2009
Johnny Depp as John Dillinger is not a bad idea. He’s a charismatic guy, he projects intelligence and mischief. You believe he could pull off those robberies, charm the press and have the cops pulling out their hair. And Christian Bale makes sense as Purvis, the guy tough enough to take him out but who will spend most of the movie failing and fuming.
Michael Mann delivers a more mainstream, less brooding and macho movie than usual, so most people will like it better than MIAMI VICE (but not me). He still uses that style he’s been fond of lately, lots of handheld shots, all shot digitally, kind of a strange choice for a period piece like this, but not too distracting (or revolutionary, either).
It has some real good gunfights. Not the choreographed sort of way that I usually like but more like MIAMI VICE, chaotic in-the-thick-of it kind of scenes, like you’re an embedded reporter, hearing different gun sounds in all directions. Sometimes one whisks past you or hits a wall near you but luckily you survive. It has some tense scenes, a couple chuckles, the actors are all pretty good. There are lots of little surprise appearances to keep you on your toes (Lili Taylor, Stephen Dorff, Giovanni Ribisi, random Leelee Sobieski cameo). I didn’t even realize that was Bill Crudup playing J. Edgar Hoover. Good job Billy. The movie is fine. (read the rest of this shit…)
Knowing
Monday, July 6th, 2009
I’m not sure I can say KNOWING is that good of a movie, but I do think it’s kind of crazy and subversive for a PG-13 high concept Nic Cage Hollywood sci-fi thriller. So the more I think about it the more I kind of like it.
Nic Cage plays so-and-so, college professor, scientist, single dad, widower. His son (not one of the better child actors, poor kid) is attending his school’s 50th anniversary celebration when they dig up a time capsule. They pass out the 50 year old childen’s drawings predicting the future and this kid only gets a creepy paper covered in numbers. That night Nic happens to look at it and notices some of the numbers are 9-11-01. He Googles 9-11-01 (I guess he doesn’t know you’re supposed to “never forget”) and finds out the death toll, which is also right there on the paper. Then, in a montage of drunken code-breaking, he stays up all night doing web research and figures out that the entire paper exactly predicts the dates all the biggest disasters of the past 50 years in order and how many people died in each. And there are more numbers that haven’t happened yet. And one’s coming up in a couple days. Oh shit. (read the rest of this shit…)
Not Quite Hollywood + Hurricane Smith
Thursday, July 2nd, 2009
NOT QUITE HOLLYWOOD is a pretty good documentary with a really good subject: the history of exploitation movies in Australia. Of course, this is a talking heads and film clips movie, that’s about the only way they could do it. And it tries to cover a broad range of movies over many years, so it doesn’t get real deep into anything. It’s more like a real good TV special than a great movie. It’s a primer, an overview, a sampler to get you started. It gives you a taste of a whole bunch of strange movies you might not have heard of before, points you in some interesting directions, tells you a few good stories. And for that sort of thing it’s very good. (read the rest of this shit…)
Transformers Revenge of the Fallen
Tuesday, June 30th, 2009
Okay, first off, this is not a fair review. I didn’t go into this thing in good faith. I never thought there was a possibility I would genuinely like this movie. So don’t think I’m trying to be objective here. But I’ve been getting emails and comments for months asking me to review this sequel to a movie I hated, and there’s a hell of a conversation going on in the comments for my review of the first one. And to be honest I was strangely excited to see it. It just sounded so insane, and as a fan and scholar of the summer blockbuster movie maybe it was important that I see it, just like I saw MY GIANT for the sake of Seagalogy. Whatever my excuse is, the same guy who got me into the first one for free hooked me up for this one too. So your wish is my command. (read the rest of this shit…)
Derby
Tuesday, June 23rd, 2009
I meant to put this review up months ago when DERBY was new on DVD, but I lost it or something. I bet you didn’t know it came out or that it existed anyway so let’s pretend it’s real timely.
DERBY is a 1971 documentary that you think is gonna be about roller derby. In the locker room team captain Charlie O’Connell talks to a young guy who wants to join the derby and keeps bragging that he can do a handspring on skates. The young guy is Mike Snell, 23 year-old of Dayton, Ohio, father of one, wearer of sunglasses, seems to think he’s James Dean. The cameras follow Mike to his wife, who is very supportive of his plan to quit his job at the tire factory and head to San Francisco for 6 weeks of training that he has to take before he can even try out. Obviously this is gonna be like THE PURSUIT OF HAPPYNESS, he’s gonna pull himself up by the rollerskate straps or whatever. Or at least it’ll follow him as he learns the ropes and at the end he’ll try out and we’ll see if he achieves his dream or not. (read the rest of this shit…)
Mirrors
Tuesday, June 23rd, 2009
So we got this French director Alexandre Aja who I think of as one of the good ones, but to tell you the truth he’s more potential than actual achievement at this point. When I read that he wanted to do WOLVERINE, or when I thought about they could’ve hired him for CONAN or FRIDAY THE 13TH instead of Marcus Nispel, I imagine these great movies I think he could’ve made. But this is just based on the chops he showed in HIGH TENSION before the stupid twist derailed the whole thing, and on how much I like his HILLS HAVE EYES remake. But even that has that scene where the “Big Brain” character makes a big speech explaining everything, which makes me cringe every time I think about it.
So I figured if I was gonna be talking this guy up I should see his other two movies and find out if he’s the real deal. His first one is a low budget French sci-fi type deal called FURIA. But here is his latest, MIRRORS, starring Kiefer Sutherland. (read the rest of this shit…)
Tango & Cash
Sunday, June 21st, 2009
I don’t know if you can sense it in the air or anything. It doesn’t really come until the end of the year, but this is the 20th anniversary of TANGO & CASH. To be honest I don’t think I ever saw this one before, but I wanted to see it and review it a little ahead of all the hoopla. As much as people like you and I are will to talk about TANGO & CASH all the time I’m sure eventually we’re gonna get a little worn out by all the retrospectives and parades and everything that I’m sure they’ve been planning.
So now I’ve seen it and I know TANGO & CASH is a fun but not all that great 1989 action movie that personifies (moviefies?) the excess of the ’80s, and not just because it has a monster truck in it. (read the rest of this shit…)
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