Once again browsing the action section in a video store has led me to a strange movie that I never heard of before. This way of life is rapidly crumbling. When everything is piped into our faces on demand we won’t have to stick with our risky bets. We’ll click on something and if it seems shitty we’ll click on something else and not give it a chance to turn interesting. In fact, we’ll probly just turn it off and watch porn instead. So we will never see BRAZILIAN BRAWL.
But in my world, where you gotta actually go outside, travel to a building, pick out the movies to watch and physically transport them back to your home, you’re gonna invest the time to try to give the thing a chance. And you are gonna watch BRAZILIAN BRAWL from beginning to end (about one hour) because you could not resist renting the movie with the cover that shows a guy doing a flying kick with two guns and the words “STARRING THE WORLD FAMOUS MARTIAL ARTS MASTERS THE MACHADO BROTHERS. THESE HOMBRES THROW DOWN.” (read the rest of this shit…)
chapter 11: “Victoria Secret, Spring catalog, page 22.”
released August 3rd, 2001
I know, I know. Every motherfucker on the internet is putting up their essays marking the 10th anniversary of Brett Ratner’s RUSH HOUR 2 today. As fascinating a topic as we all know it is, I believe there could be a small chance that one or two of you are probly getting toward the area where pretty soon there is almost really not gonna be that much more to say about RUSH HOUR 2. And I know that for many of us this is a day when we want to be among friends and loved ones, thinking about how much they mean to us, and how much RUSH HOUR 2 means to them. But please, friends – if you have the time, take a few minutes to read my take. It would mean alot to me, just like this movie means alot to each and every one of us as movie fans, as thinkers, as sons and daughters, as mothers and fathers, brothers and sisters, citizens, humans, spiritual beings.
DYLAN DOG: DEAD OF NIGHT is a semi-clever and watchable but also not all that great or original supernatural detective type deal. It’s like CONSTANTINE but not as well directed and with more jokes.
Brandon Routh plays the title character (well, the “Dylan Dog” part of the title; the “Dead of Night” part is played by various undead creatures). I’m not really clear if “Dog” is his last name or if it’s just a cool nick name. Nobody ever calls him “Dylan Doggy Dogg,” but it might be short for that. Anyway he’s a private eye who is in on the secret information that there are vampires, zombies and other monsters living among us. (read the rest of this shit…)
ASSASSINATION GAMES teams up two of the best working action guys, Jean-Claude Van Damme and Scott Adkins. They were already in THE SHEPHERD: BORDER PATROL together and will both be in UNIVERSAL SOLDIER: A NEW DIMENSION, but this is the first one where they’re co-leads. They play two elite assassins who work together after they realize they’re after the same guy (for Van Damme it’s business, for Adkins it’s personal). It would be one of the most anticipated DTV movies of the year if it wasn’t getting a negligible (Oscar qualifying?) theatrical release today. It’s not playing on my coast, but luckily I was able to get a DVD screener. (Here’s the official websight with theater listings – not sure how well they’re gonna do with that title ’cause it was hard to even find on Google.) (read the rest of this shit…)
So Captain America was in WWII in THE FIRST AVENGER, he’ll be revived in 2012 in THE AVENGERS, but what did he do in between? And specifically I’m talking about in the ’70s?
If your answer is “he was frozen in Antarctica or whatever” you’re wrong. Actually him and his Mexican wrestling associate El Santo went to Turkey to try to stop Spider-man and his girlfriend’s string of murders, counterfeiting and antiquities fraud – an out of control “doing whatever a spider can” spree. It’s a little known chapter in Marvel Comics history that fuckin Nick Fury and all those guys don’t want you to know about. But you deserve to know the truth, and that’s why I’m telling you about the 1973 Turkish film 3 DEV ADAM (or THREE MIGHTY MEN). (read the rest of this shit…)
Well, so far this summer of 2001 we’ve been having hasn’t been too hot. But at least we got that new Tim Burton movie coming out, right? I don’t know why they gotta remake PLANET OF THE APES but it’s a great cast and that guy knows what he’s doing, I’m sure he’ll do something interesting with it.
Nope. 10 years later I’m not sure I need to explain why the PLANET OF THE APES remake is no good. I don’t remember there being an argument about it at the time, or ever encountering anybody that liked it in the decade since. It was a bad idea, it was not good, let’s all pretend it never happened. The end.
CAPTAIN AMERICA: THE FIRST AVENGER is the last of the Marvel Comics soda can labels before next year when all the separate labels will be united into one all-star label called THE AVENGERS (the comics one, not the one with Sean Connery in the teddy bear costume). The IRON MANs, THOR and INCREDIBLE HULK were all on Dr. Pepper I believe, though, and this one’s on 7-UP. So it’s a whole new ball game. I think it dips a bit into the cheesy side visually and filmatism-wise, but it’s an enjoyable story that’s a little different from the other super hero guys and stands on its own better than THOR. In fact the way it leads up to this AVENGERS movie allows it to end on an odd emotional note that it wouldn’t have otherwise. (read the rest of this shit…)
Remember THE WARRIOR’S WAY? Kind of an under the radar cowboys ‘n samurais movie from last year, director with no track record, Geoffrey Rush and Kate Bosworth in the cast, hard to know what to expect from that weird combination of factors. I heard it was pretty good, but I also heard it was one of those movies that’s pretty much all done in front of green screens. I almost went to see it for the week or two it was playing in theaters, but I chickened out, waited for the spinning disc. (read the rest of this shit…)
I got an email recently from Ricardo S., who recommended I should see this new movie SECUESTRO EXPRESS which he said was very popular in his country of Venezuela and “We usually don’t give a shit about our own films here, because, they usually suck balls.” So I filed that title away in the back of my mind and remembered to rent it and now here is my review.
I should mention that when I say he emailed me “recently” what I mean is that the email is dated November 1st of 2005. But I mean, that’s late 2005, at least it wasn’t January of ’05. Cut me some slack. Anyway don’t ever say I don’t follow through. (read the rest of this shit…)
13 ASSASSINS is a pretty straightforward and thoroughly badass samurai picture from director Takashi Miike. I know that guy’s known for making 2 or 3 crazy fucked up movies a year. I think the only one I’ve seen before is AUDITION, which I thought was a pretty good romantic comedy but not quite up to the hype as the most fucked in the head movie you ever saw. Pretty well done though. Anyway, this is different. (read the rest of this shit…)
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released August 3rd, 2001
DYLAN DOG: DEAD OF NIGHT is a semi-clever and watchable but also not all that great or original supernatural detective type deal. It’s like CONSTANTINE but not as well directed and with more jokes.
ASSASSINATION GAMES teams up two of the best working action guys, Jean-Claude Van Damme and Scott Adkins. They were already in THE SHEPHERD: BORDER PATROL together and will both be in UNIVERSAL SOLDIER: A NEW DIMENSION, but this is the first one where they’re co-leads. They play two elite assassins who work together after they realize they’re after the same guy (for Van Damme it’s business, for Adkins it’s personal). It would be one of the most anticipated DTV movies of the year if it wasn’t getting a negligible (Oscar qualifying?) theatrical release today. It’s not playing on my coast, but luckily I was able to get a DVD screener. (
So Captain America was in WWII in THE FIRST AVENGER, he’ll be revived in 2012 in THE AVENGERS, but what did he do in between? And specifically I’m talking about in the ’70s?
released July 27, 2001
CAPTAIN AMERICA: THE FIRST AVENGER is the last of the Marvel Comics soda can labels before next year when all the separate labels will be united into one all-star label called THE AVENGERS (the comics one, not the one with Sean Connery in the teddy bear costume). The IRON MANs, THOR and INCREDIBLE HULK were all on Dr. Pepper I believe, though, and this one’s on 7-UP. So it’s a whole new ball game. I think it dips a bit into the cheesy side visually and filmatism-wise, but it’s an enjoyable story that’s a little different from the other super hero guys and stands on its own better than THOR. In fact the way it leads up to this AVENGERS movie allows it to end on an odd emotional note that it wouldn’t have otherwise.
Remember THE WARRIOR’S WAY? Kind of an under the radar cowboys ‘n samurais movie from last year, director with no track record, Geoffrey Rush and Kate Bosworth in the cast, hard to know what to expect from that weird combination of factors. I heard it was pretty good, but I also heard it was one of those movies that’s pretty much all done in front of green screens. I almost went to see it for the week or two it was playing in theaters, but I chickened out, waited for the spinning disc. 
I got an email recently from Ricardo S., who recommended I should see this new movie SECUESTRO EXPRESS which he said was very popular in his country of Venezuela and “We usually don’t give a shit about our own films here, because, they usually suck balls.” So I filed that title away in the back of my mind and remembered to rent it and now here is my review.
13 ASSASSINS is a pretty straightforward and thoroughly badass samurai picture from director Takashi Miike. I know that guy’s known for making 2 or 3 crazy fucked up movies a year. I think the only one I’ve seen before is AUDITION, which I thought was a pretty good romantic comedy but not quite up to the hype as the most fucked in the head movie you ever saw. Pretty well done though. Anyway, this is different.
