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Archive for the ‘Horror’ Category

Attack the Block

Saturday, August 6th, 2011

tn_attacktheblockWhen I was leaving ATTACK THE BLOCK I noticed the poster for SUPER 8 hanging outside the theater. I guess it’s pretty obvious, but until I saw that it hadn’t occurred to me that they’re two really different versions of a similar idea: a group of kids save their neighborhood from an alien invasion. In fact, writer/director Joe Cornish says, just like J.J. Abrams did, that he was mostly inspired by the Amblin movies of the ’80s and specifically E.T. (the extra-terrestrial).

That influence is all over the surface of SUPER 8, but ATTACK THE BLOCK has a completely different style. Even though it takes place in modern day London it really makes me think of late ’70s, early ’80s movies about young people in New York City – BEAT STREET, THE WARRIORS, the “Beat It” video. It also put me in mind a little bit of ASSAULT ON PRECINCT 13 over here on the west coast. The score by a gentleman named Basement Jaxx is a hell of alot closer to John Carpenter than John Williams. (read the rest of this shit…)

Dylan Dog: Dead of Night

Tuesday, August 2nd, 2011

tn_dylandogDYLAN DOG: DEAD OF NIGHT is a semi-clever and watchable but also not all that great or original supernatural detective type deal. It’s like CONSTANTINE but not as well directed and with more jokes.

Brandon Routh plays the title character (well, the “Dylan Dog” part of the title; the “Dead of Night” part is played by various undead creatures). I’m not really clear if “Dog” is his last name or if it’s just a cool nick name. Nobody ever calls him “Dylan Doggy Dogg,” but it might be short for that. Anyway he’s a private eye who is in on the secret information that there are vampires, zombies and other monsters living among us. (read the rest of this shit…)

Insidious

Wednesday, July 13th, 2011

tn_insidiousINSIDIOUS (new this week on home video formats) is the latest from James Wan, the director of SAW. He didn’t do any of the SAW sequels though, if that’s what you’re thinking. This is only his fourth movie. I didn’t think SAW was that great and never saw his other horror movie DEAD SILENCE, but I’m kinda rooting for the guy to turn into a consistently good director because of how much I dug DEATH SENTENCE, his vigilante movie starring Kevin Bacon. Also ’cause he’s the only Chinese-Australian director I ever heard of, and that’s kinda cool. (read the rest of this shit…)

Scream 4

Sunday, April 17th, 2011

tn_scream4The SCREAM movies had their day in the sun. They arrived at the end of 1996, during what seemed like a horror drought. “Horror” was so out of sorts that the characters just call it “scary movies.” The actors, while promoting it on talk shows, called it a “thriller.”

We all remember that, but I thought it would be interesting to look up the specifics. According to my research there were only six other scary movie thrillers released theatrically that year: CANDYMAN: FAREWELL TO THE FLESH, THE DENTIST, THE FRIGHTENERS, FROM DUSK TILL DAWN, HELLRAISER: BLOODLINE* and THINNER. DTV releases included TREMORS 2: AFTERSHOCKS, CARNOSAUR 3: PRIMAL SPECIES and CHILDREN OF THE CORN IV: THE GATHERING.
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Mr. Stitch

Saturday, March 5th, 2011

tn_mrstitchWell, not too many people got a chance to examine the evidence, but MR. STITCH was the first solid proof that Roger Avary could stand on his own without reminding anybody of his video store co-worker Quentin Tarantino. Two years after winning an Oscar for PULP FICTION he was directing a DTV movie. Of course around here we know there’s no shame in that, but I guess it was not the original plan, just what happened when him and Rutger Hauer couldn’t agree on anything, according to this old Entertainment Weekly article. Sounds like they really didn’t get along well at all. Could’ve been worse, I guess.
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Drive Angry 3D

Thursday, March 3rd, 2011

tn_driveangryDid you guys know that Tim Burton’s ALICE IN WONDERLAND is the #6 highest grossing movie of all time? It’s literally made over a billion dollars. Just seems weird to me, because I don’t know anybody that liked that movie. I thought it was pretty terrible but keep finding myself “defending” it trying to convince people that at least it was cool looking. Except for the Mad Hatter.

When I mention that somehow it made that much money everybody says “Well, because the 3D tickets cost more.” I’m sure that was part of it. But it’s not like every 3D movie makes a ton of money.

Case in point: DRIVE ANGRY 3D (read the rest of this shit…)

I Spit On Your Grave (2010 remake)

Friday, February 11th, 2011

tn_ispitonyourgrave10I SPIT ON YOUR GRAVE (2010) is an okay-but-could-be-much-better remake of the disreputable cult classic. In the rankings of 21st century remakes of notorious ’70s rape revenge movies I’d put it at #2, more watchable than CHAOS but not nearly as artful as LAST HOUSE ON THE LEFT. It has pretty effective pacing and a couple good ideas, but it’s not as smart or observant as I’d want for a really worthwhile remake.
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My Soul To Take

Wednesday, February 9th, 2011

tn_mysoultotakeI don’t know if “good” is an adjective I would apply to Wes Craven’s little-seen latest horror movie (his first writing/directing joint since NEW NIGHTMARE). Other than the synonyms for “strange” there aren’t many adjectives that really do the job here. So it’s hard to explain what this movie is like, exactly, but I’ll try.

MY SOUL TO TAKE looks like a pretty typical glossy teen horror movie, with characters that could be in FREDDY VS. JASON or a FINAL DESTINATION, plus your standard Marco Beltrami score infused with an occasional rock song. Although it’s not a remake, a sequel, a prequel or a prequmake it does fit your modern mainstream horror mold by being released in last-minute-post-production-3D (LMPP3).

Yeah, it looks normal from a distance, but when you get up close it’s clear that something’s off here. (read the rest of this shit…)

Let Me In

Thursday, February 3rd, 2011

tn_letmeinAh shit, I hate it when this happens. I’m about to write a review for a sequel, or in this case a remake, and before I get started I figure I should go back and read what I wrote about the first one so I don’t repeat myself too much or forget something important. But it turns out I never wrote a review of the Swedish kid-befriends-vampire movie LET THE RIGHT ONE IN. And now I’m gonna review the American version of the Swedish movie everybody loves without reviewing the first one, and everybody’s gonna think I’m an asshole.

So please imagine I wrote a brilliant, in some ways moving and definitely mind-expanding and film criticism re-inventing review about how it was a very original and well made movie, I liked how the kids talked like kids and it didn’t really feel like any movie I’d seen before, pretty good, etc. Way to go, Swedes.
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Hatchet II

Wednesday, February 2nd, 2011

tn_hatchetiiHATCHET II is at least more fun than HATCHET I. Both are maybe too tongue-in-cheek, but at least they’re kind of slasher throwbacks, nothing meta-y or postmodernish or self-reflexable about them, and I appreciate that. They got Kane Hodder from FRIDAY THE 13TH parts whatever playing Victor Crowley, a Madman Marz-type ghost-of-a-murdered-deformed-guy chopping up trespassers in a Louisiana swamp. (read the rest of this shit…)