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Archive for the ‘Horror’ Category

Poltergeist

Monday, June 4th, 2012

tn_poltergeistBack when I was doing the Spielberg marathon somebody suggested I should review POLTERGEIST, and I thought it was a good idea. Oh shit, today is the 30th anniversary of the movie’s release! I guess we’ll do it today.

It definitely fits in with the Spielberg marathon. Tobe Hooper is the credited director, but Spielberg was a very hands-on producer and writer, and it seems way more like his directorial works than his other productions do. It has good, natural performances by kids and adults, smoothly choreographed camera moves, a suburban mid-west setting, state-of-the-art-at-the-time visual effects, people looking in awe at glowing light. Like E.T. (which came out one week later) it has a little boy with a room full of STAR WARS toys. The score is by Jerry Goldsmith, but is used similar to how Spielberg uses John Williams. There’s a group of scientists in a specialized field (like JAWS, CLOSE ENCOUNTERS, even JURASSIC PARK). There’s not as much that reminds me of Hooper – just TEXAS CHAINSAW MASSACRE 2’s Lou Perryman in a bit part as a guy working on the house, and a pit of rotting corpses at the end. That part seemed like something he’d be into.
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Dark Shadows

Tuesday, May 22nd, 2012

tn_darkshadowsa.k.a. TIM BURTON’S WHITE BLACULA

I didn’t expect to write a review of this movie, but I think I liked it more than everybody else, so I figured I should stick up for it. I mean, I don’t necessarily plan to watch it again in my life, but it has an odd tone that I enjoyed and shows signs of life in ol’ Tim Burton. (read the rest of this shit…)

Mother’s Day (2012)

Friday, May 11th, 2012

tn_mothersdayRemember everybody, Sunday is Mother’s Day. If your old gal is still around and on speaking terms you might want to send her some flowers or a fruit basket or whatever. Or if you got one of these mothers who’s real big on SAW II-IV, REPO THE GENETIC OPERA and 11-11-11 then I definitely recommend surprising her with the DVD or blu-ray of this new sort-of-remake from director Darren Lynn Bousman.

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The Wicker Tree

Tuesday, May 1st, 2012

tn_wickertreeFor years Robin Hardy, the director of the original non-mega THE WICKER MAN, has been trying to make this movie based on his novel Cowboys For Christ. It’s supposed to be a “spiritual sequel” dealing with the same themes but not the same characters or story. I expected a barely watchable but hopefully interesting mess, but that’s not what it is. Without being directly connected to THE WICKER MAN it pretty much takes the WILD THINGS approach to sequelizing: kind of a loose paraphrase with all the details changed. It’s clunky at times and always completely unnecessary, but surprisingly compelling. (read the rest of this shit…)

The Innkeepers

Monday, April 23rd, 2012

tn_innkeepersTHE INNKEEPERS is the new one from Ti West, the guy that did HOUSE OF THE DEVIL. This one doesn’t have the same retro trappings (I still believe if I came across HOUSE on cable and didn’t know what it was I would think it really was made around 1980) but it has a similar attitude about taking its sweet time getting to the horror part. In this one I really appreciated that because I almost preferred just hanging out with the characters to watching them get scared. (read the rest of this shit…)

Valentine

Tuesday, February 14th, 2012

tn_valentineReleased in February of 2001, VALENTINE was one of the last of (the last of?) the post-SCREAM studio slasher movies. Its low box office totals, combined with the success of THE RING the next year, might’ve sealed the deal on that particular horror cycle. It’s directed by Jamie Blanks, who debuted with the similarly crappy URBAN LEGEND and later returned to his native Australia, where the spirit of the Tasmanian tiger or something blows in the wind, into his lungs, inspiring him to make much better movies (STORM WARNING, NATURE’S GRAVE). (read the rest of this shit…)

Lovers Lane

Monday, February 13th, 2012

tn_loverslaneaka I’m Still Waiting For You

I didn’t even realize it until I started watching it, but LOVERS LANE is a cheapass slasher movie shot in the Seattle area. Mostly Issaquah, I think. Anna Faris, who grew up in nearby Edmonds, is in the movie (not her first, but Wikipedia calls it “her first significant role”). It was filmed in 1999, but seems more like an ’80s slasher. (read the rest of this shit…)

Hospital Massacre

Sunday, February 12th, 2012

tn_hospitalmassacreaka X-Ray

In 1982, a year after MY BLOODY VALENTINE, we got this Golan and Globus production which also begins with a murderous incident on Valentine’s Day, 1961. It looks like the ’80s and the kids even say “Omigod!”, but it says it’s 1961 so I’m taking their word for it. In this one a little boy named Harold leaves a valentine for a little girl named Susan and watches through her window as she reads it. When she sees it’s from Harold she laughs and her (brother? boyfriend?) crumples it up and throws it on the ground.

While Susan goes into the other room to cut two giant pieces of cake for her and the boy, Harold comes in and breaks the kid’s neck and hangs him from a coatrack. (read the rest of this shit…)

My Bloody Valentine (1981)

Saturday, February 11th, 2012

tn_mybloodyvalentineI know Valentine’s Day is one of those holidays that’s sort of made up to sell greeting cards, like Ziggy Day in May or Rehearsal Christmas in September. It’s based on an actual Christian martyr but the traditions got nothing to do that, it’s all a scam by Hallmark, the chocolatier lobby and Big Flower. Still, it’s enough of a real holiday to have a handful of slasher movies based on it, and therefore I am willing to acknowledge it. (read the rest of this shit…)

The Woman

Monday, February 6th, 2012

tn_womanHonestly all I knew going into THE WOMAN was who made it, that it was supposed to be really good, and that some dude flipped out when he saw it at Sundance and had to be removed as he yelled that the movie had no value and should be burned.

The director is Lucky McKee (MAY) and he wrote it with the novelist Jack Ketchum, who he also collaborated with on RED (the good RED – sorry Bruce). I liked both of those movies quite a bit, but this is McKee’s best work yet. It’s surprising and it’s darkly humorous and it’s the rare horror movie that works without following the template of any previous movie, at least not one that I can think of. So this is one of those reviews that I recommend you don’t read yet unless you either already saw the movie or don’t plan to see it. I didn’t see a trailer or anything and I was glad I didn’t really know what it was about at all. (read the rest of this shit…)