Archive for the ‘Horror’ Category
Wednesday, January 21st, 2026
I liked 28 DAYS LATER when it came out in 2003 and I liked 28 WEEKS LATER when it came out in 2007, but I still have never revisited them. So I’m honestly very surprised how invested I am in this followup trilogy that started last year with Danny Boyle’s 28 YEARS LATER and now continues with Nia DaCosta’s 28 YEARS LATER: THE BONE TEMPLE.
It was such a surprising choice: Boyle and writer Alex Garland finally made their long anticipated third film, but also prepared a script for the director of LITTLE WOODS and CANDYMAN 2021 to shoot back-to-back with it. Boyle’s movie set up the new characters, and now DaCosta continues their story, but other than a few homages during zombie attacks she doesn’t mimic Boyle’s style at all. Cinematographer Sean Bobbitt (THE PLACE BEYOND THE PINES, WIDOWS, THE RHYTHM SECTION), editor Jake Roberts (HELL OR HIGH WATER, MEN) and composer Hildur Guðnadóttir (JOKER, TÁR) all go in very different directions from the distinct ones Boyle’s team chose, giving us a calmer and more traditional (not shot on iPhones) but still very effective look at this world of a zombie infection pandemic and its survivors. (read the rest of this shit…)
Tags: Alex Garland, Alfie Williams, Chi Lewis-Parry, Danny Boyle, Emma Laird, Erin Kellyman, Hildur Guonadottir, Jack O'Connell, Louis Ashbourne Serkis, Nia DaCosta, Ralph Fiennes, Sean Bobbit
Posted in Reviews, Horror | 10 Comments »
Tuesday, January 20th, 2026
MARSHMALLOW (2025) is a well made summer camp horror movie that manages the impressive feat of not really seeming like a riff on FRIDAY THE 13TH, SLEEPAWAY CAMP or THE BURNING (or for that matter CHEERLEADER CAMP, MADMAN, STAGE FRIGHT, CUB, or HELL OF A SUMMER). It does this in part by taking the kids, the parents and (to a lesser extent) the counselors seriously as characters and giving them relatable emotions before most of the horror movie stuff kicks in.
Morgan (Kue Lawrence, DEATHCEMBER, SKETCH) is a shy kid cursed with a horrendous bowl cut. In the opening scene he timidly approaches some taller kids who are aggressively passing a basketball around and asks if he can join them. They pretty much tell him to eat shit and run away while laughing at him. Morgan doesn’t notice this, but his grandpa (Corbin Bernsen, THE DENTIST) is sitting across the street witnessing the whole thing. So we feel both the pain of the kid and of the adult who’s gotta be torn up about what he’s seeing but can’t really intervene without humiliating the kid further. (read the rest of this shit…)
Tags: Alysia Reiner, Andy Greskoviak, Corbin Bernsen, Daniel DelPurgatorio, Giorgia Whigham, Kue Lawrence, Marcia King, Max Malas, Maxwell Whittington-Cooper, Paul Soter, Pierson Fode, Robert Kurtzman, Samantha Neyland-Trumbo, summer camps, Sutton Johnston
Posted in Reviews, Horror, Science Fiction and Space Shit | 2 Comments »
Thursday, December 18th, 2025
A couple years ago I really liked this horror-thriller I saw on Shudder called INFLUENCER. Yes, I agree with you that movies, and especially horror, are a little too fascinated with social media influencers right now, but I swear this is a good one. Madison (Emily Tennant, SNIPER: ASSASSIN’S END) makes a very good living traveling to exotic places and posting about her adventurous lifestyle, but we see that at least at this time it’s kind of a front. She’s actually depressed and mostly staying alone at a resort in Bangkok, sad that her boyfriend didn’t come.
Then she meets CW, played by Cassandra Naud (IT’S A WONDERFUL KNIFE), an American expat who has lived there for a while and shows her a good time. Unfortunately for Madison, fortunately for cinema, CW turns out to be a psycho with a resentment toward influencers and the computer skills to really do a number on their lives. I like that the influencer is somehow sympathetic but the villain is still fun. It’s kind of a modern take on ‘90s thrillers like SINGLE WHITE FEMALE, BASIC INSTINCT and THE NET, but also kind of a noir because it mostly follows CW as she gets deeper and deeper into her lies and tries to navigate a smooth exit. (read the rest of this shit…)
Tags: Cassandra Naud, Emily Tennant, Georgina Campbell, influencers, Jonathan Whitesell, Kurtis David Harder, Lisa Delamar, Veronica Long
Posted in Reviews, Horror, Thriller | 4 Comments »
Wednesday, December 17th, 2025
SILENT NIGHT, DEADLY NIGHT (2025) is not a great remake, but it’s a fun one, a solid one, mostly because it’s a playful one. The first couple scenes seem like a pretty straight forward update of the 1984 original – there are some funny additions, but it’s young Billy Chapman (Logan Sawyer, “Kid #1,” FOLLOWING YONDER STAR) visiting his grandpa (Darren Felbel, ALWAYS AND FOREVER CHRISTMAS, OUR CHRISTMAS LOVE SONG) and getting freaked out by an outburst about Santa punishing the naughty, then witnessing the murder of his parents by a man in a Santa costume. So I figured it was gonna mostly follow the original, but that’s not the case at all. Writer/director Mike P. Nelson (WRONG TURN [2021], Angry Orchard and the Jason Un1v3rse present SWEET REVENGE) understands that not much is sacred about SILENT NIGHT, DEADLY NIGHT. You mostly just gotta have a Killer Santa. So Nelson plays around with our assumptions of what’s going on, and takes us for a fun ride.
First, a time jump to adult Billy (Rohan Campbell, a.k.a. Corey Cunningham from HALLOWEEN ENDS!) in a hotel having a bad time. You know, it’s that type of time jump where you start the movie with the traumatic past event and then you cut to the present with the person waking up from a nightmare. It tells us the first part was exactly what really happened but also the dream he just had, and even though we have had dreams before and know for sure that’s not how they work we still accept it because movies are magic and besides, it’s Christmas. Have a heart. (read the rest of this shit…)
Tags: Christmas horror, David Tomlinson, Mike P. Nelson, remakes, Rohan Campbell, Ruby Modine, slashers
Posted in Reviews, Horror | 9 Comments »
Tuesday, December 2nd, 2025
GOOD BOY is a 2025 indie horror movie with a high-difficulty gimmick: the main character is a dog. Played by a dog. I’ve heard it said that it’s in the point-of-view of the dog, but that’s not the case literally (because the camera is usually on the dog’s face) or narratively (because I’ll be damned if I knew what the dog’s thoughts were on all this). But as human events play out nearby the camera is always paying more attention to this dog named Indy (played by director Ben Leonberg’s dog Indy), and that does feel fresh.
It really seems like Leonberg and co-writer Alex Cannon built the story around what they could get Indy to do, so in that sense it’s a star vehicle just like they used to make for martial artists. Of course, they filmed the dog for three years trying to get his performance right. Most kickboxing champions didn’t have that luxury. (read the rest of this shit…)
Tags: Alex Cannon, Arielle Friedman, Ben Leonberg, dog, ghosts, Larry Fessenden, Shane Jensen, Stuart Rudin
Posted in Reviews, Horror | 12 Comments »
Monday, November 17th, 2025
I don’t say this lightly, but I think Guillermo del Toro’s FRANKENSTEIN might be up there pretty high among the top Frankensteins? Or at least it hits hard for me. It’s one of the more faithful adaptations of Mary Shelley’s 207-year-old novel Frankenstein: But If You Think About It It’s Almost Like a Modern Prometheus, but it’s reinterpreted enough to feel like pure, personal del Toro.
He uses the wraparound story of a Royal Danish Navy expedition to the North Pole that’s now stuck in the ice. The crew sees an explosion nearby and discovers injured Victor Frankenstein (Oscar Isaac, THE CARD COUNTER). Captain Anderson (Lars Mikkelsen, of the Copenhagen Mikkelsens) takes him on board to shelter him from The Creature (Jacob Elordi, THE MORTUARY COLLECTION), and this strange guest decides to be dramatic and tell his whole damn story from childhood to that very day. (read the rest of this shit…)
Tags: Charles Dance, Christoph Waltz, David Bradley, Felix Kammerer, Guillermo Del Toro, Jacob Elordi, Lars Mikkelsen, Mia Goth, Oscar Isaac
Posted in Reviews, Horror, Monster, Romance | 21 Comments »
Wednesday, November 12th, 2025
BASKET CASE 3 (advertised with the subtitle THE PROGENY, but that’s not on the actual credits) came a year after part 2 and continues in a similar vein. Once again, they knew exactly which “previously on” footage would make an incredible opening (Belial doggystyling Eve).
We’re still at Grannie Ruth’s place. She re-separated the twins after Duane’s little self-surgery, and luckily she has a padded cell and straitjacket for him. (Where does she get the money for this stuff? Is she eligible for grants?) Duane has been spaced out for months, giving Grannie an excuse to straight up tell him/us what’s going on now: Belial has gotten Eve pregnant, and “no one’s exactly sure what will come out of her,” so they’re all getting on a school bus for a road trip to Georgia, because some guy named Uncle Hal (Dan Biggers, MIDNIGHT IN THE GARDEN OF GOOD AND EVIL) is “the only doctor I’d trust with a delicate case like this.” (read the rest of this shit…)
Tags: Annie Ross, Frank Henenlotter, Gabe Bartalos, Jim O'Doherty, Kevin VanHentenryck
Posted in Reviews, Comedy/Laffs, Horror, Monster | 1 Comment »
Tuesday, November 11th, 2025
You know from the jump that BASKET CASE 2 (1990) is gonna have a little more money behind it than the first one, because it has both Troma and Shapiro Glickenhaus credits. That’s power right there. For those just joining it starts with footage from the end of part 1, with poor Duane and his murderous, surgically separated lump brother Belial hanging off a hotel sign, falling and splattering in front of screaming New Yorkers. We also get a news report from Times Square, describing Belial as “a small, grotesque monstrosity” and a “small, twisted deformity whose most startling feature is an unnervingly human face” and a “strange little being” that “might actually be human.”
An old lady, Grannie Ruth (Annie Ross, PUMP UP THE VOLUME), and her adult granddaughter Susan (Heather Rattray, “White House Press Conference Reporter [uncredited],” DEEP IMPACT) flip through the channels watching all the coverage, and seem to know who the Bradleys are, and they head to the hospital to free them. By that time though the boys have already escaped on their own and added to their crime spree. (Henenlotter pulls a HALLOWEEN II by having hospital staff hitting on each other before becoming victims.)
(read the rest of this shit…)
Tags: Annie Ross, Frank Henenlotter, Gabe Bartalos, Heather Rattray, Jason Evers, Joe Renzetti, Kathryn Meisle, Kevin VanHentenryck
Posted in Reviews, Comedy/Laffs, Horror, Monster | 8 Comments »
Monday, November 10th, 2025
BASKET CASE (1982) is one of those cult movies everybody knew about in the ‘80s and ‘90s. It stayed alive by having a couple sequels and being in video stores or being mentioned often in Fangoria. Now it’s on 4K disc and on Shudder with credits saying it was restored by the Museum of Modern Art. But it was genuinely a creature of the grindhouses, a $35,000 exploitation movie conceived in Times Square by twentysomething New Yorker Frank Henenlotter, written on napkins at Nathan’s Famous, and shot in 16mm, partly in front of XXX theaters on 42nd Street. The producer was a hospital administrator whose only other films are Henenlotter’s and two yoga videos.
It opens with a mysterious murder at a house out in Glen Falls, before cutting to Times Square and a strange young man named Duane Bradley (Kevin VanHentenryck), who carries a large wicker basket. He checks into a shitty hotel, the kind where the v-neck undershirt-wearing clerk asks, “Couple of hours, couple of years, what? Give me a hint.” It’s twenty dollars a night up front and the lobby is crowded with residents gossiping about the death of somebody named “Dirty Lou.” (read the rest of this shit…)
Tags: 42nd Street, conjoined twins, Frank Henenlotter, Kevin VanHentenryck, New York City
Posted in Reviews, Horror, Monster | 5 Comments »
Wednesday, November 5th, 2025
The last time I saw Guillermo del Toro’s debut CRONOS (1992) must’ve been more than thirty years ago. I know I was aware of it before he came out with MIMIC, but I can’t remember if I rented it before or after. So it would’ve been the late ‘90s or earlier. (Only ‘90s kids know CRONOS.)
It’s funny that there’s a movie I like about getting old and it has now gotten old along with me. Del Toro was still in his twenties, making a movie about old men trying to stop aging. I’m not grandpa-aged yet but I’m gonna say he guessed pretty good. At 50 I relate a little bit to this guy getting fucked up about age.
Of course one of the things that’s changed since 1992 is that del Toro has become an institution, a name brand, a celebrity, a best picture, director and animated feature winner. Back then was an obscure makeup artist and director of short films and television, making an impressive feature debut, but only released in 28 theaters in the U.S. When I think about it I could easily picture del Toro having some super low budget calling card movie, like an EL MARIACHI, an ERASERHEAD or an EVIL DEAD. Wouldn’t have to necessarilly start with ‘E,” but it would show the seeds of what he’d become while having its own crude beauty. No, this is more like BLOOD SIMPLE for the Coen Brothers – he seems almost fully formed. He’d quickly get more extravagant with the effects and the sets, but this doesn’t seem DIY in the slightest. It has scope to it, it has style, it has most of his obsessions. A dark-fairy-tale-meets-monster-movie tone, a mystical antique, a weird insect, an innocent little girl, a part for Ron Perlman. No Spanish Civil War yet, but the backstory does invoke the Inquisition. (read the rest of this shit…)
Tags: alchemy, Christmas horror, Claudio Brook, debut features, Federico Luppi, Guillermo Del Toro, Jorge Martinez de Hoyos, Margarita Isabel, New Year's Eve, Ron Perlman, vampires
Posted in Reviews, Horror | 8 Comments »
