"CATCH YOU FUCKERS AT A BAD TIME?"

Archive for the ‘Action’ Category

VERN Watches ON DEADLY GROUND With MR. SHOW At The Olympia Film Festival!!

Monday, October 14th, 2002

SPOILER ALERT !!

Hey, everyone. “Moriarty” here with some Rumblings From The Lab.

Wow. Bob and David are everywhere right now, and it sounds like they’re having a great time. I still don’t know if I’m going to be able to get into the insane benefit show they’re part of in a few weeks, and I missed this. Still, if we had to have anyone cover it for us, thank god Vern was the one who went. You’ll see why when you read this…

Boys–

I know how you feel about film festivals. You’re for them, right? I think one of you said you were. I’ve seen a couple good pictures at the Seattle International Film Festival but that’s about it for me. Until today, when I decided to venture south to the Olympia Film Festival. And I’m real glad I did.

Usually I avoid Olympia. I know it’s our state capital, it once had a fine brewery and they got lots of college kids who brag because the rock band Sleater-Kinney was named after a street they still have near there. But I mean come on. The street isn’t even that good. In the downtown area the buildings are too far apart, and everything is closed. At least on Sunday. Anyway today they finally got a reason for me to go there: ON DEADLY GROUND. (read the rest of this shit…)

Brotherhood of the Wolf

Wednesday, October 2nd, 2002

The box’ll get you expecting some weird french version of CROUCHING TIGER, HIDDEN DRAGON, but I say it’s a 2000s Hammer movie. So you got a period piece with a mysterious beast eating people in a village, and the townspeople are trying to hunt it but they’re on the wrong track, and some colorful experts come to town to get the job done FOR REAL.

All that, but it’s the 2000s so they all do karate. Just like Charlie’s Angels, Mission: Impossible, X-Men, Superman, Charles In Charge, anybody that’s resurrected in the 2000s, they’re gonna do karate. Why? The Matrix. When? The 2000s. Where? A big screen near you. This includes not just americans, but also the French. The Musketeer did karate and Vidocq did detective style kung fu, and this movie introduces until-now-unknown traditions of French and Native American martial arts. Those scenes are kind of tossed in there, but it’s not quite as crazy as it sounds. If you like the movie like I did, it will probaly be due to the classic story of the monster eating the villagers, and the dudes trying to track the monster. Not the karate. (read the rest of this shit…)

Vern’s LOVE AND A BULLET review!!!

Monday, September 30th, 2002

Hey folks, Harry here with that damn Outlaw Vern chiming in on LOVE AND A BULLET, which is… I believe an inane Reese Witherspoon Romantic Comedy that will make you weep, laugh and cheer. Awwwww, it’s an Outlaw Vern sort of film, he gets touchy feely like that. And he’s dead right about the coming civil wars of Comic Traditionalists and Revisionists and the deaths upon the fields of dishonor! I tell ya, TWO TOWERS has nothing on it! hehehe

Boys –

Did you notice how Mel Gibson’s Jesus movie was really controversial in the talkbacks until you mentioned Superman? Man I don’t think I’ve ever seen the newsies so worked up. I think in about 20 years when this generation of “geeks” is in power we will see comic book fundamentalists controlling governments around the world the way religious fundamentalists do today. Trying to force their Superfriends morals on everybody else. Some nutty congressman from the Utility Belt will get them to hang up the X-Men letters page in schools and courthouses. It’ll be an interesting time. (read the rest of this shit…)

Undisputed

Friday, August 23rd, 2002

I decided a long time ago to stop reviewing prison movies. People always ask me what I thought of this prison movie or that. They recommended ANIMAL FACTORY and that was a real good one, but I don’t want people to take me more seriously about prison than they would other film writers like the guy from Entertainment Weekly or the guy from People Magazine and etc. Plus, why would I want to sit around and watch movies about a place like that anyway.

I made an exception for UNDISPUTED though because I been looking forward to this ever since I saw the trailer before BLADE II. The BLADE pictures made me love Wesley Snipes and I try to see any movie he does now, even if it looks like some asinine remake of ROCKY, but in prison. (read the rest of this shit…)

Blood Work

Saturday, August 10th, 2002

This latest directorial work by our greatest Badass Laureate, Mr. Clint Eastwood, didn’t go over too well in theaters. It was barely advertised and it disappeared about as fast as Mr. De Palma’s great FEMME FATALE. I figured how could you go wrong – starring Clint, directed by Clint, written by Brian Helgeland who wrote the Outlaw Award winning picture PAYBACK. But everyone told me it wasn’t too hot, kind of boring, with a predictable plot twist.

Well now I’ve finally caught up with it and although it’s not an outstanding new high for Clint like FEMME FATALE is for Brian DePalma, there is nothing wrong with it at all. In fact any fan of Badass Cinema owes it to themselves to see it as one of the only american pictures relevant to our genre this year. It’s an old school cop thriller but for some reason it reminded me most of IN THE LINE OF FIRE. I think one reason Clint has stayed relevant (well, up until now I guess since nobody saw this one) is because he acts his age. He doesn’t pretend to be a young man even if he’s kissing gals who are younger than him. He is very conscious of being an old man. (read the rest of this shit…)

xXx

Friday, August 9th, 2002

Well you know me, I’ve been talking about the badass presence of Vin Diesel just as long as anyone has, anyone except for him. I’ve been looking forward to this moronic concept of a Vin Diesel star vehicle, figuring anything this stupid starring Vin Diesel would have to be a good time. You saw my epic dissertation on THE FAST AND THE FURIOUS so you know how I enjoy Vin’s egomaniacal charisma combined with Rob Cohen’s pathetic zeitgeist-chasing high conceptualism.

XXX is completely asinine. And I loved that about it. For about half an hour. Then it just got boring in the exact same way all the modern James Bond movies are boring. It takes a special type of standard lowering to enjoy ANYBODY driving around dreary european villages on motorcycles shooting machine guns and blowing things up in the usual ways. You can only watch a henchman shot into the air by an explosion so many times before you start to ask for more from your badass cinematists. I don’t care if you had a young Clint Eastwood riding piggyback on Steve McQueen, you’d still get bored with this movie before it got to the climax. (read the rest of this shit…)

Austin Powers in Goldmember

Saturday, July 27th, 2002

Well what this movie is about is Austin Powers is a spy from the ’60s who likes to have sex and use different british slang, etc. He has bad teeth and a hairy chest and because the dude who plays him, Michael Meyers, wishes he were a rock star, he also has a band in one part. This is the third in a series of pictures thought to be parodies of James Bond but obviously more like homages to Derek Flint, but with dick jokes and one dude playing most of the roles.

The plot of the first one was about Mr. Powers being frozen cryogenically because his archnemesis Dr. Evil was frozen and sent into space. And then they both get revived in the ’90s, and they have trouble catching up with the different changes. Also Mr. Powers has to pee really bad when he gets unfrozen, and that type of crap. (read the rest of this shit…)

Dog Soldiers

Sunday, July 21st, 2002

Well we know the spanish can do good modern horror, and the japanese can do it, and there’s that one canadian dude. But what about the Brits? They had the great Hammer Studios way back when, and they made the Wickerman I believe, so they got a good tradition going. But it’s been a while since I’ve heard about a real good one. To be honest I haven’t paid too much attention to the british culture lately. All I know is they got those annoying crime movies and that tv show where you go into your friend’s house, repaint it and glue a bunch of pinecones and inner tubes together as decorations.

But now maybe they got the next horror visionary. A newcomer by the name of Neil Marshall, he wrote and edited a couple earlier movies and this is his debut as writer/director/editor/credit hog. (read the rest of this shit…)

Vern reviews JOHN CARPENTER’S VAMPIRES: LOS MUERTES!

Monday, July 15th, 2002

Hey folks, Harry here… From what Vern says here, you’d be better off renting Seymore Butts’ WISE CRACKS or Seymore Butts’ TWO BUTTS ARE BETTER THAN ONE starring Seymore Butts’ Young Buns. Of course there are always foreign film options like CUM GUZZLING GEISHA GIRLS or THE TWIN PEAKS OF MOUNT FUJI, but that’s entirely up to you. Then there is Rav’s favorite all time title of SHEMALE YUM TAKES ON ASIAN AMERICAN LADYBOYS or Quint’s fave – PRINCESS ON THE PORCELAIN. But there is always Moriarty and mine’s favorite that we love to watch on those lonely nights: BRIDGET THE MIDGET: TATTOO MENU & A PIERCING EXPERIENCE. Join us if you will, or be like Vern….

Well boys there’s nothin like a mediocre straight to video sequel to start off your day. I didn’t even know they were makin a sequel to this one until I got ahold of the screener tape. I guess alot of people would ask “Who the fuck cares about VAMPIRES?” and laugh it off. It’s always weird when out of the blue they got a sequel to some movie you never knew anybody really thought about anymore, like URBAN LEGEND or MIMIC or MEN IN BLACK.

But I like most of Mr. Carpenter’s works and I think VAMPIRES is one of the good ones. James Woods is great throwin on the leather jacket to put his skinny old man frame in the Kurt Russell/Roddy Piper role. I guess he made up alot of his lines and maybe that’s why they work (Roddy Piper did the same in THEY LIVE. I bet poor Ice Cube stuck to the script in JOHN CARPENTER’S DISAPPOINTING GHOSTS OF MARS. I still can’t believe his name was “Desolation Williams.”)

Nothing about VAMPIRES seemed real radical but it had a feel of its own. How many vampire movies take place mostly in daylight in sunny, dusty Mexico, with that famous John Carpenter “it’s really a western” tone? And it just had a raunchiness that was much needed at the time, with the most macho dialogue of any John Carpenter movie, all the main characters being sadistic assholes, and lots of the ol’ latex-and-blood-packs gore effects. I don’t remember any god damn morphing in that picture. The master vampire tore Mark Boone Junior in half, and it was organic. (read the rest of this shit…)

Reign of Fire

Friday, July 12th, 2002

I heard a rumor, or actually I just saw it on the ad, that REIGN OF FIRE is supposed to be the perfect summer movie. And in a way I think it is. Because it takes a good special effects extravaganza premise – the world is obliterated by firebreathing dragons and a small community of survivors fight back in postapocalyptic england – and treats it much smarter and more dramatic than you’d expect.

Yeah, this is a movie with computer animated dragons, and a bunch of people fighting them. But the emphasis of the story is not on the fighting. It’s always on the drama. After a prologue and a MAD MAX-like dragons-take-over-the-world explanation montage, you get basically a DAY OF THE DEAD setup. Here is this community of survivors living in spruced up castle ruins using what limited resources they can find to survive. You find out about their whole system – how they eat, their security system, how they use birds for lookout and what they teach their kids to do if they see a dragon. There’s also a little I AM LEGEND in there because they treat the dragons scientifically. They are not magical. They explain how they breathe fire, how they reproduce, the best way to kill them. (read the rest of this shit…)