So once again we have survived.

Posts Tagged ‘snipers’

Code of Honor

Tuesday, May 10th, 2016

tn_codeofhonorIf you are absolutely dead set on seeing no more or less than 1 (one) of the 2 (two) Steven Seagal films that came out last week, and you can’t be talked out of it, I highly recommend CODE OF HONOR for your specific circumstances only. Here, my friends, is a movie where Seagal seems almost like a co-lead. Where he sort of fights a guy once or twice. Where he stands up and/or walks in many of his scenes. This is the hardest he’s worked on film all week!

On the other hand, it’s sort of a distressing sign that he came out with two movies within a few days of each other where his main activity is using a sniper rifle. He even uses the phrase “watch your six” again. You can tell he’s into that, because it was part of the tag line for SNIPER: SPECIAL OPS. Playing a sniper is a distressingly convenient way for him to do action scenes without having to do any choreography, martial arts moves, or acting with other actors. Also sometimes he’s sitting down in a chair. This could be a big problem. If he’s a sniper in his next movie it will be a bad, bad sign.

This sniper obsession is a period within his current Goatee Era. These days his characters always look the same, with too much shit on. The goatee, the tinted glasses, a bulky coat, a scarf, a backwards hat, and now he’s big on ear protection like he’s at the gun range. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Sniper: Special Ops

Monday, May 9th, 2016

tn_sniperspecialopsRemember the opening/teaser trailer scene of AMERICAN SNIPER, where Bradley Cooper (THE MIDNIGHT MEAT TRAIN) and his partner are on a rooftop somewhere in Generic Dusty Middle East, watching a woman through a sniper scope, not sure if she has a bomb or is just in the wrong place at the wrong time, and they’re agonizing over whether or not to shoot her? Steven Seagal’s latest as of last Tuesday (but since surpassed by a new VOD one on Friday) opens the same way, except there’s no agonizing, they just know he’s a bad guy and they shoot him.

Seagal plays Jake Chandler, the eye in the sky for a group of special ops soldiers on a mission to save a Congressman abducted by an evil Taliban leader. They get attacked, leaving Seagal and an injured soldier behind, but then they help a local woman who turns out to be the Taliban guy’s daughter-in-law. Also there’s a whole thing with an embedded reporter (Charlene Amoia, AMERICAN REUNION) who they kind of condescend to because she’s a civilian and a woman, but she steps up and impresses them. They have some shootouts and a tense hostage exchange and what not. All very small scale, maybe one CGI explosion, but at least the gun flashes are real.

Despite the title, this is not related to the SNIPER series, nor is it very much about snipers, and despite Seagal being the only person Photoshopped onto the cover he’s not the main character at all. That would be Sergeant Mosby (Tim Abell, MERCENARIES, SPECIAL FORCES), a likably gruff lug who reminded me of Kevin Nash mixed with Ron Eldard on Justified. The story mostly centers on him, and he’s the one that makes the decisions and talks with the lady and stuff. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

American Sniper

Monday, January 26th, 2015

tn_americansniperAMERICAN SNIPER is a pretty good movie. I wouldn’t rank it too high in the pantheon of Clint Eastwood directorial works, and it’s definitely not one of the all time great war movies, or even the best movie about the Iraq war. It has some overlap with THE HURT LOCKER without being as effective, in my opinion, either as a thriller or as a character study. And obviously we gotta deduct points for it not being a story about a very old sniper played by Clint. But it’s a very good performance by Bradley Cooper (THE MIDNIGHT MEAT TRAIN), it looks into an interesting world (that of the Navy SEAL sniper), it has several tense battle sequences, and it speaks about the experiences of soldiers with some of the quiet simplicity and understatedness I appreciate in an Eastwood picture. That last part is causing a problem.

In many ways it feels different from the rest of Clint’s filmography, but it returns him to one of his favorite themes: the man who has lived a life of violence having a hard time doing something else. Instead of an old outlaw it’s “most lethal sniper in U.S. military history” Chris Kyle (played by Cooper with some extra muscle, facial scruff and Texan drawl), who goes through four tours of duty in Iraq, more than his share, but every time he tries to live a peaceful life with his family he starts itching to be back in combat. It also reminds me a little bit of Clint’s movie J. EDGAR, another biopic of an extreme character that refuses to condemn him. It just presents him, tries to give him a fair shake, shows him as a human, for better or worse.

With most of Clint’s directing-not-acting movies these days (JERSEY BOYS, HEREAFTER, CHANGELING, LETTERS FROM IWO JIMA, etc.) it’s the same routine: a bunch of people say they suck, I see them and like them, but don’t really know many people who bothered to see them, and the world moves on. Even when he does what seems like a crowd-pleasing awards-bait type movie, like INVICTUS, the academies and what not don’t give much of a shit, and Clint doesn’t care that they don’t. Why would he? Who needs another trophy when you wake up every morning and you’re still Clint fucking Eastwood?

But AMERICAN SNIPER is different. It was nominated for 6 Oscars including best picture, and when it went into wide release last weekend it immediately became a smash hit, the biggest opening of Clint’s career. Also, it’s one of those movies that not only sells tickets, but that people apparently like. It has an A+ Cinemascore and an 89% audience rating on Rotten Tomatoes. (His previous three movies as director rated 65%, 45% and 38%). (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Silent Trigger

Monday, August 13th, 2012

I hoped this would be one of the better Dolph Lundgren vehicles, because it’s directed by Russell Mulcahy, who used to be so good. This was ’96, his next movie after ’94’s THE SHADOW. I guess this is his punishment, but THE SHADOW is more fun. SILENT TRIGGER is at least watchable, but so are other things that are actually good.
(read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.