Posts Tagged ‘Randall “Tex” Cobb’

Collision Course

Thursday, March 18th, 2010

tn_collisioncourseAs a Chris Tucker fan in a white-people-heavy part of the country I too often find myself defending the kind-of-funniness of RUSH HOUR. I don’t love the movie or anything (MONEY TALKS is the real classic) but I have to admit that every time I come across it on TV I find myself laughing at the shit Chris Tucker says and saying, “I forgot how funny this was.”

I realize that you all think I’m crazy for that, so I got a new argument in defense of RUSH HOUR, and it’s called COLLISION COURSE (1989). You think RUSH HOUR is such a terrible movie – well, what about the version where instead of Jackie Chan it’s Pat Morita, and instead of Chris Tucker it’s god damn Jay Leno? This is a generic mismatched buddy-cop picture only made novel by the rare hero role for the famous Tonight Show host/usurper. It’s funny – not in the sense that the jokes are funny, but in the sense that it’s sometimes interesting to look back at older movies and remember what was considered cool or funny at that time. (more…)

Uncommon Valor

Monday, August 13th, 2007

I don’t remember this one, but it was in a book about action movies I’m reading (Action Speaks Louder by Erich Lichtenfeld) and sounded pretty good. It’s one of those “Vietnam vets go back to rescue POWs” movies, but according to the book it’s the first one. And the weirdest part is that it’s from Ted Kotcheff, director of FIRST BLOOD, and made two years before George P. Cosmatos’s RAMBO: FIRST BLOOD PART II. Maybe that’s why Kotcheff didn’t come back for part 2, he’d already done that movie.

Of course, the feel is pretty different from RAMBO. And there are three major differences in the type of story we’re dealing with here. Number one, it’s a team movie, it’s not focused on one dude. Number two, these are normal vets who have gone back to civilian life, they are not maniacs who have gone on a rampage and must get a pardon to go on the mission due to their skills with explosive tipped arrows. Number three, they are privately funded, they are not working for the government. In fact, the government is trying to stop them from doing it (you know how those fuckin bureaucrats are, with their red tape and what not. It makes you so mad BRING OUR BOYS HOME! etc.)

Not surprisingly, the movie is produced by John Milius (although if he worked on the script he was not credited). You probaly know who Milius is but if not here is a brief primer. He worked on an early unused script of DIRTY HARRY and later on MAGNUM FORCE. He wrote the famous USS Indianapolis speech in JAWS. He wrote APOCALYPSE NOW. He wrote and directed CONAN THE BARBARIAN. And RED DAWN. And John Goodman’s character in THE BIG LEBOWSKI is based on him. Except unlike that character he was not in Vietnam. He was never in the military, he’s just obsessed with it anyway. I wonder if he has flashbacks?

I’m pretty sure our politics are as opposite as oil and water, but I love the guy. He’s a great writer and there’s not alot of people who can write that macho. So his name was part of what got me to watch this movie. (more…)

Blind Fury

Thursday, July 12th, 2007

Well they got spaghetti western versions of the samurai movies, they got American versions of Japanese horror movies, they got a black version of THE ODD COUPLE. So if it’s 1989 and you’re Australian director Philip Noyce (THE QUIET AMERICAN, RABBIT-PROOF FENCE), why not do a white version of ZATOICHI with Rutger Hauer as a soldier blinded and left for dead in Vietnam, nursed and trained in swordsmanship and now wandering the sides of American highways ready to unleash his sword-cane if it comes to it?

That Vietnam origin story, by the way, is all taken care of during the opening credits, which is admirable. No time wasted.

White Zatoichi goes to reveal his “alive” status to a war buddy played by “Terrance O’Quinn,” who people now call “so-and-so from LOST” but he is actually THE STEPFATHER. Before the swordsman gets there, O’Quinn gets kidnapped by the mafia and forced to use his chemistry skills to formulate a sea blue “designer drug.” The wife (creepy-eyed Meg Foster from THEY LIVE) gets shot right in front of White Zatoichi’s ears so he takes their son on the road to try to reunite him with his father.

This is a weird and enjoyable movie, but you know you’re in some trouble as soon as you realize this kid is gonna be in the whole movie. You can’t blame the poor kid, but he is not exactly a great screen presence. The movie was made in 1989 and he’s the usual type of spunky blond brat who starred in children’s TV at that time. Then every once in a while he gets emotional and starts crying. This is an enjoyable movie but probaly more for kids than for adults. (more…)