"KEEP BUSTIN'."

Posts Tagged ‘Matt Damon’

Invictus

Sunday, January 3rd, 2010

tn_invictusSo Mandela (Morgan Freeman) has just been elected president of South Africa. The headlines ask, “He can get elected – but can he run a country?” Mandela says it’s a legitimate question.

Apartheid ended a few years earlier, but the white Afrikaners still aren’t ready for this. In his first day as president he has to make a speech explaining to the white people in his office that no, contrary to rumors they are not fired. Whatever they did in the past is in the past. If they don’t want to work with him then fine, pack your shit (paraphrase), but otherwise he needs you so stay and do what’s right for the country.

The mistrust goes both ways. Mandela’s head of security (Tony Kgoroge) knows this is gonna be a tough job, but when he asks for more men Mandela gives him a bunch of white South African cops, the enemy of the African National Congress. He has every reason to believe these scary motherfuckers could plan an assassination themselves, but Mandela wants them for their symbolic value. If he goes around with an integrated security team then that says something. What else can he do, really? Somebody’s gotta put their toes in the water. (read the rest of this shit…)

The Informant! and The Girlfriend Experience

Sunday, September 20th, 2009

tn_informant!Today I have a Steve Soderbergh double feature. I got his new one, THE INFORMANT! followed by his previous one, THE GIRLFRIEND EXPERIENCE.

Twenty years after SEX, LIES AND VIDEOTAPE and Steve Soderbergh is still experimenting up a storm. This year he’s alternating a low budget improvised drama starring a porn star (more on that later) with this big studio comedy starring Matt Damon. But as far as Soderbergh’s commercial movies go THE INFORMANT! is on the weirder end. He takes the true story of a corporate crime whistleblower who helped the FBI crack open a huge price fixing scandal, but he plays it as a broad comedy. (read the rest of this shit…)

The Departed

Thursday, February 22nd, 2007

If you saw INFERNAL AFFAIRS you know the storyline. Undercover cop vs. undercover gangster. There’s alot of stories about cops going undercover in gangs, but this one also has a member of the crime family who entered the police academy and moved up the ranks as a mole for his gang. So now both traitors are well situated and it starts to get obvious to both sides that they have a mole in their midst. And the moles are given the job of finding out who the mole is. It could be called LOS TOPOS.

Mr. Scorsese took that premise and moved it to Boston and told his own story about contemporary Boston criminals. Scorsese’s young associate Leonardo Del Caprio (looking more like Benicio Del Toro every year) plays the cop who pretends to get kicked out of the force, does some time and then joins Jack Nicholson’s gang. Matt Damon plays the cop who’s really working for the gang. We first see him as a little kid getting money from Nicholson in a diner. And the kid they chose is a dead ringer. They even taught him how to cock his eyebrow like Damon. Somebody’s gonna have to find a young Ben Affleck doppelganger and these two can go on the road. Or they could do THE YOUNG JASON BOURNE MYSTERIES where the camera shakes around while he’s fighting some kid in a treehouse. (read the rest of this shit…)

Syriana

Monday, December 12th, 2005

SYRIANA is not the movie about the talking Jesus lion, that’s CHRONICLES OF NARNIA. CHRONICLES OF NARNIA is not the one where Vin Diesel says “I haven’t smelled beautiful in a long time,” that’s CHRONICLES OF RIDICK.

Sorry, my man Richard Pryor died this week, so the jokes are awkward. But seriously folks. “Syriana” and “Narnia” sound similar enough, and there are alot of people who space out on movie titles. There’s got to be somewhere in this great country of ours where some knucklehead mixed up the names and went into the wrong movie and hilarity ensued. Picture a guy sitting waiting for what he thinks is a political ensemble drama. Thinking, wow, I’m surprised this many kids are interested in global politics. Or vice versa. Get all the popcorn, load all the kids in, wait through the ads and the previews and make the people around you uncomfortable. Shhh, Gunnar, time to be quiet. Skyler, you too. Do you need a time out? And then all the sudden a chubby George Clooney is in the middle east somewhere trying to set up a deal to sell a missile launcher. (read the rest of this shit…)

Brothers Grimm

Friday, August 26th, 2005

Ever since that documentary LOST IN LA MANCHA, Terry Gilliam has a reputation as the bad luck director who can’t finish a movie without the Lord dropping down on him like a bag of cinder blocks. I heard he writes his shooting schedules under a ladder on the 13th day of the month. It’s been what, six years since FEAR AND LOATHING IN LAS VEGAS, he’s been trying to make movies since then but this is the first one to make it to the screen. People figure it’s a miracle if he can shoot a scene that is not interupted by an act of God, let alone finish a whole movie and have it released in theaters. So in that sense, THE BROTHERS GRIMM is a miracle. Because it is a finished movie with credits and everything. They even made a poster I think.

As far as actual entertainment value though it’s maybe a little less miraculous, in my opinion. The main problem: the first hour. A man of my knowledge and insights, I oughta be able to put my finger on it more than that, but all I can say is I was bored as shit for the first half of this movie. Nothing really painfully lame or anything but it’s just not involving and not in the usual Terry Gilliam way where he overwhelms and disorients you with his powerful imagination rays. It looks like a Terry Gilliam movie, it seems like an okay premise for a Terry Gilliam movie, but it just doesn’t click. It’s not funny. It’s not that clever. And takes for fucking ever to get going. (read the rest of this shit…)

Ocean’s Twelve

Friday, December 10th, 2004

OCEAN’S 12 is a sequel to OCEAN’S 11 (the 2001 version [not the movie 2001, I am referring to the year 2001, the year the movie OCEAN’S 11 was made {the remake, not the original, that is why I brought up this year thing originally}]) so this will be the sequel to my review of that movie.

It turns out that the eleven do NOT die horribly as I predicted. But their past (the other movie) does catch up with them, and the sequel is all about them doing various heists in order to pay back the money, plus interest, that they stole the first time around. So that means that Ocean’s 11 actually have a net loss across the two pictures. I mean, think about that. That’s terrible! What does that say about the current state of doing a job right? You want to do the impossible, so you bring in 11 of the greatest experts from around the world, you pull it off, you win back your ex-wife, and you have a fun time doing it. And your reward is horrendous debt and threat of life and limb. That’s how this world rewards you for ambition, talent and dedication. (read the rest of this shit…)

Ocean’s Eleven (2001)

Friday, December 7th, 2001

When you get two Oscar nominations for best director in the same year (for Erin Brockovich and Traffic) and you’re at the commercial peak of your career, what do you do for a followup?

I think Steven Soderbergh has the right answer. Two Oscar nominations is nothing to commit suicide over. Sure it’s embarassing, but it’s not the end of the world. After all it was only one year earlier that his picture The Limey won Best Picture, Musical Comedy or Badass in the 1999 Outlaw Awards, and that magic could not be entirely faded. So Soderbergh packed up the political pretensions, left them out on the porch in a box marked for the retard center, and went and made a casino heist movie. (read the rest of this shit…)