When I heard they made a movie about “Sully” Sullenberger, the pilot who heroically landed a downed commercial jetliner in the Hudson River, saving everyone onboard, I wondered how you would make a whole movie about that. Well, it turns out the story of Sully is a little more complicated than what I knew.
And I really mean a little more complicated. Not that much more complicated. He landed the plane, and then they said you know what, you might’ve done the wrong thing according some tests we did, and he said well this is why those tests are wrong, and after a while they said yeah you’re right, sorry about that Sully. The end.
So it’s weirdly uneventful for a movie about a famous airline disaster. But as a gentle character drama it’s not bad, the kind of thing that Clint Eastwood can make much more interesting than most directors could. (read the rest of this shit…)
VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.
TEENAGE MUTANT NINJA TURTLES: OUT OF THE SHADOWS takes the world of photorealistic animated humanoid amphibian vigilantes established in part 1 off in more fantastical directions. “The Shadows” of the subtitle are the levels of secrecy they require, fighting New York City ninja crime from their secret sewer home, hiding their existence by giving credit for part 1’s heroics to local news cameraman Vern (no relation) (Will Arnett, announcer voice for the DON’T trailer in GRINDHOUSE). But they get alot of teenage mutant ninja angst about having to watch the Knicks game from inside the Jumbotron like a bunch of lepers.
(note: it actually looks like amazing seats)
The turtles’ armored ninja ringleader arch-nemesis Shredder (now played by Brian Tee from TOKYO DRIFT) gets busted out during a prison transfer in a cool vehicle stunt sequence that totally would’ve existed without DARK KNIGHT, it’s only a coincidence. But the beauty of it is that
1) It’s arranged by a scientist in goofy “nerd” glasses and bow tie played by Tyler Perry (ALEX CROSS)
2) Shredder accidentally gets teleported to another dimension and is assigned a mission by a talking brain monster with robot body (read the rest of this shit…)
VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.
Here’s a funny thing that was different back in 1995: Bruce Campbell was so worshipped as a cult star that the idea of him being in a blockbuster movie was thrilling to people. He had done the EVIL DEAD trilogy and the MANIAC COP pictures and did a couple seasons of The Adventures of Brisco County Jr. but that didn’t really catch on in the mainstream. And he seemed like their secret but somehow they wanted everybody to know. He made it to the semi-big-ish time with little cameos in DARKMAN and THE HUDSUCKER PROXY, but people still wanted him to star in some big movie and be the next, I don’t know, Kurt Russell or somebody.
And then he was in the trailer for this new Michael Crichton movie CONGO. Had the misguided dreams of horror nerds come true at last? Would they be able to finally share their hero not just with the Johnny-come-latelies who saw ARMY OF DARKNESS before the other ones, but with the whole world?
Well, the fact that the camera zoomed in on his screaming face during the trailer seemed to indicate that he wasn’t gonna make it to the end. Still, word of disappointment spread fast when people saw the movie and discovered that he bites it in the opening scene. The whole movie is about a rescue mission to come find him, even though we got a pretty idea they’re gonna be rescuing a dead body. (They do manage to find John Hawkes still alive, but catatonic, and then he freaks out and dies.) Anyway, I mention this movie to people 20 years later, that’s still the first thing that comes up. The wound has not healed. (read the rest of this shit…)
VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.
Okay first of all I gotta ask, why does every movie lately gotta be about a nasty divorce, somebody’s dad dying, or both? I guess that’s just what happens when the sky turns grey and the leaves start falling off the trees, all the sudden you get all these depressing movies about how either you or your dad is a novelist and you fucked up everything with your wife and kids and you want to fix your marriage but that’s completely delusional, your wife has a new guy and she hates you because you’re an asshole and she can do better. (that’s what both of these are about.)
Which brings me to my second comment, you better look up what these movies are about before you see them because the titles are misleading. I know, how could you go wrong with a movie called SQUID VS. WHALE, but unfortunately it turns out that title is some kind of a metaphor or something. Which answers my question of how this got a theatrical release. There is no squid vs. whale fight, at least not a living squid and whale. And the dead ones that fight is only in a museum and only in the very end. (read the rest of this shit…)
VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.
Okay, so everybody in their right mind loves the old Clint Eastwood pictures, and most people and critics love the Serious Clint Eastwood Pictures like Unforgiven, Mystic River and now Million Dollar Baby. But the period between Unforgiven and Mystic River is kind of an ignored period. The in between period is not as Serious or Important as those movies and they usually get mixed reviews. Well I was busy at the time so I missed most of these but now I decided to catch up starting with 1997’s Absolute Power.
Now this is a suspense thriller and the way it unfolds, it almost reminds me of a less flashy Brian DePalma. It even has the old DePalma voyeurism. But what I’m talking about is it takes its time setting up all the pieces and giving you the information you need a chunk at a time. (read the rest of this shit…)
VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.
When I saw the first trailer for MYSTIC RIVER I practically flipped out. I guess not like one of those “geek-gasms” my bud Harold Knowles talks about but more like getting goose-shivers or the hair standing up on your balls or whatever the saying is. I already knew it had cleaned up at the Whatsisdick Film Festival over there in wherever it was, and that it was directed by my man Clint, who actually did the narration for this trailer. There was no scenes from the movie, just a helicopter shot of the town with the narration and then the credits start telling me, okay: Sean Penn, Tim Robbins, Kevin Bacon, Laurence Fishburne, Marcia Gay Harden, Laura Linney… and then it says, “A Film by Clint Eastwood.” It gives you no clue what it’s about really, just shows you the setting and tells you the players and figures that if that’s not enough for you then you must be an asshole. “That’s all I need to know,” I said, but really I already knew more – that it was written by oscar winner Brian Helgeland, director of outlaw award winner PAYBACK. (read the rest of this shit…)
VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.
(I get residuals and/or the respect of my publisher, you get to have your life changed forever by the power of my words)
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When I heard they made a movie about “Sully” Sullenberger, the pilot who heroically landed a downed commercial jetliner in the Hudson River, saving everyone onboard, I wondered how you would make a whole movie about that. Well, it turns out the story of Sully is a little more complicated than what I knew.
TEENAGE MUTANT NINJA TURTLES: OUT OF THE SHADOWS takes the world of photorealistic animated humanoid amphibian vigilantes established in 
THE SQUID AND THE WHALE meets THE WEATHER MAN
Okay, so everybody in their right mind loves the old Clint Eastwood pictures, and most people and critics love the Serious Clint Eastwood Pictures like Unforgiven, Mystic River and now Million Dollar Baby. But the period between Unforgiven and Mystic River is kind of an ignored period. The in between period is not as Serious or Important as those movies and they usually get mixed reviews. Well I was busy at the time so I missed most of these but now I decided to catch up starting with 1997’s Absolute Power.
When I saw the first trailer for MYSTIC RIVER I practically flipped out. I guess not like one of those “geek-gasms” my bud Harold Knowles talks about but more like getting goose-shivers or the hair standing up on your balls or whatever the saying is. I already knew it had cleaned up at the Whatsisdick Film Festival over there in wherever it was, and that it was directed by my man Clint, who actually did the narration for this trailer. There was no scenes from the movie, just a helicopter shot of the town with the narration and then the credits start telling me, okay: Sean Penn, Tim Robbins, Kevin Bacon, Laurence Fishburne, Marcia Gay Harden, Laura Linney… and then it says, “A Film by Clint Eastwood.” It gives you no clue what it’s about really, just shows you the setting and tells you the players and figures that if that’s not enough for you then you must be an asshole. “That’s all I need to know,” I said, but really I already knew more – that it was written by oscar winner Brian Helgeland, director of outlaw award winner PAYBACK. 
