Posts Tagged ‘Gene Hackman’

The Split

Monday, April 20th, 2009

tn_thesplitThere are two Richard Stark based movies left that have never been released for the home video in the U.S. One is MISE A SAC, a French one based on The Score, where Parker and a crew try to rob an entire mining town. The other is THE SPLIT, based on The Seventh, where Jim Brown as the Parker character robs a football stadium and then has some trouble afterwords. My man David M. in France has seen both – he saw a restored print of MISE A SAC and told me it was great. As for THE SPLIT he did me one better than telling me about it, he sent me a recording from when it played letterboxed on the French Turner Classic Movies channel. (I don’t know who the French Ted Turner is, but it sounds like he plays better shit than the American one.)

If you’re reading this in the future maybe every movie ever made is available for instant download, but in my day you had to be patient. You don’t know how long I’ve been waiting to see this thing. The closest I came before now was an old movie magazine I bought at an antique mall because it had Barbarella on the cover (wait a minute, is Roger Vadim the French Ted Turner?) So I bought it for the Barbarella, because a man has needs, but it turned out there was also an “article” – really just a plot summary – about THE SPLIT. I’d been meaning to read it and write a book-to-movie-summary comparison until they get off their ass and release it. But now thanks to French Ted Turner I don’t have to stoop to that. (more…)

Uncommon Valor

Monday, August 13th, 2007

I don’t remember this one, but it was in a book about action movies I’m reading (Action Speaks Louder by Erich Lichtenfeld) and sounded pretty good. It’s one of those “Vietnam vets go back to rescue POWs” movies, but according to the book it’s the first one. And the weirdest part is that it’s from Ted Kotcheff, director of FIRST BLOOD, and made two years before George P. Cosmatos’s RAMBO: FIRST BLOOD PART II. Maybe that’s why Kotcheff didn’t come back for part 2, he’d already done that movie.

Of course, the feel is pretty different from RAMBO. And there are three major differences in the type of story we’re dealing with here. Number one, it’s a team movie, it’s not focused on one dude. Number two, these are normal vets who have gone back to civilian life, they are not maniacs who have gone on a rampage and must get a pardon to go on the mission due to their skills with explosive tipped arrows. Number three, they are privately funded, they are not working for the government. In fact, the government is trying to stop them from doing it (you know how those fuckin bureaucrats are, with their red tape and what not. It makes you so mad BRING OUR BOYS HOME! etc.)

Not surprisingly, the movie is produced by John Milius (although if he worked on the script he was not credited). You probaly know who Milius is but if not here is a brief primer. He worked on an early unused script of DIRTY HARRY and later on MAGNUM FORCE. He wrote the famous USS Indianapolis speech in JAWS. He wrote APOCALYPSE NOW. He wrote and directed CONAN THE BARBARIAN. And RED DAWN. And John Goodman’s character in THE BIG LEBOWSKI is based on him. Except unlike that character he was not in Vietnam. He was never in the military, he’s just obsessed with it anyway. I wonder if he has flashbacks?

I’m pretty sure our politics are as opposite as oil and water, but I love the guy. He’s a great writer and there’s not alot of people who can write that macho. So his name was part of what got me to watch this movie. (more…)