Posts Tagged ‘Fred Williamson’

Shadow Fury

Saturday, August 28th, 2010
"I can give a shit about clones!"

"I can give a shit about clones!"

SHADOW FURY is a cheap-ass 2001 sci-fi action movie about clones. It has one of those inexcusable keyboard-pretending-to-be-an-orchestra scores and the acting and dialogue are at higher cheesiness levels than I’ll usually put up with, i.e. worse than a SCANNERS sequel. But I really liked this movie because it rarely goes more than a couple minutes without a really cool action scene, a clever concept or a (usually unintentional) laugh. It has a similar energy to an early Isaac Florentine, so it fits that the director, Makoto Yokoyama, did second unit and stunts for the Power Rangers. An IMDb search finds 7 specific episodes directed by Florentine with Yokoyama on 2nd unit. So let’s call him the 2nd unit Florentine. (more…)

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Johnny Pate-a-thon

Wednesday, May 20th, 2009

tn_pateIn case you’ve had your fill of straight-to-video action and shit, I’ll give you an alternative. Today we’re having a triple-feature of ’70s blaxploitation movies with scores by Johnny Pate. You know, I’m trying to find one of those real accessible topics everybody can relate to.

Johnny Pate is a Chicago-born bassist and arranger. He says his first and biggest love is jazz, but to me he’s a legend because of his comparatively brief detour into R&B in the late ’60s and early ’70s. He worked with many Chicago labels of that era but most notably alongside the one and only Curtis Mayfield – Pate was an arranger for the Impressions and for Mayfield’s label, Curtom.

I’m not as detail-oriented about music as I am about movies, so I probaly wouldn’t know about Johnny Pate except that I happened to pick up his 1970 funk instrumentals album “Outrageous” when it was reissued last year by Dusty Groove. Then I found out he scored SHAFT IN AFRICA so I finally got around to watching those sequels and loved them. At least half of my love for blaxploitation movies comes from the music, and of course SUPERFLY and SHAFT are the two most legendary blaxploitation soundtracks. Here’s a guy who kind of connects them together – he arranged Superfly for Mayfield, he scored the third SHAFT movie, and even played with the original Isaac Hayes SHAFT themes when he scored the short-lived (and not on DVD) SHAFT tv series. (more…)

Black Caesar

Monday, February 12th, 2007

In my opinion BLACK CAESAR is one of my favorite blaxploitation movies. It’s got a good story and direction (by Larry Cohen), a badass soundtrack (by James Brown) and a super badass lead (Fred Williamson). Fred plays a cruel motherfucker, sort of a Scarface type anti-hero, but makes him mostly sympathetic.

You already know the movie is good at the beginning because it has such a good and unusual opening. Fred’s character Tommy Gibbs is a kid (played by some young guy, don’t worry it’s not Fred wearing a beanie or nothin) working as a shoe shine boy.

There’s a nervous white man in a suit, looking over his shoulder, but Tommy convinces him to get a quick shine. Suddenly a scary mafia dude comes out with a gun and the whitey tries to run. But Tommy holds onto his shoe. After the dude is dead, Tommy meets up with the mafia dude in an alley. He gets his payment and also gets to hold the murder weapon and check it out. This kid may have some problems, is the idea.

Later, when the kid has just gotten out of the joint (where he grew into Fred Williamson) he decides to enact a master plan to take over a neighborhood from the Italians. It’s a bold plan and even though Larry Cohen is probaly some sort of white dude, he puts alot of race and class wish fulfillment shit in there to make it fun. For example, Tommy is so rich he buys a penthouse apartment from a white couple, forcing them to move out immediately and leave all their belongings. Then he tosses the wife’s fur coats out the window. The next morning we figure out why he bought the place – his mom is the maid. He tries to get her to just retire and live in the apartment herself, but it’s more complicated than that. She can’t see herself living in the rich white people building. She’s just sees herself as the maid. (more…)

Blackjack

Monday, December 5th, 2005

Recently I reviewed RED SCORPION and I talked about The Enigma of Dolph Lundgren. The enigma is that this guy who I’m betting is fascinating in real life (he’s a big muscleman martial artist who does dumb action movies, but he’s highly educated) has almost no presence in movies. Well after seeing this topnotch John Woo TV movie I take it back. It turns out when he’s not pretending to be Russian he’s got all kinds of charisma.

I know this is made for TV, not video, but it’s exactly the kind of gem I’m looking for when a dig through all this crap. A ridiculous, enjoyable and unusual action movie. The main reason it’s unusual is that Dolph Lundgren’s character is afraid of the color white.

Well, it’s a long story. Something in his past that he doesn’t quite remember yet has given him a phobia. Dolph is playing some kind of federal marshall or something turned bodyguard. And he’s got alot of problems. For one thing, his friends recently died and he has to adopt their precocious daughter Casey. For another thing, another friend (Fred the Hammer Williamson to be specific) was recently killed protecting a supermodel from a stalker, and he has to take on that case. Even though Casey’s parents were in trouble with organized crime in the prologue, it’s said their death was an accident and we never learn otherwise. But that’s okay because Dolph is haunted by the death of the Hammer and the death of his father, and two separate deaths are more than enough for an action hero to be tormented by. Especially an action hero who is afraid of the color white. (more…)

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Vigilante

Saturday, January 1st, 2005

I don’t know how familiar anybody is with William Lustig. The guy is no genius. He made the MANIAC COP series. He made the picture UNCLE SAM which is a decent holiday slasher picture with subversive Gulf War themes, but it’s kind of a bummer because there is almost no use of stilts after the initial appearance of the Uncle Sam costume in a parade. Anyway after many years of directing bad horror pictures this guy started that company Anchor Bay which put out alot of better ones on video and DVD.

But there are some pretty good ones in his filmography, especially the first one, MANIAC. That was a sleazy, brutal horror picture about a sweaty New York pervert who kills women, staples their scalps to a mannequin, handcuffs himself to the mannequin and cries. Then during the daytime he puts on shades and tries to make it as a hip fashion photographer. It’s a real sick movie with ridiculous gore effects by Mr. Tom Savini. Not recommended for anybody unless they like that kind of crap, which in this case I do.

VIGILANTE is not as good but it’s sort of like what you might expect in a DEATH WISH type revenge movie from the director of MANIAC. It follows the completely stripped down revenge movie formula with the occasional bit of more gore than you expect. Good ol’ Robert Forster plays an everyday type dude with a wife and young son. But he lives in New York City and they got lots of ’70s/early ’80s style crime. One day while he’s out drinking with some car work buddies, his wife has a run-in with some asshole Hispanic gang members in berets (they must’ve seen THE WARRIORS) who spray gas on her, then follow her home, stab her repeatedly, and blow the baby son out the window with a shot gun. At least in the director’s cut that’s available on DVD, this is a real brutal scene. I couldn’t believe they actually blew the kid away. I don’t want to sound like a prude but I don’t care if some lady insulted you at the gas station, you don’t shotgun a cute little kid like that. It’s just not right, in my opinion. Cut it out, babyshooters. (more…)

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