Posts Tagged ‘Cameron Diaz’

Knight and Day

Tuesday, November 30th, 2010

tn_knightanddayKNIGHT AND DAY is that action/comedy/romance deal that came out this summer, one of two or three that were about a guy who’s secretly a government agent taking a girl on an unexpected adventure involving guns and crashing vehicles. Of those, this is the one where it’s Tom Cruise and Cameron Diaz. It’s called KNIGHT AND DAY because Cruise’s character takes a little toy of a knight from the airport gift shop to hide something in, and also because it turns out his last name is Knight, and the ‘Day’ comes from Cameron Diaz because she’s playing a young Sandra Day O’Connor. Well, okay, I made up that last part, or at least if it’s true it isn’t made very clear in the movie. Actually there’s no reason for the ‘Day,’ I don’t think they got that far when they were proofreading the title.

I know nobody had very high hopes for this one, but I kind of figured it would be okay just because it’s James Mangold, director of WALK THE LINE. Not a visionary by any stretch of the imagination, and not to brag but I am a visionary so my imagination stretches really far. But he’s usually a decent director and not known for this type of thing, so it seemed potentially interesting I thought. Incorrectly.
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The Box

Wednesday, February 24th, 2010

tn_theboxPUSH – BASED ON THE SHORT STORY BUTTON, BUTTON BY RICHARD MATHESON

Late in THE BOX somebody asks, “Can I be forgiven?” The character is talking about a lapse in moral judgment that caused harm to others. But you kind of hope it’s also writer/director Richard Kelly talking about his last two movies, SOUTHLAND TALES and DOMINO. Both are more like drugged out brainstorming sessions than actual finished movies – a couple funny ideas wrapped in a thousand, uh… other ideas, then chewed up and spit onto the screen with no second thought given to concepts like planning, timing, restraint, coherence or entertainment value. To me those are two of the most tedious, headscratchingly ill-conceived disasters of modern film, and the motherfucker did them in a row. With only one pretty good movie under his belt to hang his hat on*.

No. Not if this is an era of accountability. You can’t be forgiven.

So it’s in the spirit of forgiveness and Christian redemption that I say I thought THE BOX was pretty good. His best, for what that’s worth. (more…)

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Vanilla Sky

Saturday, January 1st, 2005

Vanilla Sky is an american remake of OPEN YOUR EYES, the second picture by the young spanish gentleman Alejandro Amenabar, who also did THESIS and THE OTHERS. After the movie I was saying to a gal that the ending was kinda different on the original, and the guy next to me was saying the same thing to his friend. Except he was just getting out of OCEAN’S 11.

Everything is fucking remakes now, huh? The above took place in Seattle, Washington, where as we speak the Dreamworks company is hard at work on an unneccesary remake of (the) RING. History has not been kind to american remakes of foreign pictures. Even when you get the same guy to remake it – like with THE VANISHING or NIGHTWATCH – the movie will piss everybody off and the director will be forgotten forever.

Well I didn’t like VANILLA SKY as much as OPEN YOUR EYES (which, by the way, I didn’t like as much as THESIS) but it is surprisingly good for an americanization of a spanish picture. The director is Cameron Crowe, who always does the pictures about what music people listen to when they’re falling in love. It shows improvement in the filmatism in my opinion. It is a very good use of sound and music, and cinematographing. There are some subtle touches here and there and more emotion in the character that Cameron Diaz plays, the woman Tom Cruise casually dates who goes nuts on him and tries to kill him. In OPEN YOUR EYES she was more of a nut, here she makes a pretty good point about even if you make it clear you’re not serious about this woman, when you fuck her you gotta realize it means something to her. Come on, don’t be an asshole Tom Cruise. (more…)