THE CONTRACT is an animated tie-in to LOVE AND A BULLET. It’s easily the least essential part of the Ben Ramsey catalog, but its existence is what inspired me to revisit the other ones. I mean, people don’t usually know what I’m talking about if I mention LOVE AND A BULLET, so how is there a cartoon? I had to find out.
Well, it’s only 35 minutes long and its’ very crude, sub-television level animation. The credits say it was done by Elliott Animation, Inc., a Toronto based company founded by a former background painter from the Droids cartoon. They do all kinds of work for TV now – their main show seems to be Total Drama Island – but this was done as nine circa-early-2000s webisodes, so it’s Flash-type characters in front of pixelated backgrounds.
But it does have Treach and some of the other actors from the movie, making it seem much more legit. And it’s written by Ramsey and Kantz, so it has the same type of dialogue as the movie. In fact, the same dialogue in many cases! For some reason this is not a prequel or an additional Malik Bishop adventure, like what happens when he runs off with Mylene at the end. No, this is an abbreviated version of the same basic story told in a different, cheaper looking medium, with some of the same scenes, conversations and narration (re-recorded, I believe). (read the rest of this shit…)
LOVE AND A BULLET was one of the movies that made me believe in DTV when 
When you get to part 3 in a trilogy there’s a big risk of blowing everything. You have to continue with what people loved about the first two but with more risk than before of feeling like we’ve been there, done that. You might need to introduce something fresh, but then you risk the audience rejecting the new shit. But more importantly you just have to make a solid movie, you can’t get lazy or arrogant or lose sight of what your series is about. If you slip up a little bit moviegoers will want your head – it happened with SPIDER-MAN 3, X-MEN 3, GODFATHER 3, BLADE 3, HELLRAISER 3, CHILD’S PLAY 3. It’s alot of pressure, but it’s not impossible. Every once in a while you get a part 3 that really delivers or even improves on the ones before it, like RETURN OF THE KING or REVENGE OF THE SITH in my opinion or HARRY POTTER 3 which is still the best of the series.
CONNORS’ WAR is a straight to video picture most of you never heard of, starring Treach (from Seagal’s TODAY YOU DIE) and Nia Peeples (from Seagal’s HALF PAST DEAD) written by some guy who wrote HALF PAST DEAD 2 (not Seagal’s).
It goes without saying that TODAY YOU DIE is Steven Seagal’s greatest movie title since at least OUT FOR A KILL. So I won’t bother to say it. Isn’t it awesome though? The movie itself is worth the time of any Seagalogist, but at least on my first viewing here it’s not one of the more crucial ones. It’s more competent than most straight to video movies (especially Seagal’s, lately) but not legitimately great. So, without anything really special or truly ludicrous, it ends up kind of forgettable. But it has its moments.
Hey folks, Harry here with that damn Outlaw Vern chiming in on LOVE AND A BULLET, which is… I believe an inane Reese Witherspoon Romantic Comedy that will make you weep, laugh and cheer. Awwwww, it’s an Outlaw Vern sort of film, he gets touchy feely like that. And he’s dead right about the coming civil wars of Comic Traditionalists and Revisionists and the deaths upon the fields of dishonor! I tell ya, TWO TOWERS has nothing on it! hehehe
