It could be argued that LOCK UP isn’t quite an action movie – that it’s more of a drama with some violence and extreme villainy. And if it is action I’m not sure how it fits into the theme of this series about a shift in the genre heading into the next decade. No, it doesn’t seem like the ’90s ones with “DIE HARD on a _____” type hooks (CLIFFHANGER, DAYBREAK) or special effects and stylized settings (DEMOLITION MAN, JUDGE DREDD). But it’s also not quite the over the top feel we associate with the ’80s because of movies like RAMBO: FIRST BLOOD PART II, COBRA and, well… OVER THE TOP. It has a score by Bill Conti (fresh off of THE KARATE KID PART III) that brings ROCKY-like majesty, especially during the montage of the harrowing football game that’s intentionally more about hurting him than sport. This is Stallone in tough-but-vulnerable mode, and even has a part where he builds to a yelling, emotional speech kinda like the end of FIRST BLOOD.
I attribute the film’s timelessness and grit to director John Flynn, a legend to me because of THE OUTFIT and ROLLING THUNDER in the ’70s and OUT FOR JUSTICE in the ’90s. This was his followup to BEST SELLER. He didn’t generally participate in trends – he just made John Flynn movies. (read the rest of this shit…)
With THE LAST STAND, Arnold Schwarzenegger officially kicks off his Old Man Period, sort of following the Clint Eastwood precedent. And I’m all for it. Alot of people love nothing more than shaming actors, especially action stars, for failing to conquer time and science, and instead succumbing to the biological changes that occur as a result of human aging. They love jokes about John McClane on a walker or Rambo wearing Depends. Ha ha, I bet when you were Mr. Universe you never guessed that your cells would change in tandem with the passage of time and you would end up with a different physicality that would lead to new health challenges! Serves ya right, grandpa! (And when I say “grandpa” I use it in the sense of “old men are the worst thing there is” and not in reference to my actual grandfather, who we call “Pa-Pa.”)
How do you know to lower your expectations for the sequel? When it’s included on the DVD with the first movie. And not as a double feature, but as a bonus feature. I didn’t realize this was on the DIRTY DOZEN dvd when I rented it, but I found it while browsing the extras. Never seen it before so I decided to give it a shot.
PREDATOR starts out with a shot of an alien spacecraft jettisoning a shuttle towards earth. We just see it from the distance, there’s not alot of detail visible, but we don’t live under a rock, so we know what’s going on here. The extra-terrestrial hunting enthusiast known only as “Predator” is arriving on Earth. The human characters in the movie get all the screen time, but Predator gets the first shot, so we know this is really his story.
Okay, this group of National Guardsmen (Peter Coyote, Powers Boothe, Keith Carradine, Fred Ward, others) are on one of them training exercises, right? Basically, they gotta go out into the Louisiana swamp with a map, try to locate this one particular place. To practice their navigation skills. Most of them aren’t taking the job too seriously, paying more attention to their plans to hook up with some whores when they’re done. I mean they’re carrying guns, but with blanks, because who are they gonna shoot at anyway. There’s no enemy in this exercise.
