"CATCH YOU FUCKERS AT A BAD TIME?"

Posts Tagged ‘Robert LaSardo’

Wishmaster 2-4

Tuesday, November 26th, 2024

WISHMASTER was a theatrical release, and given its low budget a profitable one. A year later, producer LIVE Entertainment was acquired by Bain Capital, restructured and rebranded Artisan Entertainment. While distributing real movies in theaters (including absolute classics GHOST DOG: THE WAY OF THE SAMURAI and THE LIMEY), they also started dipping into DTV sequels like the appalling CANDYMAN: DAY OF THE DEAD, the enjoyable THE SUBSTITUTE 2: SCHOOL’S OUT, and yes, a whole trilogy of WISHMASTER followups, starting with WISHMASTER 2: EVIL NEVER DIES (1999).

The sequels are not presented by Wes Craven, but funny enough the writer/director of part 2 is the same guy who did A NIGHTMARE ON ELM STREET 2, Jack Sholder. Sadly this is not on the level of FREDDY’S REVENGE, much less THE HIDDEN. He told interviewer Hellter from Gruemonkey that he’d turned down the first WISHMASTER and “didn’t especially like” it, then “needed the work” when part 2 came his way. But he was happy that he got to write it and “had a lot of creative freedom as long as I could do it for the budget.” (read the rest of this shit…)

Section 8

Monday, November 21st, 2022

SECTION 8 came to VOD a couple months ago and now is on disc and I guess AMC+. It’s a solid and enjoyable movie of its type, with a good cast, some good fights, and liberal use of familiar action conventions that tend to be enjoyable. However I’m gonna show it a little tough love in this review because, as we agreed when I went on I Must Break This Podcast to discuss it last month, it’s pretty representative of where VOD/DTV action is at right now, for both good and bad. So there might be some value in going deep.

It has not one, not two, but three significant action stars in the cast – not as the lead, but in those we-can-afford-them-for-this-many-days-and-if-we-put-them-on-the-cover-we-get-financing type roles that are the bread and butter of this industry right now. One of the three is I think not used very well, one I did enjoy, another I think we will all agree is clearly the best part of the movie. All of them are added value along with Ryan Kwanten (RED HILL, THE HURRICANE HEIST), who stars, and Dermot Mulroney (SUNSET, THE GREY), who plays the villain with a grey beard that makes him look kinda like present-day-Mel-Gibson on the cover.

The story begins in “Mosul, Afghanistan” (uh… whoops) where Jake Atherton (Kwanten) is, we’re told, a really great marine, but his platoon is ambushed by the Taliban and only he and his mentor Captain Mason (Dolph Lundgren, HAIL CAESAR!) survive. I’m kind of unclear what happens, but later we’re told that Mason saved Jake’s life and also received a career-ending leg injury. (read the rest of this shit…)

In Hell

Thursday, January 30th, 2020

IN HELL is a 2003 DTV JCVD joint. At the time it was the best 2000s Nu Image/Millennium filmed-in-Bulgaria DTV movie with an action icon getting locked up in a Russian prison, meeting a guy in a wheelchair who shows him the ropes, being mistreated and strung up outside in the cold, and becoming the champion of their fighting circuit. (Then UNDISPUTED II came out.) It’s Van Damme’s last film with director Ringo Lam (CITY ON FIRE, FULL CONTACT), following MAXIMUM RISK and REPLICANT. I like that some of the Hong Kong visual style and emotional sincerity come through, even though I could use fewer scenes where he rolls around in bed remembering flashes of his wife’s murder. (read the rest of this shit…)

Renegades

Thursday, June 20th, 2019

Maybe I’m out of touch, but I had never heard of RENEGADES. At first I assumed it was a western. It does reunite YOUNG GUNS stars Kiefer Sutherland and Lou Diamond Phillips (the original Woody & Wesley), but it’s a contemporary buddy/cop movie set in Philadelphia. And it’s as solid as you’d hope for from director Jack Sholder, following up ALONE IN THE DARK (1982), A NIGHTMARE ON ELM STREET 2: FREDDY’S REVENGE (1985) and THE HIDDEN (1987).

Sutherland (STAND BY ME) plays Buster McHenry, who is one of those guys who goes into a little diner and is on a first name basis with the old man behind the counter. You know the type. Like Dirty Harry, he happens to see a traffic stop turn into a hostage situation from the window while having some night time coffee. Like Riggs, he goes out and performs a crazy stunt, pretending to be a drunk guy wandering in the situation so he can take one guy’s gun, shoot two others, make one surrender. Then he slaps the commanding officer and spends a night in the drunk tank for it. He’s actually a cop but he’s on vacation, doing a private undercover case with the knowledge (but not official sanction) of his boss/mentor/dead dad’s friend Lieutenant Finch (Bill Smitrovich, BAND OF THE HAND). (read the rest of this shit…)

The Mule

Wednesday, January 2nd, 2019

Well, it’s a new year, and I’m keeping my tradition of kicking things off with a Clint Eastwood review. I think Warner Brothers may know about this practice, because they keep releasing his new movies at the end of December. (It’s not for Oscars – I heard they didn’t even screen this one for critics.)

Clint has been directing for almost 50 years. You don’t think of him as a guy who changes with the times, but he’s doing something to stay relevant at least some of the time. Here’s a guy from a couple eras ago still working while we have a cultural movement toward taking stock of our pop culture heroes, in some cases realizing that they were assholes the whole time, or worse. We find out about some horrible shit they’ve gotten away with or they say some shitty thing that makes us reconsider our respect for them.

This accountability is a good thing. Nobody should get away with abusing others just by being a movie star or rich or whatever. Personally I try not to have an itchy trigger finger on the “cancel” button though because I think there needs to be room for context and growth and making amends, if and when possible. But if you start to think some movie star has been a toxic force on the earth maybe it’s harder to enjoy watching them, say, appear in a weirdly titled Chinese propaganda movie starring Mike Tyson. I understand separating the art from the artist, but I can’t always do it. (read the rest of this shit…)