To me, I suspect, the phrase “Resident Evil” will always mean the Milla Jovovich sci-fi-action-horror series that spanned six movies and fourteen years, kicking off at the start of the 21st century zombie movie revival, swerving into mimicry of MAD MAX and THE MATRIX, and ending somewhat disappointingly, but also somewhat admirably, with yet another look and feel. It’s a unique pop culture creation, a pleasingly lowbrow mix of styles, sampling a wide range of gimmicks and trends (zombies, nu metal, wire fu, 3-D, speed-ramping) and teaching me to really like Paul W.S. Anderson after all. But in 2016 they called it quits and moved on to MONSTER HUNTER.
I personally wasn’t looking for a reboot (in the original sense of the word – actually starting over fresh) as a straight horror movie. But it makes sense, since, from what I understand, that’s what the video games that inspired the movies were like. (In fact, George Romero directed a commercial for the video game and was attached to a movie version well before Anderson.) And I’m happy to report that in contrast to the first RESIDENT EVIL (one of the only entries in the series I didn’t much enjoy) this new one called RESIDENT EVIL: WELCOME TO RACCOON CITY is actually a pretty good little horror movie. (read the rest of this shit…)
It’s common during These Uncertain Times to say that time is moving slowly. I generally agree. But as a counterpoint, I sincerely thought McG’s straight-to-Netflix horror comedy THE BABYSITTER came out recently, and that I would get to it eventually. Turns out it’s been three years since it came out and there’s already a sequel where the main characters have grown like a foot taller. So eventually has arrived.
