This is the third time I’ve seen PROMETHEUS. I saw it twice in the theater. It’s one of the most divisive movies in the history of outlawvern.com comments, and I wanted to see how it played after sleeping on it for a while. I still like it and think that its great filmatism overcomes its underlying stupidity. But I’ve got a few new thoughts on it.
We’ve discussed alot of unscientific things these scientists on the Prometheus do, but one I don’t remember thinking about before is that they’re totally jumping to this conclusion that humans were engineered. All they’re going on is the “DNA match,” that “their genetic material predates ours,” but doesn’t that seem more like we evolved from them than they purposely created us? I guess they’re going on the cave paintings, which they assume were made by the Engineers and did in fact lead them to this planet. But I don’t know, I don’t feel like this Engineer theory has been adequately proven. (read the rest of this shit…)
Okay, we’ve had high hopes for this movie for a long time. We’ve tried to avoid finding out too much about it. We have a sense of trust because of its connection to an all-time great movie by this same director but we also hope this is gonna be something new we’ve never seen before. So it has this weird combination of known quantity and total mystery.
Well, it’s a little more familiar than I was hoping but I also think you should just see it fresh so come on man, don’t read this review until you’ve already seen it. This is gonna be all SPOILERS. (read the rest of this shit…)
Steven Soderbergh’s take on an action/spy thriller – built around “The Face of Women’s MMA” Gina Carano after he saw her on Strikeforce while flipping channels around – lives up to my high expectations. It’s written by Lem Dobbs and it’s like the kid sister of THE LIMEY, mixing the style of that Soderbergh classic with kind of a more upbeat ex-Marine-badass-operative-betrayed-and-on-the-run type of story. It has THE LIMEY’s sense of quiet, deliberate pace and dread and also its dry you-just-fucked-with-the-wrong-person type of humor. Of course, professional fighter Carano has different strengths as a performer than Terence Stamp does, so her movie has less emotion and more punching, kicking, choking, armbars, heads broken through furniture, foot chases, etc. Gina’s not gonna mourn the loss of the daughter she never knew, and Terence isn’t gonna climb up onto a roof. In my opinion. And it’s great to have both of them. (read the rest of this shit…)
Huh. Turns out Professor X and Magneto started out working with the CIA. You know what that means, don’t you? PHOENIX WAS AN INSIDE JOB.
X-MEN FIRST CLASS is the new X-MEN prequel that I guess they made to save money on the cast and to appeal to today’s young audiences, who despise baldies and cripples. So Professor Xavier, Magneto, Mystique and Beast return played by younger, hair-sporting, wheelchair-free actors to tell the story of what went down with the mutants during the Cuban Missile Crisis and before the founding of Professor Xavier’s Fancy School For Tots Who Shoot Beams. (read the rest of this shit…)
I can dig a good western, and alot of critics have been saying that JONAH HEX is even better than TRUE GRIT, so I thought I should check it out.
Okay, that’s not entirely true. Also it’s not at all true. Armond White doesn’t count as somebody seriously for real liking JONAH HEX. But I’m a positive individual so I was trying to put a good spin on it. Believe it or not though I don’t have to delve into too much negativity for this review. JONAH HEX is not as bad as I was expecting, or as people have said. It definitely doesn’t work, but I don’t consider it a total abomination. It is beautiful in God’s eyes, it’s only on this earthly plane that it gets bullied because of its deformed face. (read the rest of this shit…)
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Recent commentary and jibber-jabber
grimgrinningchris on Marshmallow: “I finally just watched this… Ehhhh… Yeah, I would have rather taken these actors “The Doctor” design, the setting and…” Jul 25, 20:50
Tim Bobo on Masters of the Universe (2026): “Just watched it on Prime. I found it a chore to get thru. It had some decent action and a…” Jul 25, 16:16
burningambulance on Don’t Look Back (1996): “>> They actually kill a couple people in their search and this is one of those crime movies where it…” Jul 25, 09:27
Crudnasty on Don’t Look Back (1996): “grimgrinningchris- you are not alone, I have Don’t Look Back (complete with laser synthesizer noises and Beckerstead Estates maid backup…” Jul 24, 18:33
grimgrinningchris on Don’t Look Back (1996): “Bad joke, Vern. Demi Moore’s musician character has a song called “Don’t Look Back” that she plays with the band…” Jul 24, 17:55
VERN on Don’t Look Back (1996): “I think one of the songs was by the Verve Pipe? Unless that was a different movie I just watched.…” Jul 24, 13:58
grimgrinningchris on Don’t Look Back (1996): “They made a movie out of one of Cassandra’s songs from ONE CRAZY SUMMER? (Sorry, seeing the title immediately put…” Jul 23, 23:26
pegsman on Don’t Look Back (1996): “Too bad there’s no soundtrack listings anywhere for this. IMDb only mentions The DeRailers. But since Dwight was at the…” Jul 23, 22:19
CJ Holden on Don’t Look Back (1996): “The only thing I know about this movie is that I recorded it from TV back in the 90s and…” Jul 23, 13:17
grimgrinningchris on Jackass: Best and Last: “Knoxville got into a ball pit with multiple live anacondas for his friends (and then our) amusement. Unless he turns…” Jul 23, 12:45
Mr. Majestyk on Courage Under Fire: “That interview is a classic. The Tom Cruise stuff alone is legendary.” Jul 23, 12:24
Hammer Time on Courage Under Fire: “An upshot of this movie is that it eventually led to the following interview segment with Bronson Pinchot on the…” Jul 23, 12:06
Mr. Majestyk on Jackass: Best and Last: “I meant to go see this but I never got around to it. Learning it was half clips show took…” Jul 23, 10:45
Bert on Jackass: Best and Last: “One of the hardest laughs I’ve ever had in a movie theater was the midget/little person bar fight in Jackass…” Jul 23, 06:40
Franchise Fred on Jackass: Best and Last: “I was surprised how much of a clip show this one was but after 25 years they’ve earned a break.…” Jul 23, 00:39
Steven Soderbergh’s take on an action/spy thriller – built around “The Face of Women’s MMA” Gina Carano after he saw her on Strikeforce while flipping channels around – lives up to my high expectations. It’s written by Lem Dobbs and it’s like the kid sister of THE LIMEY, mixing the style of that Soderbergh classic with kind of a more upbeat ex-Marine-badass-operative-betrayed-and-on-the-run type of story. It has THE LIMEY’s sense of quiet, deliberate pace and dread and also its dry you-just-fucked-with-the-wrong-person type of humor. Of course, professional fighter Carano has different strengths as a performer than Terence Stamp does, so her movie has less emotion and more punching, kicking, choking, armbars, heads broken through furniture, foot chases, etc. Gina’s not gonna mourn the loss of the daughter she never knew, and Terence isn’t gonna climb up onto a roof. In my opinion. And it’s great to have both of them. 
Huh. Turns out Professor X and Magneto started out working with the CIA. You know what that means, don’t you? PHOENIX WAS AN INSIDE JOB.
I can dig a good western, and 
