David Leitch’s BULLET TRAIN has plenty going for it. It has a strong ensemble of actors playing colorful characters, like a quippy modernized Murder on the Orient Express, except in this one everybody’s trying to murder each other and/or escape, it’s not so much of a whodunit. It’s a fun idea, it looks good, the action scenes are really well executed, with the actors really putting in the work, as we’ve come to expect from 87North (formerly 87Eleven) productions.
But to me the movie is a disappointment. For the last year or two I knew it was the big 87North movie with the crazy-good cast headed up by Brad Pitt fighting each other on a train, and I just took it for granted it was gonna be top of the line. On the surface it is – it’s colorful, has a sense of style, and mostly avoids that everything-is-green-screen feeling of so many modern movies. It even has a good soundtrack of (until Rare Earth on the end credits) non-obvious songs, from Shuggie Otis to Pussy Riot to a really strong use of “Holding Out For a Hero.” Strong because it’s not the original Bonnie Tyler version from FOOTLOOSE, but a Japanese cover made by Miki Asakura in 1984 as the theme for a show called School Wars (now remixed with some MORTAL KOMBAT-y dance music flourishes). (read the rest of this shit…)
Well, I could’ve sworn it was a little more recent than this, but Paul World Series Anderson’s THREE MUSKETEERS came out in 2011 – two 
FURY is an intense, well-made WWII movie. It doesn’t feel like just another forgettable same ol’ same ol’ type of war picture. For one thing, the focus on the crew of one tank makes for some unique and thrilling combat scenes. One battle scene in particular really shows the strategy of tank on tank action. They’re like pirate ship battles waged from inside vans. Or like giant turtles trying to outmaneuver each other. Not all battles are just about who has the most guns. And filming inside real tanks really adds to the realistic feel I think. It’s pretty damn cool.
