I feel a little guilty for reviewing more Netflix movies than usual lately. But I’ve been catching up on some stuff and I think THEY CLONED TYRONE (2023), if not the best of them, is still the kind of thing that sinister corporation owes us as a civilization and culture. They gotta balance out their ills a little by spending money on movies by new directors, that have interesting ideas. Give them a name cast and some production value but let them make something that’s not necessarily very commercial, at least not enough that they would’ve made it if they were in the movie business, looking for paying customers.
This one they actually promoted more than most of their stuff and they still didn’t give a fuck, they released it on the same day as BARBIE and OPPENHEIMER! It’s distinct from the typical Netflix joint both structurally and stylistically – structurally because it has the confidence to let you be confused for a while before it starts to reveal what’s going on, or even that there is something going on; stylistically because it avoids that modern digital cleanness, instead having a beautifully grainy 16mm sort of texture to it. I assume they shot it digitally and did that in post (would it really have cigarette burns on the reel changes if it was never meant for projection?) but it works just the same. (read the rest of this shit…)
