Posts Tagged ‘Kodi Smit-Mcphee’
Monday, July 4th, 2022
Any musician biopic, pretty much, is gonna be a legend or a tall tale. What’s great about Baz Luhrmann directing one is that his entire style leans into that. Condensing a whole life and career into an entertaining 2 1/2 hours requires shortcuts, cheats and artistic license that prevent it from being literally true, so here we have a director whose work is rarely about the literal truth anyway. It’s more about how something feels and looks and sounds, or making it look and sound like it feels. Biopics depend on montages to move quickly across time, and this guy speaks fluent montage. He’s also a director whose films have generally been on the verge of being jukebox musicals (going all the way in the case of MOULIN ROUGE!). So what could be more perfect for him than an Elvis Presley biopic?
ELVIS is absolutely presented as a legend, one told by Presley’s long time manager, Colonel Tom Parker (Tom Hanks, DRAGNET), who admits “there are some who’d make me out to be the villain of this here story,” and in between his justifications does come off as something of an evil mastermind. He addresses us decades after Elvis has passed, when he’s on his own death bed in a Las Vegas hospital room with a view of Star Trek: The Experience (1998-2008), but in his mind he’s also dragging his I.V. drip around an empty casino. (read the rest of this shit…)
Tags: Alton Mason, Austin Butler, Baz Luhrmann, David Wenham, Elvis, Elvis Presley, Kelvin Harrison Jr., Kodi Smit-Mcphee, Las Vegas, Luke Bracey, Mandy Walker, Nelson George, Olivia DeJonge, Shonka Dukureh, Tom Hanks, Xavier Samuel
Posted in Reviews | 50 Comments »
Wednesday, October 23rd, 2019
DOLEMITE IS MY NAME is a dream come true – topnotch director, writers and cast making a beautiful, warm, well produced triumph-of-the-underdog epic about Rudy Ray Moore, the small time club singer who reinvented himself by selling dirty comedy records out of the trunk of his car and then strutting his way into independent filmmaking. The script is by kings of the oddball biopic Scott Alexander & Larry Karaszewski (THE PEOPLE VS. LARRY FLYNT, MAN ON THE MOON, The People vs. O.J. Simpson) and it’s got a whole lot in common with their best film, ED WOOD. It’s another story about an L.A. misfit perceived as a failure who, through tenacity and lack of self consciousness, puts together a family of people to will their silly, awesome dreams into reality.
ED WOOD glorifies people whose work was and continues to be made fun of, arguing that the passion and personality behind these works imbues them with an artistic purity and value that they hadn’t previously been given credit for. Moore and friends work with a similar scrappily amateurish zeal, but they in fact made a hit movie that, at least in some parts, was intended to be laughed at. So the happy ending in this one is real! (read the rest of this shit…)
Tags: biopic, Craig Brewer, Craig Robinson, Da'Vine Joy Randolph, Eddie Murphy, Keegan-Michael Key, Kodi Smit-Mcphee, Larry Karaszewski, Mike Epps, Rudy Ray Moore, Ruth E. Carter, Scott Alexander, Tituss Burgess, Wesley Snipes
Posted in Comedy/Laffs, Drama, Reviews | 15 Comments »
Tuesday, June 11th, 2019
Man, I guess they’re considered kinda antiquated now, society has moved on, but I still love the X-MEN movies. Here is the only super hero series to span the entire post-BLADE era until now. Their first movie was eight years before IRON MAN started the Marvel Cinematic Universe. Put another way, it was only three years after BATMAN & ROBIN seemed like it might’ve ended Hollywood’s affair with comic book movies.
You super heroes now a days don’t know how easy you have it. The X-Men come from a time when the filmmakers felt they had to give them black leather outfits and make a disparaging joke about yellow spandex if they wanted audiences to take them seriously. And I’m pretty sure they were right. But seven movies and five spin-offs later (not including next year’s NEW MUTANTS) they’ve fought the government, giant robots and an ancient god-like tyrant, solved the Cuban Missile crisis, traveled through time, died and come back to life, gone to space, and yes, even wore yellow uniforms. From “maybe we better call them by their first names” to nobody batting an eye at a six-member space mission team with 50% blue representation. That’s progress.
Through much of that the movies retained members of a brilliant ensemble centered on the obvious but perfect (famous bald man Patrick Stewart as Professor Xavier) and the counter-intuitive but ingenious (Australian stage actor Hugh Jackman as Wolverine, Shakespearian Ian McKellan as Magneto). Though this final chapter is the new timeline younger cast of FIRST CLASS, DAYS OF FUTURE PAST and APOCALYPSE, it ends storylines begun 19 year ago. (read the rest of this shit…)
Tags: Alexandra Shipp, Evan Peters, Hans Zimmer, James MacAvoy, Jennifer Lawrence, Kodi Smit-Mcphee, Marvel Comics, Michael Fassbender, Nicholas Hoult, Simon Kinberg, Sophie Turner, Tye Sheridan
Posted in Comic strips/Super heroes, Reviews | 51 Comments »
Monday, June 6th, 2016
I remember when the first X-MEN movie came out I went to it expecting something stupid but enjoyable, along the lines of MORTAL KOMBAT. Instead it was a fun super hero movie with a star-making performance by Hugh Jackman and a really appealing premise: super-powered mutants are a minority, feared and endangered by the government, and split between two factions led by old friends/bitter rivals (both played by older Shakespearean actors) who have philosophical disagreements about how to deal with that.
The sequels continued to mine this material in interesting ways. Part 2 had me talking about the USA PATRIOT Act in the review. Part 3, though widely hated, has the most interesting gimmick: a “cure” for mutants, so that each of them have to face whether they would be happier just fitting in and being “normal.” The prebootquels FIRST CLASS and DAYS OF FUTURE PAST delved deeper into the relationship and argument between Professor Xavier and Honorary Doctorate Magneto, and continued with what I really liked about the original trilogy, which was that the “bad guys” were always at least kind of right.
Now finally with part 6 we have that movie I originally thought I was going to see in 2000, where you just get to enjoy the people in crazy costumes punching and shooting beams at each other if you can get past how forehead-slappingly stupid the story is.
(read the rest of this shit…)
Tags: Bryan Singer, Evan Peters, James McAvoy, Jennifer Lawrence, Kodi Smit-Mcphee, Marvel Comics, Michael Fassbender, Olivia Munn, Oscar Isaac, Rose Byrne, Simon Kinberg, Sophie Turner, Tye Sheridan
Posted in Comic strips/Super heroes, Reviews | 29 Comments »
Thursday, February 3rd, 2011
Ah shit, I hate it when this happens. I’m about to write a review for a sequel, or in this case a remake, and before I get started I figure I should go back and read what I wrote about the first one so I don’t repeat myself too much or forget something important. But it turns out I never wrote a review of the Swedish kid-befriends-vampire movie LET THE RIGHT ONE IN. And now I’m gonna review the American version of the Swedish movie everybody loves without reviewing the first one, and everybody’s gonna think I’m an asshole.
So please imagine I wrote a brilliant, in some ways moving and definitely mind-expanding and film criticism re-inventing review about how it was a very original and well made movie, I liked how the kids talked like kids and it didn’t really feel like any movie I’d seen before, pretty good, etc. Way to go, Swedes.
(read the rest of this shit…)
Tags: American remake, Chloe Grace Moretz, good remakes, Kodi Smit-Mcphee, Matt Reeves, remakes, vampires
Posted in Horror, Reviews | 80 Comments »
