I’m more of an action guy than a thriller guy. But I can appreciate different stuff. Martin Campbell’s THE FOREIGNER (2017 – not a remake of the Seagal film) is definitely more on the thriller side, mostly seeking its excitement in a complex web of police, compromised politicians and terrorist groups all dealing with the aftermath of the bombing of a London clothing boutique.
At the center of it is Deputy First Minister of Northern Ireland Liam Hennessy (Pierce Brosnan, FINAL SCORE). He’s a former IRA member and seems to be pretty fucked over by this incident because he’s built a reputation as a moderating force, but behind the scenes still has relationships and understandings with the IRA. This bombing was done by some young upstarts calling themselves “The Authentic IRA,” and there’s alot of pressure, including from police captain Richard Bromley (Ray Fearon, BEAUTY AND THE BEAST), to find out who’s responsible. If another bomb goes off it’ll be the end of his political career, so he spends most of the movie desperately asking around and trying to set up traps to out the culprits and stuff like that. (read the rest of this shit…)
To be frankly honest I haven’t kept up with the modern Jackie Chan pictures, unless you count THE KARATE KID, which I don’t. I had to really think about it to remember that LITTLE BIG SOLDIER (from 2010) was the last one I saw, and it looks like you’d have to go back pre-RUSH HOUR (to ’98’s WHO AM I?) to get to another non-American one I’ve seen.
But 2012’s CHINESE ZODIAC just came out on video here, and he directed that one, they were making a big deal about it possibly being his last full-on action movie, so maybe it’s a good one to reacquaint us with why we love Jackie? (read the rest of this shit…)
Michelle Yeoh jumping a motorcycle onto a moving train. Landing it. Skidding out, letting the bike fall off, staying on the train. This is what I remembered about SUPERCOP. She really fuckin did that stunt! She was a dancer that had turned to acting in kung fu movies, was good at learning the moves. She actually hadn’t made a movie for a while, but her old friend Stanley Tong was making his directorial debut, and she came out of retirement for him. He was actually her stunt double sometimes. I guess he was too busy directing this, so she had to do the stunt herself. (read the rest of this shit…)
POLICE STORY PART II (as the opening credits call it) begins with a montage of all the highlights of part 1, set to the theme song, sung by star/director Jackie Chan.
The sequel directly follows part 1. Chan’s character Chan Ka-Kui, in the great tradition of movie hero cops, is demoted to traffic patrol for being so awesome and busting the drug lord. His boss and uncle return, and although they develop a stronger friendship over the movie it starts out with him being chewed out for all the property damage his famous part 1 stunts caused, including driving over the shantytown and sliding down the weird Christmas tree looking thing in the shopping mall: “Why didn’t you use the stairs? Did you have to destroy the chandelier?” (read the rest of this shit…)
chapter 11: “Victoria Secret, Spring catalog, page 22.”
released August 3rd, 2001
I know, I know. Every motherfucker on the internet is putting up their essays marking the 10th anniversary of Brett Ratner’s RUSH HOUR 2 today. As fascinating a topic as we all know it is, I believe there could be a small chance that one or two of you are probly getting toward the area where pretty soon there is almost really not gonna be that much more to say about RUSH HOUR 2. And I know that for many of us this is a day when we want to be among friends and loved ones, thinking about how much they mean to us, and how much RUSH HOUR 2 means to them. But please, friends – if you have the time, take a few minutes to read my take. It would mean alot to me, just like this movie means alot to each and every one of us as movie fans, as thinkers, as sons and daughters, as mothers and fathers, brothers and sisters, citizens, humans, spiritual beings.
THE PROTECTOR is Jackie Chan’s second English-language starring vehicle after BATTLE CREEK BRAWL/THE BIG BRAWL. Both are notorious as terrible wastes of Chan’s talent.
I never used to understand the hatred for THE BIG BRAWL – that’s the first Chan movie I remember seeing, so I thought it was great. He has a bunch of goofy fights, is involved in a huge rollerskate race, does gymnastics on some high up metal bars just to show off, (read the rest of this shit…)
POLICE STORY, directed by and starring circa-1985 Jackie Chan, starts out seeming more serious than most of his movies. Jackie and a bunch of other cops have to raid a huge shantytown looking for drug dealers, and it leads to a chaotic shootout through narrow paths and rickety structures. One of the cops is so scared he actually pisses his pants, and it’s played for humiliation, not for laughs. These guys know that alot of people are about to be killed, including some of them. (read the rest of this shit…)
LITTLE BIG SOLDIER played at the Seattle International Film Festival last year, and I didn’t see it. Then a region 2 dvd and a blu-ray came out and I didn’t see it. Then it played at ActionFest, which was far away, so I rented the blu-ray.
To answer your question, no this is not the movie where Jackie is only 3 inches tall and then at the end he turns giant like Godzilla. That’s RUSH HOUR 3. And it’s not a remake of LITTLE BIG MAN either. The title I guess refers to the two lead characters, one a small–time foot soldier, the other a big time general and member of the ruling class. (read the rest of this shit…)
Sadly, David Carradine wasn’t the only martial arts star who died yesterday – we also lost Shih Kien, best known as Han in ENTER THE DRAGON. Apparently he’s also in DRUNKEN MASTER but I didn’t realize it at the time so if anybody remembers which character he played let me know.
DRUNKEN MASTER is Jackie Chan and director Yuen Woo Ping circa 1978, still old school kung fu era, when their movies were always period pieces about masters, training, fighting styles and duels. Jackie plays the Chinese folk hero Wong Fei Hung as a bratty little prick, always fuckin around in class, cheating, getting in fights, stealing. It’s all played for laughs but I think you’re supposed to think it’s charming and lovable. If so I’m not sure it works.
At first he seems kind of heroic because he defends a guy from theft. This guy is selling jade, some asshole tries to rip him off and then breaks the jade and refuses to pay for it. So Fei-Hung duels the asshole and leaves him in a bodycast (his own friend says “he looks like a dumpling.”) (read the rest of this shit…)
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