HEAT (1995) is a remake, but not of the underrated 1986 Burt Reynolds movie HEAT (which was later remade as WILD CARD) – it’s Michael Mann’s second try at the story he turned into his 1989 TV pilot L.A. TAKEDOWN. Which was good! This is better. A controversial statement, but I stand by it.
It’s possibly Mann’s best movie, and certainly ranks high among crime movies of the ‘90s (which is saying something), in my view a masterpiece of the genre. It has that rare quality of feeling like a sprawling epic and a simple, intimate story at the same time. Like a Sergio Leone movie in that one specific sense.
It is pretty simple, in the same way that MANHUNTER is. You’ve got these two men who are on opposite sides of the law, which makes their lives pretty similar. They respect each other’s professionalism but, unlike John Woo characters, would sooner shoot each other than be on the same side. Pretty early in the movie, famously – legendarily, really – they suddenly parley, have coffee together and talk about it, kind of warn each other but both seem to enjoy talking to somebody else who gets what it’s like to live that life. At the time the hype was about Robert De Niro and Al Pacino doing a scene together – two titans had not come together like this since Mickey Mouse and Bugs Bunny in WHO FRAMED ROGER RABBIT – but now that novelty has long since faded and the scene still feels monumental. (read the rest of this shit…)
“We got approached with GODZILLA, and Dean was really in favor. I said, ‘Are you crazy? Have you seen a Godzilla film? How does the monster look? They put a guy in there.'” –Roland Emmerich
May 20, 1998
Man, LOST IN SPACE was a terrible summer blockbuster, but I was kind of excited to take a look at it because I had skipped it at the time and there was 20 years of curiosity build-up. And there’s another one coming later in the summer that I despised at the time, but it ended up being influential and kickstarting an in-my-opinion-bad-but-oddly-fascinating filmography, so I’m looking forward to finding out how I’ll feel about it now.
GODZILLA has neither of those factors going for it. I thought it sucked then and it has not grown better or more interesting. Director Roland Emmerich (WHITE HOUSE DOWN) has gone on to make fairly successful (but widely mocked) FX movies, often in the disaster genre. The only significance to this one is that it deflated his premature ascension to blockbuster-A-list after the still-befuddling-to-me smash success of INDEPENDENCE DAY in 1996. TriStar Pictures managed to build up fevered anticipation with a series of teasers that kept the design of the monster a secret. I remember one used the scene where the fisherman runs down the dock as Godzilla’s spikes tear through it. The tagline “SIZE DOES MATTER” simultaneously promised thrilling spectacle and giggled “ha ha, you get it, because of penises.”
I was skeptical on account of my belief in the auteur theory. I was one of the rare wet blankets who hated ID4 (which stands for “Independence Day takes place partly on July 4th”) and as much as I wanted to see a cool modern Godzilla movie I didn’t think this guy had the skills to do it. On May 20th most of the world ended up agreeing with me. (read the rest of this shit…)
a survey of summer movies that just didn’t catch on
July 22, 1999
MYSTERY MEN. Huh. There might’ve been room for a big budget super hero parody movie in 1999, if you’re into that sort of thing, but it needed better jokes than “ha ha, this would be a terrible super hero. What a dumb name and costume.” This is an impressive cast in a big, expensive comedy with very few laughs.
A group of amateur super heroes – shovel-carrying The Shoveler (William H. Macy, THE LAST DRAGON), fork-throwing Blue Raja (Hank Azaria, HEAT) and leather-jacket wearing Mr. Furious (Ben Stiller, NEXT OF KIN) struggle to find success or recognition. They’re definitely meant to be lovable underdog misfits, but I had trouble respecting them. It’s established that there’s an actual super powered guy called Captain Amazing (Greg Kinnear, THE MATADOR) who’s a douche and wears corporate logos like a NASCAR driver but he’s made Champion City so safe that he has to get his arch-nemesis Casanova Frankenstein (Geoffrey Rush, MUNICH) released from the asylum just to have something to do. Before that happens the unnamed Mystery Men couldn’t be little guys trying to make a different in a harsh world – they’re delusional losers trying to feel important by forcing themselves into a job that they’re not needed for, and are really, really bad at. I did not find them appealing. (read the rest of this shit…)
The most philosophically ambitious of the 3 PG-rated movies I watched is the one that’ll probly get the least credit for it, George Motherfuckin Two Men Enter One Man Leaves Miller’s HAPPY FEET TWO. And first of all I want to give them credit for spelling out the number in their sequel title and not misspelling it for a pun. I’m sure it’s not the first spelled out non-homonym sequel title in history, but I couldn’t name you another one. (read the rest of this shit…)
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Recent commentary and jibber-jabber
KayKay on Jurassic World: Rebirth: “And shiiiiiiit… did a JP/JW comments section just get hijacked by HP chatter? Stranger things have happened in these parts…” Mar 26, 19:59
MaggieMayPie on Jurassic World: Rebirth: “No, Vern, you’re absolutely right that there was nothing overt. It was all just in eye contact, body language, and…” Mar 26, 18:59
VERN on Jurassic World: Rebirth: “Well correct me if I’m wrong but there was never any acknowledgment of a thing between them, right? Not even…” Mar 26, 18:41
Acid Burn on Jurassic World: Rebirth: “MaggieMayPie, I think there’s room for your interpretation of the vibes between ScarJo and Bailey. Personally I took it as…” Mar 26, 17:55
KayKay on Jurassic World: Rebirth: “My mantra: Separate the art from the artist. I’ve read all seven Harry Potter books—pride of place on my shelf—and…” Mar 26, 16:54
Palermo on Jurassic World: Rebirth: “I liked this one and the negativity surrounding it is weird to me. It’s not a masterpiece, and doesn’t reinvent…” Mar 26, 15:49
MaggieMayPie on Jurassic World: Rebirth: “I actually really enjoyed this movie. I’m not sure why it works for me more than most people, but I’m…” Mar 26, 15:21
CJ Holden on Jurassic World: Rebirth: “Personally I did enjoy the HP books. They were an entertaining read and definitely more quirky than the movies, with…” Mar 26, 12:22
Alex R on Jurassic World: Rebirth: “And I’m totally fine with them being that blasé because treating it like a traffic jam is funny and then…” Mar 26, 10:44
VERN on Jurassic World: Rebirth: “I agree that people wouldn’t be blasé about it, but that early scene where they kinda are is pretty great.…” Mar 26, 10:40
Alex R on Jurassic World: Rebirth: “@Miguel Hombre: I can’t speak for other generations, but I was in the fourth grade when Harry Potter came out…” Mar 26, 10:35
VERN on Jurassic World: Rebirth: “Daniel – I was just making an off-handed anti-Rowling gesture. I personally was sick of fucking hearing about it anyway…” Mar 26, 10:32
Alex R on Jurassic World: Rebirth: “Mr. Majestyk makes a good point about Vern’s good points that the film is good because it doesn’t trip over…” Mar 26, 09:49
Miguel Hombre on Jurassic World: Rebirth: “I guess my point was what the hell does any adult, with all the life lived, experiences and spectrum of…” Mar 26, 09:47
daniel on Jurassic World: Rebirth: “@CJ Holden Gotcha, thanks for clarifying. @Miguel Hombre “I found the second book (I skipped the first book because I…” Mar 26, 07:19
HEAT (1995) is a remake, but not of the underrated 1986 Burt Reynolds movie HEAT (which was later remade as WILD CARD) – it’s Michael Mann’s second try at the story he turned into his 1989 TV pilot L.A. TAKEDOWN. Which was good! This is better. A controversial statement, but I stand by it.
“We got approached with GODZILLA, and Dean was really in favor. I said, ‘Are you crazy? Have you seen a Godzilla film? How does the monster look? They put a guy in there.'” –Roland Emmerich
GODZILLA has neither of those factors going for it. I thought it sucked then and it has not grown better or more interesting. Director Roland Emmerich (
July 22, 1999
The most philosophically ambitious of the 3 PG-rated movies I watched is the one that’ll probly get the least credit for it, George Motherfuckin Two Men Enter One Man Leaves Miller’s HAPPY FEET TWO. And first of all I want to give them credit for spelling out the number in their sequel title and not misspelling it for a pun. I’m sure it’s not the first spelled out non-homonym sequel title in history, but I couldn’t name you another one.
