May 17, 1991
If we agree with director Bill Duke that A RAGE IN HARLEM is “no god damn comedy,” then we have now come to Summer 1991’s first actually funny comedy. WHAT ABOUT BOB? is also the first ’91 release we’ve come to that seems arguably too problematicTM to be made now, at least quite like this.
You see, Bill Murray (following SCROOGED, GHOSTBUSTERS II and QUICK CHANGE) plays a person with multiple debilitating psychological disorders who follows his psychiatrist to his vacation home and, as they say, drives him crazy. Of course this is uncomfortable because we know so many horror stories of stalkers – troubled people crossing boundaries with results that are less hilarious and more tragic. But what really feels of-a-different-time is just how much poor Bob Wiley’s struggles are played for laughs. As he squirms and winces while struggling just to step outside of his apartment or touch a doorknob or get on an elevator, the score by Miles Goodman (TEEN WOLF, K-9) makes sure we know that it’s cute and funny. That seems kind of mean, or just off base when I think about how much Bob reminds me of a much less lovable Bob I dealt with for years at my day job. (read the rest of this shit…)
It all happens because of a well-meaning but clueless all-bird organization called The Society of Feathered Friends, whose mission is “to place stray birds with nice bird families.” Somehow they receive a dossier about Big Bird living on a vacant lot with no bird friends, and decide to “help.” As they discuss how sad he looks in a photo an owl comments, “That’s funny, he looks happy to me,” causing outrage, because, according to Miss Finch (voice of Sally Kellerman, M*A*S*H), “We all know he can’t be happy. He needs to be with his own kind. A bird family.” 
I was a Rian Johnson skeptic for years. I can’t deny it. I recognized 
