EL CONDE is a pretty simple idea: what if Augusto Pinochet, the dictator of Chile from 1974 through 1990, was in fact a vampire? Sort of the opposite of our “what if Abraham Lincoln was a vampire hunter?” It’s kind of a horror movie in that it shows us graphic bloodlettings, beheadings of both humans and animals, eating a cat, crushing a skull, and it puts even more revolting imagery into our heads through verbal descriptions. It also gets a classic horror atmosphere going with its gorgeous Academy Award nominated black and white cinematography by Edward Lachman (LIGHT SLEEPER, THE VIRGIN SUICIDES, THE LIMEY, CAROL). But mostly it’s a satire hitting on a very old, very obvious, but still very relevant point: the rich and powerful are monsters. You could say we’re all human, we’re all petty, but that doesn’t make us all the same. These people are fucking weirdos, the bad kind. I don’t have the statistics in front of me, but it seems like more often than not the type of people who seek power, and the families who inherit it, and feel it is their right, there’s something very wrong with them. Absolute power corrupts absolutely, but also it attracts a bunch of freakos in the first place. I mean, part of the joke of this movie is that the fucking guy wears a cape. Like Dracula. (read the rest of this shit…)
Posts Tagged ‘Edward Lachman’
El Conde
Wednesday, March 20th, 2024Light Sleeper
Wednesday, September 28th, 2022
Many of these August ’92 movies I’ve been reviewing have been grueling, but there are some good ones among them, even great ones. To make up for the toil of watching CHRISTOPHER COLUMBUS: THE DISCOVERY and LITTLE NEMO, August 21, 1992 also brought us Paul Schrader’s LIGHT SLEEPER. It was the filmmaker’s first time writing and directing since 1987s’ LIGHT OF DAY (though he’d directed PATTY HEARST and THE COMFORT OF STRANGERS and written THE LAST TEMPTATION OF CHRIST since then). And it’s up there with his best work.
The troubled journal-writing outsider this one centers on is John LeTour (Willem Dafoe, WILD AT HEART), a New York City drug deliverer who’s having a bit of a crisis because his boss Ann (Susan Sarandon following THELMA & LOUISE and a cameo in THE PLAYER) seems pretty serious about starting a cosmetics company and going straight. He’s 40 and this has kept him going in the four years since he kicked drugs and he doesn’t know what he’s gonna do with his life. He has an idea about getting involved in recording music, but I’m not sure how realistic he thinks that is. (read the rest of this shit…)
Vern gets his thing going with KEN PARK
Thursday, September 11th, 2003
Hey folks, Harry here with a review of KEN PARK by the guy we all love and adore… Vern. Vern is our hero and long do we wish we were him. Enjoy…
Hey boys,
Vern here and I just saw KEN PARK, Australia’s least favorite new movie by America’s most favorite pervert Larry Clark. Larry’s done four movies before this. All of them had teens getting high and fucking each other, and two of them were released unrated. He’s known for his uncompromising approach to teenage crotch and ass shots, but as far as I know this is the first time he got a movie banned in Australia. They even tried to show it at a festival and the pigs (or razorbacks, or whatever they are in australia) shut it down.
This movie is definitely a little more graphic than his others, but I’m not sure what it is that got it banned. At first I thought it was the goofy kid with the eyebrow ring eating out the soap opera star, because it looks like they did it for real. But it was probaly a pussy double. So then I thought maybe it was the bondage scene where the girl keeps rubbing the guy’s boner through his underwear. But then I figured maybe not, it might be the scene where the kid chokes himself while he jerks off on camera and cums all over his hand. I don’t think that was CGI, man. Also it probaly didn’t help when he went in naked and stabbed his grandparents to death while they were asleep and said in voiceover narration that it made him hard. (read the rest of this shit…)
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