"CATCH YOU FUCKERS AT A BAD TIME?"

Posts Tagged ‘Campbell Scott’

Jurassic World Dominion

Tuesday, June 14th, 2022

JURASSIC WORLD DOMINION* is not exactly the “dinosaurs running loose in the world” story I expected from the ending of JURASSIC WORLD: FALLEN KINGDOM – it ends up centering on yet another dinosaur park – but it does indeed take place at a time when dinosaurs have been running loose in the world long enough to proliferate, and for humans to respond with new governmental agencies, black market industries, etc. Which is an interesting world to spend time in.

Maybe that’s why some of the best stuff is before the plot really gets going – that part of a sequel that’s a loose set of scenes catching us up with the old characters and their new situations. First we get a nice web video about the state of things, featuring fun clips like a wedding where the bride and groom release doves and a pterodactyl swoops down and eats them. It’s in a joyful Dinosaurs Attack! spirit (though admittedly the cards themselves had an even better dinosaur wedding crasher – see right). Then we join JURASSIC WORLD co-lead Claire Dearing (Bryce Dallas Howard, HEREAFTER) and her FALLEN KINGDOM dinosaur rights associates Franklin (Justice Smith, The Get Down) and Zia (Daniella Pineda, MERCY BLACK) raiding an illegal breeding facility and rescuing a caged baby triceratops. The chaotic shots of adult triceratopses ramming Jeeps as they escape are a total joy.

*I dig the lack of a colon!

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Dead Again / Defenseless

Monday, August 23rd, 2021

August 23, 1991 saw the release of two American suspense thrillers by notable overseas directors. Best reviewed, highest grossing and first alphabetically was Kenneth Branagh’s DEAD AGAIN, starring Kenneth Branagh and his then-wife Emma Thompson, written by Scott Frank (PLAIN CLOTHES).

Under the opening credits are an old timey montage of 1940s newspaper headlines detailing the story of a singer named Margaret Strauss (Thompson), who was stabbed to death with scissors, and then her husband Roman “The Maestro” Strauss (Branagh) was convicted of murdering her. The opening is done in black and white, with The Maestro getting a weird haircut and posing with evil smiles in the shadows as he tells reporter Gray Baker (Andy Garcia in his followup to THE GODFATHER PART III) that he loves his wife. When Baker asks if he killed her, he leans over and whispers to him and you’re supposed to wonder what he said I guess. But, like, what would he say? Definitely no? Arguably yes?

Anyway the main story is 40 years later when private detective Mike Church (also Branagh), who specializes in finding lost heirs and speaks in a shifting series of dorky American accents that I don’t think is intended to be funny, reluctantly agrees to do a favor for a priest he knows (Richard Easton, YOUNG WARRIORS). A mysterious amnesiac woman who does not speak (Thompson again) showed up at the orphanage where he grew up, and he agrees to drop her off at the hospital, but when he sees all the scary mentally ill people she’d be with he feels bad and lets her sleep at his apartment. No, he doesn’t do anything untoward, but yes, he quickly falls in love with her and acts like a weirdo. (read the rest of this shit…)