On July 29, 1983, the same day Luis Bunuel died, and two days after the release of Madonna’s debut album, Columbia Pictures released their entry in the “if you liked RETURN OF THE JEDI…” sweepstakes, KRULL. With the resources of a studio behind it, KRULL was able to be bigger than most of the other also-rans, having double the budget of SPACEHUNTER: ADVENTURES IN THE FORBIDDEN ZONE, for example. It even got a release in 70mm. It boasts a new score by James Horner that sounds kinda like BATTLE BEYOND THE STARS, instead of re-using the actual score from BATTLE BEYOND THE STARS like SPACE RAIDERS did. Notably it has the same cinematographer as THE EMPIRE STRIKES BACK, Peter Suschitzky. Editor Ray Lovejoy is the guy who did 2001: A SPACE ODYSSEY. So it’s quite a crew here.
The director is Peter Yates (BULLITT, THE HOT ROCK, THE FRIENDS OF EDDIE COYLE, MOTHER, JUGS & SPEED, THE DEEP), one of the many British directors George Lucas had considered for RETURN OF THE JEDI. Screenwriter Stanford Sherman was a TV guy (Man from U.N.C.L.E./Batman) but had done ANY WHICH WAY YOU CAN. Unfortunately he did not include a punching orangutan in this one. Could’ve used one, to be honest. (read the rest of this shit…)
“Are you telling me there’s some thing running loose in this city ripping the hearts out of people and eating them so he can take their souls back to Hell?”
I think you will be surprised to hear that I never saw SPLIT SECOND until now. Released against 
Clint Eastwood ended the ‘80s fighting neo-nazis in 
