Well friends I haven’t written much lately. Sorry about that. Between my computer dying again and my morbid fascination with Trent Lott apology speeches I haven’t had much time for anything. Admittedly I’ve had my own Brian DePalma fest here since I saw the great FEMME FATALE but I don’t feel like I have much to say about those pictures other than OBSESSION, SISTERS, DRESSED TO KILL and BLOW OUT are all pretty good.
I hope you’ll understand. I would update this fucker every day if I could, but only if I thought I could do a good job. I’d rather let this thing collect dust than get in a routine of adding garbage that’s not very inspired. Which some would argue is what I do anyway, but fuck them.
I did get started on a column called “THINGS THAT KINDA BOTHER ME,” and thankfully one of those things has now been somewhat rectified: that Bush appointed Henry fucking Kissinger as head of the “independent” 9-11 commission. (read the rest of this shit…)

I don’t know what the deal is with this movie but I gotta admit I kinda liked it. Basically it is your formula movie about young kids competing in something, like LOVE AND BASKETBALL or KARATE KID or WORLD’S BIGGEST GANG BANG or that kind of thing. But in this case instead of sports they are competing at marching band.
Hey, everyone. “Moriarty” here with some Rumblings From The Lab.
Brian De Palma has gotta be one of the most controversial directors there is. Not because of the content of his movies but because of the reactions to them. It seems like anybody who knows who he is either hates him or loves him. Mostly hates. But they’re wrong.
Well that young bald man Steve Soderbergh is still on a roll. He just keeps hittin em, bam bam bam and even when they’re not a home run like THE LIMEY or OUT OF SIGHT they’re still real good. Hell, even FULL FRONTAL, he just squirted that one out like a soft ice cream, and it was pretty good ice cream too. This one is a little more of a sunday. It’s not my favorite soderbergh movie but that’s like saying “that’s not necessarily the greatest blowjob I ever got.” This guy has never made a bad movie. Go ahead, try to find one. You can’t. You would have to make a fake movie and put his name on it. But he didn’t make that one, you did. You can’t fool me. Fool me once, shame, shame, you can’t fool me.
I really don’t have much to say about this movie, so instead I will rail against our modern consumerist society. thanks for your understanding.
FAR FROM HEAVEN is the lovingly crafted new film from Todd Haynes (VELVET GOLDMINE), about an upper class socialite house wife (the great Julianne Moore from JURASSIC PARK PART 2 and ASSASSINS) dealing with the shameful prejudices and social pressures of the time. When she discovers that her husband (one of the Quaids, I think Randy) kissing a man, she tries to be loving and understanding about it. Her friends joke about her liberalism and call her “Red” but she naively deals with it as a medical problem, and brings him to a doctor to be “cured”. Soon she strikes up a friendship with her black gardener (the president from that stupid tv show 24) and again tests the limits of her liberalism when she finds that both whites and blacks scorn their innocent relationship.
Hey folks, Harry here… Both Moriarty and Mr Beaks have seen ADAPTATION and are set to write reviews that declare it just about earth-shatteringly gob-derned whipperwill brilliant, and I lay here simmering in jealousy, because I haven’t seen it yet. I’ve been uga-bugga beating my chest about this one and carving “SEE ADAPTATION” in granite for the past year and a half. My fingers have bled, in an exisstential manner of speaking, over this one. Vern loved it. Vern’s better than both Moriarty and Mr Beaks, because Vern doesn’t fondle octogenarians. Yeah. Here’s Vern… MUST SEE MOVIE!
The two strongest feelings I have about Abel Ferrara’s latest are “that was pretty good” and “what the hell?” I will cover these two feelings in order.
I don’t know how to explain my fascination with Steven Seagal, but you can read my review of ON DEADLY GROUND and maybe you’ll understand. I don’t think the dude is exactly advancing the cause of Badass Cinema with his works, but I still enjoy every new chapter of his saga.

















