MARTYRS is one seriously fucked up horror movie. It hails from France circa last year, but comes to region 1 DVD today. I went in knowing zero about the plot, just that it had a reputation as a good but brutal horror movie. This DVD actually has an introduction where the director, Pascal Laugier, introduces himself as “the director of the movie you’ve decided to watch tonight” and then says, “I’m not sure you’ve made the right decision.” Then he proceeds to apologize in advance.
And I think he’s only half joking. My recommendation: if you can take a really upsetting horror movie and want to see a good one, stop reading and see it fresh like I did. If you need some convincing or something you can click through. I’ll still try to be vague. (read the rest of this shit…)
FROST/NIXON also came out on DVD yesterday, so I figured I would dig out my unfinished review from when I saw it on the big screen and polish that up.
Well this new “blog” format is working out real good. I don’t think I’m gonna start catching up with all the 21st century technologies, for example I still don’t have a cellular phone device or those shoes with the wheels in them. But everywhere I go I hear about this “twitter” they got now. Moriarty writes in his column about how Harry Twittered him something or other, Harry writes in his column about what he was Twittering during the movie because it was so scary, Devin Feraci on Chud is mad because some other douchebag used his twittering during Crank 2 and also he had to cancel his tweeter for Even Rachel Wood because he was disappointed in the quality of her twitterings, or whatever.
NOTORIOUS, the biopic of the late rapper Christopher “Notorious (Biggie Smalls) B.I.G.” Wallace comes out on DVD today.
There are two Richard Stark based movies left that have never been released for the home video in the U.S. One is MISE A SAC, a French one based on The Score, where Parker and a crew try to rob an entire mining town. The other is THE SPLIT, based on The Seventh, where Jim Brown as the Parker character robs a football stadium and then has some trouble afterwords. My man David M. in France has seen both – he saw a restored print of MISE A SAC and told me it was great. As for THE SPLIT he did me one better than telling me about it, he sent me a recording from when it played letterboxed on the French Turner Classic Movies channel. (I don’t know who the French Ted Turner is, but it sounds like he plays better shit than the American one.)
Yesterday was Roddy Piper’s birthday. I’m celebrating late with the Piper/Billy Blanks picture from 1993, BACK IN ACTION.
Looking into the early works of Brian Trenchard-Smith I found a genre I never knew existed: stuntsploitation. Here are two movies about the world of stuntmen, with flimsy plots (if any) to string together a bunch of cool stunt sequences.
Half the fun of writing is all the emails I get, so I think it’s a good idea to finally catch up with modern computertational technology and have comments. That means I gotta transfer over to this “blog” format here, but I don’t want it to look the way it does now. Too slick. So I’m gonna try to figure out how to make it my own (looks hard).
This lesser-but-still-good Arnold Schwarzenegger vehicle came in 1986, a breather between COMMANDO and PREDATOR. It opens with some mobsters shooting up a house where cops are protecting a witness. The first line in the movie is a cop reading a Trivial Pursuits question about how many Oscars John Wayne won. The correct answer is never given, but we get the idea: John Wayne is awesome, we’re not in this for the Oscars, but John Wayne deserved Oscars, and so do we, etc.
