"CATCH YOU FUCKERS AT A BAD TIME?"

The Incredible Hulk

Listen up Hulkamaniacs –

This new Hulk remake/sequel/do-over/all new adventure starts out with an opening credits montage of flashbacks and headlines to explain his Incredible origin. It’s like the opening to a TV show, setting up what you need to know. So I’m gonna do a TV show opening for this review to: I don’t know the comic strips, vaguely remember the TV show, still love the Ang Lee movie no matter what you say, but was open to and kind of excited about the notion of the goofball director of fucking TRANSPORTER 2 taking over to do the flip side of that coin.

But I got a little worried when I read that Edward Norton had rewritten the script. Uh oh. That means he thinks he’s making the serious Hulk movie. Did he not know about the Ang Lee one? I think he did, because I read that he turned it down. I guess he regretted that maybe. It’s true, Louis Letterier is not in TRANSPORTER 2 mode here. He’s more in DANNY THE DOG aka UNLEASHED mode: a movie with elements of crazy action fun, but that is trying really hard to be a serious drama. (read the rest of this shit…)

The Happening

Okay, you guys were right. I’ve been defending M. Night Shyamalan as a talented director based on how he moved the camera around in THE SIXTH SENSE and UNBREAKABLE. I didn’t like SIGNS as much, but alot of it worked. I didn’t see THE VILLAGE, which may have strengthened my argument through the ancient technique of “denial.” And LADY IN THE WATER was a hilarious disaster, which means he’s at least interesting even when he’s embarrassing himself and all of his ancestors and descendants and anyone who has ever known him or seen one of his movies.

But after this one I’m with you guys, I give up on Shyamalan. And it has nothing to do with twist endings (there isn’t one in this movie). This is just a bad movie that blows it from the beginning and gets more silly as it goes along, and there isn’t even much of the technical skill he used to display to make up for it. (read the rest of this shit…)

Magnum Force

DIRTY HARRY is probaly a better movie overall, but as far as sequels go I think MAGNUM FORCE is a work of genius, because it does two things.

ONE:

It does a good job of following the template of the original and delivering alot of what people liked about that one, for example the classic hot dog/bank robbery scene is replaced by a scene where he goes to get a hamburger at an airport cafe and ends up stopping a hijacking. You gotta love when he butts into the security pow wow at the airport, they tell him what’s going on, he asks “Can I make a suggestion?” and it cuts to him walking toward the plane wearing a pilot’s uniform. Classic! (read the rest of this shit…)

Dirty Harry

Man, I’ve watched DIRTY HARRY so many times since I’ve been writing about movies, and it is clearly one of the classics of Badass Cinema (the Loose Canon, I recently decided it should be called. Get it it is a pun I believe.) But I just figured out that I never wrote a review of it. Weird.

This time I watched it on the occasion of buying the new DIRTY HARRY ULTIMATE COLLECTION box set, which totally made my day and I did feel lucky punk and it is so good it would blow your head clean off and is the most powerful box set in the world. That is not really puns but you know what’s going on there, I think you get it. (read the rest of this shit…)

Indiana Jones and the Kingdom of the Crystal Skull

MY SUMMER VACATION IN THE KINGDOM OF THE CRYSTAL SKULL

or

AH, FUCK IT, LET’S GET THIS OUT IN THE OPEN: I LIKED INDIANA JONES AND THE LEGEND OF THE CRYSTAL SKULLS, AND I DON’T REALLY UNDERSTAND WHAT EVERYBODY IS GRIPING ABOUT

Last July this thing happened called TRANSFORMERS. It was one of the biggest movies of that summer, but I thought it was a terrible one. My main problems were the characters, the story, the comedy, the action sequences, and (this is a first for me) especially the design of the characters. The CGI characters were so overcomplicated and indistinguishable from each other that they actually made Michael Bay’s notorious camera placement and editing beside the point, because even if it was two robots in front of a stationary camera in one continuous shot you still might not have any clue which one is which, what they’re doing or which direction they’re facing. That’s actually the biggest problem of many big problems in the movie and I’m pretty sure it’s a cinematic first – using the latest technology, Michael Bay invented a completely new way for a movie to suck. So I figured it was a bad, bad movie. (read the rest of this shit…)

Death Wish V: The Face of Death

This one finishes off the series, it’s a goodbye to Paul Kersey and to Charles Bronson for those who aren’t gonna watch the three FAMILY OF COPS movies (the only thing he made after this). I’ve read that Bronson had Alzheimer’s, but he seems completely with it and in good shape.

The year is 1994, Paul has another girlfriend with another daughter. Like part 4 they don’t get mugged or raped, but like all DEATH WISH movies they’re in serious danger. This time Paul runs afoul of the Irish mafia, specifically his girlfriend’s crazy ex-husband Tommy O’Shea (Michael Parks, aka Sherriff Earl McGraw from FROM DUSK TILL DAWN, KILL BILL and both GRINDHOUSE movies). We find out Paul is in witness protection now, not on the run, and he calls an old friend at the D.A.’s office (Saul Rubinek) to help him with O’Shea. But of course that makes things worse, so Paul finds himself sneaking around picking off mobsters. It occurs to me that makes it kind of like a slasher movie where you root for the slasher. Oh well. (read the rest of this shit…)

Malone

Friends, I don’t know if any of you are with me on this one, but just humor me for a minute and pour one on the curb for the video store. There are still plenty of them holding on and struggling, but the vultures are circling. More and more people prefer the instant gratification of download on demand or the not even close to instant gratification of ordering movies on a fucking websight and then waiting around for them to show up at some later date in your mailbox and then you will leave them sitting on your coffee table for two weeks and then remember that you got it and then watch part of it and send it back. But in my day, and still to this day, there was another part of the equation, the browsing. The hunt.

And it is only through this forgotten activity that you can have an experience like this one. You’re looking through the action section, trying to decide what you should watch:

I’ve seen alot of these. Not interested in a lot of these. Why is that one in the action section? I guess I’m not sure what section you would put it in. Oh, I forgot they did a remake of ASSAULT ON PRECINCT 13. That wasn’t very good. MR. AND MRS. SMITH? I never did see that one. Looked kind of good. Everybody said it was bad though. But there was that shot in the trailer, she was rapelling down the building and she had garters on, maybe I should– (read the rest of this shit…)

Vern Peels THE ONION MOVIE!!

I know what you’re thinking. THE ONION MOVIE? Are you fucking kidding me? They’ve run out of ’70s slasher movies, TV series, action figures, video games and board games to turn into movies, now they’re moving on to the fucking produce department? Well to be fair onions are a vegetable with a rich history. In Caananite Bronze Age settlements, traces of onion remains were found dating back to 5000 BC. There is Biblical evidence (specifically the Book of Numbers) indicating that onions were grown in Ancient Egypt. In fact, to the ancient Egyptians (SPOILER) their concentric rings represented eternal life. So I think with a visionary artistic team behind the camera and a decent budget an onion movie could be a real eye-opener. Unfortunately this movie has nothing to do with vegetables at all, it is based on that websight The Onion with the fake news articles and the movie reviews and what not.

I watch more direct-to-video crap than the average citizen, but even I usually draw the line at direct-to-video comedy. If MEET THE SPARTANS can get a theatrical release and you can’t then I’m not sure I trust you, even if a renowned institution such as a National Lampoon’s or an American Pie Presents is willing to put its name on the line on your behalf. In this case The Onion is only putting its name on the line due to contractual obligation. Some of their former editors wrote this thing back in 2003 but they and the directors disowned it years ago and it was sitting on the shelf until recently when somebody was moving some boxes around trying to find some of their old yearbooks or something and their ass bumped it off the shelf and it lands in stores Tuesday. (read the rest of this shit…)

Vern wants you to Pay Homage to the Man With The Ponytail… Steven Seagal! And get a PLAYSTATION 3 for the effort!

WIN A PLAYSTATION 3 JUST BY PAYING TRIBUTE TO STEVEN SEAGAL

Which I imagine is something you guys do in your spare time anyway, so why not?

Hello friends, Vern here. As many of you know, I self-published a book last year called SEAGALOGY, which forever changed the lives of the couple hundred people who read it. If you have noticed any kind of improvement in the world or change in the essence of a man since then I think it is fair for me to take full credit. Well, on June 10th a new revised and updated edition of the book will come to book stores everywhere thanks to Titan Books, a fine British publisher also responsible for the greatest coffee table book I know of Click Here! Obviously an in-depth study of the films of Steven Seagal sells itself, but as a sign of respect for my mission the nice people at Titan decided to promote the book through the medium of contest. Basically what you have to do to enter is make a video paying tribute to what you like about Seagal. (read the rest of this shit…)

Vern reviews the new Jim VanBebber box set!!!

VISIONS OF HELL: THE FILMS OF JIM VANBEBBER

This Tuesday Dark Sky releases a 4-disc box set of the works of underground director Jim VanBebber. Although he’s been working since the mid-’80s this little box of sleaze represents pretty much his entire output: 2 feature films and some shorts. I think the only thing missing is a bunch of music videos, a trailer called “Chunkblower,” and some 8mm stop motion shorts he made as a kid. The guy is completely independent and uncompromising, this is not a gonna you expect to start directing commercials or be in the running to take over THE WOLF MAN. But I guess if it wasn’t such an uphill battle for him his movies wouldn’t be as interesting.

One of the two features is THE MANSON FAMILY, which he started in 1988 as a quickie exploitation movie that he expected to do in 2 weeks. Then he got obsessed with researching the actual crimes, ran out of money, started up again later and didn’t finish it until 2003. To be honest I’m not a big fan of this one even though some of the filmatism is amazing. It really looks and feels like it was made in the late ’60s or early ’70s. At its best it’s pretty terrifying, a really bad trip. The scene where they cover themselves in dog’s blood during a beachside orgy has to be seen to be believed. (read the rest of this shit…)