For 20 years we have known the legend of Steven Seagal. He was the aikido teacher, the white man who ran a dojo in Japan and later impressed people in Hollywood so much they made him a movie star. He wrote and produced many of his movies, directed one of them, created a unique persona. He got more and more into Buddhism and Zen, sometimes working them into his movies, eventually being declared by somebody as a reincarnated Tulku.
During this decade, suddenly, we learned that he was a bluesman too. It seemed ridiculous at first, but it was true. It seemed so out of the blue that you could assume it was just a new phase he was going through, but looking back over old articles I found references to him playing guitar even back in his youth in Japan. And I heard and saw him with my own ears and eyes, and he could play, and his band was tight.
So we got used to that, now all the sudden you’re telling me he’s been a cop for 20 years? In his spare time, like in between the 37 movies he’s filmed? Man, I have trouble working a day job and writing movie reviews, this guy is filming several movies a year, recording albums, going on tour and chasing carjackers? (read the rest of this shit…)
Seagal’s new reality cop show begins on 
I’m not sure how they released it in other countries, but my fellow Americans will remember that TERMINATOR SALVATION followed the LIVE FREE OR DIE HARD pattern of cutting it to a PG-13 rating in hopes of getting a wider audience (they weren’t interested though – I’m pretty sure it made less money than its three R-rated predecessors).
From the cover, LOVE THE BEAST looks like some indie movie starring Eric Bana, Jay Leno and Dr. Phil. What the hell? When did Bana enter Dolph’s co-starring-with-daytime-talk-show-hosts period? Well it’s not that, and it’s not THE COLLISION COURSE: PORT OF CALL NEW ORLEANS. It’s actually a documentary about Bana’s love for the Ford Falcoln Coupe he’s had since he was young, and for the 4-day Targa race across the scenic roads of Tasmania. He directed it and it’s so clearly a labor of love that the enthusiasm is contagious.
When I wrote about Abel Ferrara’s 
THE ROAD is a good movie, better book. If you’re thinking about reading it but haven’t got to it yet I’d say read it, then see the movie. The movie (directed by John Hillcoat, who did THE PROPOSITION) is very faithful to the book (by Cormac McCarthy, who did No Country For Old Men) and illustrates it well, but it can’t really do the same thing.
A bunch of actual good movies came out this week, and I’ll review a couple of them soon. First I have to catch up with this crap I saw last week…
(this review has more spoilers than usual because there’s alot to analyze.)
To tell you the truth it was the Lee Marvin/Don Siegel version of this Ernest Hemingway story that I was interested in, but Criterion released the two versions together, so I watched this Robert Siodmak/Burt Lancaster one first. Way to go, Criterion – expanding my ignorant horizons.
