I went and saw a revival movie at the local cinema, it’s called STAR WARS EPISODE I: DARTH MAUL (formerly The Phantom Menace) 3D. I’m not sure if you guys are familar with that movie from the dvd and blu-ray, but check it out, you’d probly like it. Anyway they have it re-released in theaters in 3D.
The reason I bring it up is because I think this is more proof of the wrong-headedness of modern 3D. Not because it’s 3D, as is the conventional wisdom, but because it’s not 3D enough. This is a special case because obviously it’s not a movie shot in 3D, it’s one of these postconversions that I decided to stop seeing, but (like TITANIC) it’s one that they spent more time and money on and it was done by technicians who seem to give a shit, so I was hoping it would be done well. (read the rest of this shit…)

THE BLACK POWER MIXTAPE 1967-1975 is an unusual documentary. The title means that the footage wasn’t made as part of one movie, it’s a collection of short pieces covering stories of the American civil rights movement, put together and recontextualized a little with voiceovers by activists (Angela Davis), poets (Abiodun Oyewole from the Last Poets) and musicians (Talib Kweli, Erykah Badu) talking about what they’re seeing. There’s coverage of Stokely Carmichael, young Nation of Islam spokesman Louis Farrakhan talking about his church, the Attica riots, Angela Davis in jail (wearing a red turtleneck) telling about the terror of racist bombings during her childhood to chastise an interviewer for asking her if she believes in violence.
Hey, remember Leon from THE FAST AND THE FURIOUS? Of course not, nobody does. He’s the guy that doesn’t really get to do anything, or come back in any sequels for a second chance. He’s played by Johnny Strong, the lead in this movie. Strong also wrote and performed the songs, so this must be a passion project for him. He plays one of these Over the Edge Cops, you know. Going Too Far, because of various troubles (son died, wife left him, also war and Katrina vet). At first I was suspicious of Strong as a leading man, but he pulls it off. He’s pretty good.
Honestly all I knew going into THE WOMAN was who made it, that it was supposed to be really good, and that
After seeing WAR HORSE I wanted to see something about a civilian horse, so I watched this 2002 animated cartoon movie about a horse running wild in the old west. I guess his name is Spirit. I guess he is a stallion. I guess he lives in one of the places that is called Cimarron. I’m not sure which one. 
Steven Spielberg’s WAR HORSE is the story of a horse named Joey. He is distinguishable because he is brown with a white mark on his head and above his hooves. Otherwise I’m not sure I could pick him out in a lineup. He’s just a horse. Doesn’t talk or do math problems or anything.

I was sort of dreading THE TERMINAL, because I’d heard only bad things, and because I was pretty sure it wouldn’t stand up to SCHINDLER, AMISTAD and PRIVATE RYAN all in a row. Well, it’s not something a consider a good movie. It’s a hacky comedy script that squeezes cute bullshit out of a great real life premise. 
No joke, I never saw SAVING PRIVATE RYAN before. I’ve never been big on war movies and I think back when it was a recent movie I was real cynical and suspicious of any type of flagwaving. I thought movies like this were just brainwashing kids to join up in case they needed to blow up Iraq again.
Don’t worry everybody, the Spielberg series is gonna finish, I’m just taking the time to get the reviews right before I post them. I also got some other reviews of recent home video releases in the works including one of the most interesting horror movies I’ve seen in a while. So stay tuned to this websight, or better yet keep reloading it from different computers to raise my unique hits count.

















