If DRACULA UNTOLD isn’t forgotten, then it’s kind of notorious. From what I remembered it was the start of the Dark Universe, the planned shared universe of action-oriented Universal Monster reboots. The public scoffed at that whole idea, then everybody (besides me) hated THE MUMMY and the whole thing got scrapped and became a punchline.
But it wasn’t originally intended to be part of that anyway. The script had been around for a while. I remember reading about it years earlier when it was gonna be an Alex Proyas movie called DRACULA: YEAR ZERO. Sam Worthington was to star. It wasn’t about starting anything, it was about prequelizing Dracula as a thrilling 21st century fantasy adventure character – to give the iconic cape-wearer a heroic backstory, or at least good intentions and motives. Basically it asks what if before he was the Count we all know, he was what I call a Fantasy Sword Dude: the pretty cool, unevenly charismatic hero of a digital era studio b-movie. (read the rest of this shit…)
I watched EMILIA PÉREZ before the Golden Globes, because it was the movie with the most nominations. I figured that was a Globes-specific Netflix-is-good-at-marketing situation, because I’d only ever seen it trashed online, and not a single non-critic I talked to had even heard of it, even though it had been available on Netflix for months. But this morning the Oscar nominations were announced and it’s in the lead with 13 nominations, tying 
WOLF MAN is an event not just because it’s a new wolf man but because it’s the fourth movie directed by Leigh Whannell, the last two being 
I watched the 2023 Canadian film RED ROOMS (Les chambres rouges) on Shudder, but come to think of it it’s not exactly a horror movie. It’s kind of more harsh than that. It’ an extremely unsettling character drama, maybe a thriller, about the trial of a man accused of horrific child murders live on webcam. We thankfully don’t have to see any of the violence, but the images created in our mind are worse, described with a true crime bluntness rather than genre flair. I would not say this is a fun movie.
FLOW (Straume) is another one of those animated features I ask for sometimes, the type that respects the medium enough to do something one-of-a-kind instead of just making up some cartoon guys and grafting them onto one of the handful of available formulas. This one is from Latvia but there’s no dubbed vs. subtitled issue because (hey, kinda like 
I checked around, and unless somebody’s lying to me it seems nobody asked for there to be a straight-to-Paramount+ prequel to 
BETTER MAN is a musical biopic of Robbie Williams that came out last week, but 
The original 2022 Danish film 
THE THICKET is a new western that played a few theaters last year and now is on Tubi (who have their name on the credits). I was aware of it because it’s based on a book by Joe R. Lansdale – I don’t know the book, but his name will usually draw my attention. That said, I’m always wary of an indie western in this day and age. Maybe I’m generalizing, but most of them I’ve come across just don’t cut it. I put this one on, though, and I immediately thought oh shit, this is a real movie.
